Lost Highway Page #11
- R
- Year:
- 1997
- 134 min
- 661 Views
CUT TO:
Fred is brought in wearing handcuffs and leg irons, a GUARD
on either arm. He is placed on a chair in the middle of the
room. The guards stand one on each side of him. A DOCTOR
enters. He is in late-middle age, with serious eyebrows.
Fred's head is hanging down, chin on chest. The Doctor lifts
Fred's head and we see dark circles under Fred's eyes; his
face is pale, teeth clenched, eyes tearing. The Doctor takes
a light utensil from his pocket, and inspects each of Fred's
eyes. He feels Fred's forehead. After this, he allows Fred's
head to drop down again. The Doctor takes Fred's pulse. He
drops Fred's wrist. He next takes Fred's blood pressure.
DOCTOR:
You sleeping okay?
FRED:
(strained whisper)
I can't sleep.
The Doctor goes over to a cabinet, unlocks a drawer, and
removes a large blue pill. He fills a paper cup with water
from a dispenser, goes back to Fred and places the pill in
Fred's mouth. The Doctor tilts Fred's head up and pours the
water down his throat, some of it dribbling down the front
of Fred's shirt. The Doctor looks into Fred's mouth to make
sure he swallowed the pill.
DOCTOR:
You'll sleep now.
(to Guards)
Take him back to his cell.
The guards lift Fred by his arms, and shuffle march him out
of the infirmary.
CUT TO:
INT. PRISON - FRED'S CELL - NIGHT
Fred awakens on his cot. He turns and sits up in the darkness.
A stream of light through the slot window illumines Fred's
head, the forehead of which is swollen and discolored. He
staggers up and shuffles over to the call button, which he
leans on. A few moments later, a GUARD appears on the other
side of the mesh.
GUARD:
What is it?
FRED:
Aspirin... fly head. I gotta have
more aspirin.
GUARD:
The doctor said not to give you
anything. You can see him in the
morning.
FRED:
But my head...
The guard looks at Fred through the window, and what he sees
disturbs him. The guard makes a strange face.
CUT TO:
INT. PRISON - DEATH ROW HALLWAY - NIGHT
The guard walks away from Fred's door to the guard station,
where another GUARD is sitting at a table, reading a magazine.
GUARD #1
Sh*t, that wife killer's lookin'
pretty f***ed up.
GUARD #2
(not looking up from
his magazine)
Which one?
They both laugh.
CUT TO:
INT. PRISON - FRED'S CELL - SAME - NIGHT
Fred is on the floor lying on back. The camera comes slowly
down at him from the ceiling, like a weight pressing on his
head. Fred's pain is demonstrably overwhelming him now. He
moans and rolls from side to side in the dimness, making
grotesque, otherworldly sounds. As the camera moves into a
CLOSE UP, the last image of Fred's head shows the discolored
swelling has increased. Fred looks up, sensing something.
CUT TO:
EXT. THE MADISON HOUSE - NIGHT
There is a "For Sale" sign posted in front. The camera pans
slowly as in the videotape across the front of the house.
The interior of the house is dark, but fleetingly we are
aware of movement, shadows inside.
CUT TO:
INT. ANDY'S HOUSE - NIGHT
Marian and Raquel are in the living room, attired in the
undergarments they purchased at the lingerie store. HOT MUSIC
is BLARING from a stereo. Marian and Raquel are dancing, as
sexy and wild as it is possible for them to be. Andy is lying
on his back on the rug, dressed only in undershorts and socks,
the girls stomping feet stepping furiously around his head
and body. His eyes are closed at first, but when he opens
them, he sees their feet in a blur. He tries to get up, but
he is too strung out, and he collapses again. Marian and
Raquel take him by his hands and feet and begin pulling him
around the room as they dance. Andy is blitzed, smiling
moronically. The girls' breasts tumble out of their teddies.
Raquel drops her end of Andy, turns up the music even louder,
and dances into a frenzy. Marian drops to her knees, Andy's
feet on either side of her, shaking her shoulders and whipping
her hair around. Andy makes another attempt to sit up - he
looks at Marian, reaches for her but falls back, dead to the
world. Raquel and Marian don't quit.
CUT TO:
INT. PRISON - FRED'S CELL - NIGHT
Fred is still curled on the floor, but spasms begin to rock
his body. He goes into convulsions, blood gushes from his
nostrils. His head is badly swollen. Fred vomits repeatedly,
and drags around in his mess. Fred turns, straining upwards
as we've seen him do before. His face and head are hideously
deformed.
Fred brings his shaking, tortured hand to his forehead. He
pulls his hand down across his face squeezing it as it goes.
As his hand passes over his face, Fred's features are removed
leaving a blank, white mass with eye sockets.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Lost Highway" Scripts.com. STANDS4 LLC, 2024. Web. 19 Nov. 2024. <https://www.scripts.com/script/lost_highway_454>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In