Lost Highway Page #18

Synopsis: From this inventory of imagery, Lynch fashions two separate but intersecting stories, one about a jazz musician (Bill Pullman), tortured by the notion that his wife is having an affair, who suddenly finds himself accused of her murder. The other is a young mechanic (Balthazar Getty) drawn into a web of deceit by a temptress who is cheating on her gangster boyfriend. These two tales are linked by the fact that the women in both are played by the same actress (Patricia Arquette).
Genre: Mystery, Thriller
Production: Universal Pictures
  1 win & 2 nominations.
 
IMDB:
7.6
Metacritic:
52
Rotten Tomatoes:
60%
R
Year:
1997
134 min
661 Views


SHEILA:

You sure weren't acting like the

Pete Dayton I've always known.

PETE:

Whatiya mean?

SHEILA:

You were acting like a different

person.

Pete laughs, but Sheila doesn't.

PETE:

Who else could I be?

Sheila stares seriously at Pete, but then laughs too.

SHEILA:

I don't know.

Sheila leans in very close to Pete and whispers in his ear.

SHEILA:

You still care about me?

PETE:

Sure. Sure I do.

Sheila pushes her mouth on Pete's and they kiss. Pete breaks

away - looks at Sheila - serious.

PETE:

What else about that night?... Did

anything happen?

SHEILA:

You really don't remember?

PETE:

No... I told you.

SHEILA:

It was weird...

PETE:

Whatiya mean, Sheila?

SHEILA:

I don't want to talk about it...

PETE:

Sheila?!

SHEILA:

No... I really don't want to talk

about it.

CUT TO:

EXT. TEN PIN BOWLING ALLEY - NIGHT

Ed and Al sit in their unmarked police car watching the

bowling alley entrance and "V's" car.

FADE OUT:

CUT TO:

EXT. DAYTON HOUSE - MORNING

Pete fires up his souped up Camaro and listens happily to

the engine purring. He eases the big Camaro out of the

driveway and blasts off down the street.

CUT TO:

EXT. ARNIE'S GARAGE - MORNING

Pete cruises into his parking place and cuts the engine.

ARNIE comes rushing toward him, sporting a big smile.

ARNIE:

Wonderful!!... Wonderful to see you,

Pete. How are you?

PETE:

(climbing out of the

Camaro)

Feeling good, Arnie. Ready to get to

work.

ARNIE:

Wonderful, Pete. Really wonderful.

Alotta people Pete... alotta people

are gonna be very happy.

Arnie takes Pete by the arm and they go inside the garage.

CUT TO:

INT. ARNIE'S GARAGE - MORNING

Other MECHANICS give Pete the "hi" sign and yell their

greetings over the din. Arnie pulls Pete closer and shouts.

ARNIE:

Mr. Smith has been waiting for you

and Mrs. Trueworthy. Can you take

care of Mr. Smith now?

PETE:

Sure.

ARNIE:

Mr. Eddy's called every day... Can I

call him to come in?

PETE:

Sure, Arnie. Bring 'em on, I'm ready.

Pete walks over to a Ford Station wagon and pops the hood.

A happy MR. SMITH comes out of the office to join Pete at

his car.

CUT TO:

EXT. ARNIE'S GARAGE - MORNING

Ed and Al pull to a stop down the street from the garage.

Ed kills the engine and they stare at Arnie's.

DISSOLVE TO:

INT. ARNIE'S GARAGE - DAY

Pete is leaning down into the engine well of a Chevy Caprice

working hard for Mrs. Trueworthy.

Arnie's Garage is busy.

CUT TO:

EXT. ARNIE'S GARAGE - DAY

A large black Mercedes 600 Pullman pulls into the garage.

CUT TO:

INT. ARNIE'S GARAGE - DAY

The Mercedes pulls to a stop and MR. EDDY and TWO of his

ASSISTANTS climb out.

Arnie waves to Mr. Eddy from the office.

MR. EDDY

PETE!!! WHERE'S PETE?!!

Pete comes up out of the well and turns. When he sees Mr.

Eddy, he heads across the garage to greet him. Mr. Eddy opens

his arms wide and embraces Pete. When he pulls away, he sees

Pete's face.

MR. EDDY

What happened? Somebody givin' you

trouble?

PETE:

No, it's nothin'... I'm all right.

MR. EDDY

Because if anybody's givin' you

trouble, Pete, I can take care of

the problem... like that.

(snaps his finger -

loud)

PETE:

No, no... It's okay, Mr. Eddy.

MR. EDDY

I mean it, Pete... Like THAT!!

(snaps his finger -

loud)

PETE:

Thanks, Mr. Eddy... whatiya need?

Just the regular tune-up?

MR. EDDY

I want you to ride with me. Somethin'

doesn't sound right.

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Barry Gifford

Barry Gifford is an American author, poet, and screenwriter known for his distinctive mix of American landscapes and film noir- and Beat Generation-influenced literary madness. more…

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