Lost in America Page #2
- R
- Year:
- 1985
- 91 min
- 916 Views
There's no answer.
DAVID:
(continuing; call-
ing after her)
Really, you have great taste.
(turns back around
to the mirror)
I'm sorry. That was my wife...
Yes, she has wonderful taste.
She's going to choose the whole
tile thing herself. Originally,
we were going to do it together
but it's nice to be able to trust
someone, don't you think?...
Well, that's very nice. I trust
you, too. Hey!... When our house
is finished maybe you'd like to
come over and play tennis... No,
but we might put one in.
CUT TO:
5EXT. WILSHIRE BLVD. OFFICE BUILDING - DAY
We see David pulling into the garage.
CUT TO:
6INT. MAJOR ADVERTISING AGENCY - DAY
David is walking down the corridor towards his office.
He's saying "Hello"'s to various people. He comes to
his own office. There we see his secretary, SUSAN, on
the telephone. Obviously, she's making a personal call
and she hangs up abnormally fast as soon as she sees
David.
DAVID:
Morning.
SUSAN:
Good morning. Your meeting is
in forty-five minutes.
DAVID:
Oh my God. What time is it now?
SUSAN:
Ten-thirty.
DAVID:
Okay.
(thinking aloud)
Ten-thirty, eleven, eleven-fifteen
... okay. Susan, don't let any
calls in. I don't want to be
bothered. I don't want to do any
business. I just want to prepare.
David walks into his office. After a beat, he sticks
his head out.
DAVID:
(continuing)
Oh yes. Get me Valley Mercedes,
will you?
CUT TO:
7INT. ROBINSON'S DEPARTMENT STORE
We FOLLOW Nancy as she's walking through the department
store. She comes to her office. Her office is on the
third floor in the corner with the other business offi-
ces. Her friend, PATTY, who works with her, is in the
office next door. All offices are separated by glass
partitions. Nancy comes in and sits down. Patty sees
her and enters.
PATTY:
Hi.
Nancy looks up from her desk.
NANCY:
Hi.
PATTY:
Is it beautiful?
NANCY:
What?
PATTY:
The kitchen. What does it look
like?
NANCY:
(half-heartedly)
I chose an orange tile.
PATTY:
Orange?
NANCY:
A burnt orange.
PATTY:
Sounds pretty.
NANCY:
Patty, close the door.
Patty closes the door and sits down.
PATTY:
What's the matter?
NANCY:
I'm going to hate this house.
PATTY:
What are you talking about?
NANCY:
When the contractor left this
morning, I was all alone there
and I sat in the middle of the
living room and I got so sad. I
got this preview of the next ten
years, I just started shaking.
Patty just stares at her. She knows that Nancy is
serious.
NANCY:
(continuing)
I'm so unhappy. I don't like
anything anymore. I don't like
my job. I don't like my life.
I don't like anything. I feel
dead.
PATTY:
What do you mean?
NANCY:
Nothing's changing. I'm not
growing. David's not growing.
We've just stopped. Life is
passing us by.
PATTY:
Listen, you've had a tough week.
With the moving and everything
you're very tired. When you get
tired you feel bad. Things seem
worse.
NANCY:
I'm not that tired.
Do you know I've been hiring
girls who are nineteen years
old, who've already had more
experience out of life than I
have?
PATTY:
You don't know that. You
can't tell what a person has
experienced just by interviewing
them.
NANCY:
Okay. Let's forget it. I
really haven't thought this
through enough. I don't want
to discuss it now. Let's get
to work.
PATTY:
No. I'm sorry. I didn't mean
to say the wrong thing. Have
you talked this over with
David?
NANCY:
Of course not. That's the
problem. I can't talk anything
over with him. It's hopeless.
PATTY:
Are you thinking of splitting
up?
NANCY:
Well, that's not my first choice
but what's the alternative? And
I'm not blaming David. I know
he genuinely believes that being
made Vice President is going to
change things. But he genuinely
believed that every promotion
would change things. It never
does. Maybe for a few days, but
that's it. Then things are
always the same.
PATTY:
Well, this is vice president.
Maybe this time it will change.
NANCY:
And what if it won't?
PATTY:
Then it won't. Then you get
divorced, I don't know. Whatever
you have to do.
NANCY:
Oh, God. Maybe it will.
PATTY:
It will or it won't.
NANCY:
Okay. I'm starting to feel sick
to my stomach. Thanks for talking
to me. Let's just say maybe it
will.
PATTY:
(standing up)
Good. Because if it won't, it
won't anyway so what can you do?
NANCY:
We said we'd stop on "will."
PATTY:
We did. We've stopped. It will.
Patty hesitantly backs out of Nancy's office.
PATTY:
(continuing)
It will. It will work out.
Nancy stares straight ahead. She looks very depressed.
CUT TO:
8 INT. DAVID'S OFFICE
He is writing at his desk talking on the telephone.
He's writing down figures.
DAVID:
Oh, then tax, license, out-the-
door, everything included, what
are we talking about?... Thirty-
six thousand, five hundred and
twelve. Jesus! For a car... No,
I know, a Mercedes. It's still
a car... Well, I don't care. To
me, if it has wheels, it's a car.
But that's not the point. Now,
that's everything, right? That's
it? You don't have to pay that
money and then be told that there
are options? No extras, everything
included... Come on! - For thirty-
seven thousand, leather is extra?
What kind of seats are in there?...
What is Mercedes Leather?... So,
why don't you just say vinyl?...
Okay, thick vinyl, but it's still
vinyl... Okay, these kind of
semantic arguments are silly.
The BUZZER RINGS.
DAVID:
(continuing)
Just a moment.
(presses the
intercom)
Yes?
SUSAN:
It's eleven ten.
DAVID:
Thank you. Susan, I have another
one of these Mercedes guys on the
phone, he won't hang up. Would
you do something with him please?
David hangs up. He stands and walks over to a small
mirror. He straightens his tie, fixes his jacket and
carries on one more little conversation with himself
as the boss.
DAVID:
(continuing)
What can I say? I guess, thank
you... Oh, no. I can't take your
office. This is too nice.
Where would you sit?... Well, you
are a very generous man.
He smiles and exits his office.
9INT. OUTER OFFICE
SUSAN:
(still on the phone)
No! We will call you back.
(she hangs up)
What a strange job to be arrogant
in.
DAVID:
I know.
SUSAN:
Good luck. Don't worry, you've
got it.
DAVID:
Thanks, Susan.
We FOLLOW David as he rounds the corners of this large
building on the way to Paul Dunn's office. With each step,
he is ready to accept this new responsibility. He stops
at his boss's secretary, MARGARET, a woman in her older
forties, a true executive type.
MARGARET:
Well, you look very nice.
DAVID:
Thank you and so do you, Margaret.
MARGARET:
Go on in.
DAVID:
Thanks.
David enters.
CUT TO:
10 INT. PAUL DUNN'S OFFICE
PAUL DUNN is one of the heads of the advertising agency.
He certainly holds the top position on the West Coast.
His office is large. It smells of success. Obviously,
this is a man who has made a great deal of money and spent
it where people can see it. As David enters, he sees
Paul sitting behind his desk and a baldheaded gentleman,
BRAD TOOLEY, seated on the couch. Brad Tooley is in his
early forties, very well-dressed in the upper Eastern
advertising establishment manner. As David comes in,
Brad and Paul both get up.
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"Lost in America" Scripts.com. STANDS4 LLC, 2024. Web. 4 Dec. 2024. <https://www.scripts.com/script/lost_in_america_904>.
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