Lost in Space Page #15
- PG-13
- Year:
- 1998
- 130 min
- 630 Views
Penny stands in the f.g. with Blip on her arm, taking plant samples,
talking into her video recorder.
PENNY:
After much deliberation, the Space
Captive has decided to accept her new
role as member of the crew. The
Robinsons, after all, can obviously
use her help...
Blip jumps up on Penny's arm, knocking her recorder to the ground.
PENNY:
(flaring)
Now look what you've done. Stop
hanging all over me.
Blip stares at her, frightened by her tone, begins backing away to the
edge of the forest. She looks at Penny, then disappears into the thick
brush..
PENNY:
Blip. Wait. I'm sorry. Damn.
Penny heads after the creature. HOLD on her recorder. Forgotten.
CHAPTER 19:
A Different Future------------------------------
EXT.-PLANET'S SURFACE-DAY
Will and Smith are walking down a forest path. The boy has a radiation
tracker in his hand.
WILL:
I've got a fix on Dad's suit beacon.
Dead ahead is a field of beautiful, alien flowers, their purple leaves
moving in the wind like an azure sea.
WILL:
Wow, that's Mom's favorite color.
SMITH:
How droll.
(OVER) a tremendous RUMBLING. The WIND ROARS. Suddenly, the air in the
distance begins to twist, a rushing distortion sweeping towards them,
flowers growing, landscape aging rapidly within.
SMITH:
Run, child, run.
Smith turns, begins to flee, pulling Will with him, away from the
rushing warp. Smith trips, falls, closes his eyes, waiting for the
distortion to overtake him. A beat. He opens his eyes.
SMITH-POV. A glowing, stationary portal shimmers behind him, revealing
beyond a forest ever older, darker, more overgrown.
SMITH:
Will? Will?
No sign of the boy. Then, from behind a tree, Will appears.
WILL:
Wow!
The field across the portal has is now a mass of giant plants, the
flowers a deep red. Will rushes across the rip in space.
SMITH:
William, wait!
WILL:
See, over here I'm in the future.
(steps back towards Smith)
Here I'm in the past. Don't worry.
If my theories are correct, these
doorways should remain stable, for
a while anyway.
SMITH:
I can barely contain my glee. Why
aren't you aging like the plants?
WILL:
That's just an effect of the portals
forming. Once they stabilize you can
cross from one time to another
just like stepping between two
rooms.
(off his tracker)
Dad's signal is this way. Come on,
Doctor Smith.
Will takes Smith's hand, pulls him across the threshold.
SMITH-POV. Where he stands is now lush, the sky overhead a glowing
crimson. Yet behind him, the path in as it originally appeared.
Younger. The sky, bright. Will has run deeper into the brush.
Smith notices something by his feet. He clears away the brush,
revealing shapes beneath the foliage. His expression darkens.
WILL (OVER)
What did you find?
Will has returned.
SMITH:
Come, come, son, no time for
distractions. Let's move on.
Smith shoves Will on, the boy unable to see what Smith saw.
PAN DOWN. Headstones. Each bears a marking, the names still legible.
Maureen, Penny and Judy Robinson.
EXT.-PLANET'S SURFACE-DAY-PRES
John and Don emerge from the brush. They have come to one of the crater
walls. John looks from the rock face to his tracker.
JOHN:
Damn.
WEST:
Damn? Damn is not good.
JOHN:
The radiation signature we've been
tracking. it's a ghost. A
reflection from the Jupiter Two
bouncing off the ore in these walls.
There's no core material here.
(OVER) a sudden RUMBLING. The ground shakes. The ROAR of WIND. A time
portal rushes towards them like a glittering maw, the side of the
crater aging and crumbling in it's wake.
John and Don race away from the distortion, ducking falling trees, roll
clear as the portal stabilizes, now a fixed doorway to a darker, more
deserted future.
JOHN:
The ship's back that way. we have to
go through.
EXT.-BRUSH-DAY-PRESENT
Penny is pushing through the forest.
PENNY:
Blip? I'm sorry. Blip?
She spots the tiny creature ahead in the distance. Blip SNIFFS the
ground, runs a few steps. SNIFFS again. Looks up. There, before Blip is
another glittering hole in time. The forest beyond is far thicker, the
sky red. Blip steps through the portal.
PENNY:
Blip, wait.
Penny goes to the edge of the portal, stares at the monstrously tall
trees beyond. A beat. Then she steps through, following.
EXT.-CRATER CAVES-FUTURE
Penny pushes through dwindling brush to a series of rocky overhangs and
caverns cut into the crater wall.
BLIP is standing over a large circular stone, hopping up and down,
CHIRPING and BLIPPING madly.
PENNY:
Blip, you can't run off like that.
(closing on the stone)
What the-?
THE STONE-CLOSE. A series of hieroglyphs are painted on the giant rock,
their images the same style as those on the probe ship.
HIEROGLYPH ONE-CLOSE. A mighty battle in space is depicted.
PENNY (OVER)
Some kind of fight, in space. It
almost looks like the probe ship
Major West blew up.
HIEROGLYPH TWO-CLOSE. A fiery star falls to the planet's surface.
PENNY:
That could be the Jupiter Two crash
landing.
HIEROGLYPH THREE-CLOSE. Here a dark haired beauty holds a single lizard
monkey aloft, her face remarkably like Penny's.
Suddenly BLIP begins to SHRIEK. (OVER) RUSTLING leaves.
SHAPES are moving in the trees, the vague outline of camouflaged forms
dropping to the ground. Five figures suddenly de-camouflage. Lizard
monkeys, two large, two smaller.
Directly in front of Penny, the largest monkey de-camouflages. Fully
grown, the beast is nearly twice Penny's height. Around the creature's
wrist is something odd. An old, tattered green ribbon.
BLIP begins to SCREAM and SHRIEK.
PENNY:
Blip, no!
Too late. Blip leaps on the giant creature, grabs the ribbon. The beast
could slap Blip away like a fly. But the creature doesn't resist, just
stares down at Blip with something akin to tenderness.
Blip looks at the ribbon in his hand. Then at the one around her wrist.
Save for their age difference., the ribbons are identical.
The giant monkey moves forward, closing on a petrified Penny, paw
reaching out, touching her face. The beast begins stroking Penny's
cheek in a familiar gesture of comfort.
GIANT BLIP:
Nice girl. Pretty girl. Nice.
Penny stares up in stunned wonder.
EXT.-PLANET'S SURFACE-EVENING-FUTURE
Don and John are crossing the brush. The terrain in growing ever more
desolate, desert like. The double suns hang on the horizon.
JOHN:
We should be able to see the ship.
Something catches the light on the ground beside them. Don reaches down
and lifts a small metal fragment in his hand.
METAL-CLOSE. On it is the familiar logo of the United Space Agency.
WEST:
Could these be from the probe?
JOHN:
Corroded. This metal is decades old.
Don finds another piece of wreckage, turns it over in his hand.
WEST:
It's not possible.
WRECKAGE-CLOSE. The fragment bears a simple legend: Jupiter Two.
WEST:
What kind of nightmare is this?
Where the hell are we?
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Lost in Space" Scripts.com. STANDS4 LLC, 2025. Web. 20 Jan. 2025. <https://www.scripts.com/script/lost_in_space_539>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In