Lost in Space Page #8

Synopsis: The Robinson family was supposed to set off on a five-year mission to explore a distant planet, but an act of sabotage by the scheming Dr. Zachary Smith -- who managed to get himself trapped aboard the spaceship -- leaves them adrift in space for three years. The Robinsons, pilot Don West, Dr. Smith and their trusty robot move from planet to planet, always searching for a way to return to Earth.
Production: New Line Home Entertainment
  3 wins & 17 nominations.
 
IMDB:
5.1
Metacritic:
42
Rotten Tomatoes:
27%
PG-13
Year:
1998
130 min
604 Views


SMITH:

Will every disaster be an excuse for

familial sentiment? Please tell me

now so I may gather up a liberal

supply of space sickness bags.

Don turns towards Smith. Maureen steps between them.

MAUREEN:

What happened, John? Where are we?

INT.-JUPITER TWO-BRIDGE

Don in at the navigational holograph, patching sparking wires. The rest

of the crew emerge onto the bridge.

WEST:

You had me worried, Doc. Nice to see

you thawed.

JUDY:

Smart maneuver with the hyper-drive.

WEST:

A fighter who thinks, what do you

know? You're just in time for the

show.

Don makes a connection. The pedestal powers up, a holograph of the

Jupiter Two appearing over its surface.

WEST:

Computer, map our current location.

HOLOGRAPHIC PEDESTAL-CLOSE. The area around the Jupiter Two is now

filled with a holographic representation of the alien solar system.

JOHN:

See anything familiar?

Don just shakes his head.

COMPUTER:

Searching for recognizable

constellations.

(a beat)

Unable to locate.

JOHN:

This computer has star maps of the

entire known galaxy.

PENNY:

We're lost, aren't we?

Judy wraps her arm around her sister.

WEST:

What the hell is that?

VIEWSCREEN- CLOSE. The nearest planet is starting to glow. Suddenly a

distortion field begins to emanate from the alien world. The edges of

space seem to sear away, leaving a glowing portal.

JOHN:

Any effect on the ship?

WEST:

No.

VIEWSCREEN -CLOSE. All the planets and constellations beyond the portal

appear to be in different places.

JOHN:

(off the navigational hologram)

All the planets have moved.

WEST:

And where did that come from?

CHAPTER 12:
The Proteus

-----------------------

EXT.-SPACE

Breaking the inner edge of the portal, a long silver space needle

catches the light from the dual suns.

INT.-JUPITER TWO

The crew man their stations. Only Will is absent as they the ship

maneuver around the portal.

VIEWSCREEN -CLOSE. As they, move behind the portal it seems to

disappear, showing only the blackness of space. No ship beyond.

WEST:

It's gone.

JOHN:

No. Go back in front of it.

EXT.-JUPITER TWO

As the ship moves back in front of the portal, the hole in space is

visible again, the giant probe ship revealed once more within...

JOHN:

It's a hole in space. A doorway.

WEST:

A doorway to where?

JOHN:

If we want to reach that ship, we're

going to have to find out.

EXT.-SPACE

The Jupiter Two flies through the pulsing hole in space.

INT.-JUPITER TWO

The giant, silver ship looms in the windscreen.

MAUREEN:

No apparent effects on the ship.

WEST:

I'm hailing on all frequencies. No

response.

JOHN:

There are some markings on the

starboard side. Can you throw some

light on her?

WEST:

Don't know if the exterior spots are

working.- There we go.

THE WINDSCREEN-CLOSE. Powerful spotlights hit the ship.

WEST AND JOHN-CLOSE. And really surprised.

WEST:

If this in all a dream, why can't

there be more girls?

THE SPACESHIP-CLOSE. Essentially a needle covered with metal scallops.

On its hull, under the legend PROTEUS, an American flag.

WEST:

I've never seen a design like this.

what are those scales on her hull?

JOHN:

How could Earth launch a ship this

massive and neither of us know about

it? ... It just doesn't make sense.

WEST:

These scanners are damaged, I'm

getting inconsistent life signs but

they may be sensor ghosts.

JOHN:

Maybe her computer's still up. I'm

trying standard remote access codes.

ON SCREEN-A docking ring on the giant ship comes to life, giant floods

coming to life, the docking aperture rotating open.

WEST:

What do you know?

EXT.-SPACE

The Jupiter Two heads towards the giant ship.

INT.-JUPITER TWO

JOHN:

Can you give me some light on the

secondary docking ring?

A smaller docking ring is illuminated on the viewscreen.

WEST:

What do you make of that?

Attached to the starboard docking ring is another, smaller craft. Its

snaking anthropomorphic lines are not of human design.

MAUREEN:

Boys, I think we're having a close

encounter.

EXT.-SPACE

The Jupiter moves into the docking ring of the giant ship.

INT.-JUPITER TWO

(OVER) a giant THUD as the Jupiter Two docks with the probe.

ROBOT (OVER)

Crush.

REVERSE ANGLE. The Robot in rolling in through the doorway, arms waving

wildly before him.

ROBOT:

Crush! Kill! Destroy!

Don and John are up fast. But the Robot just rolls to a stop. Will

steps from behind the automaton, his hacker's deck in his hand.

He pulls a tiny mic from his deck. Lifts it to his lips.

WILL:

Crush. Kill. Destroy.

ROBOT:

Crush! Kill! Destroy!

Will points to several jury-rigged modifications.

WILL:

I hacked into his CPU, bypassed his

main operating system and accessed

his sub-routines. He's basically

running on remote control.

All stare at him. Penny finally speaks.

PENNY:

Show off.

INT.-JUPITER TWO-CREW QUARTERS-LATER

Penny stands guard, a rifle in her hand, talking into her recorder.

PENNY:

And so the Space Captive finds

herself helping the Robinsons by

guarding the traitor. And she finds-

Penny's VOICE trails off. Stares out the porthole. Endless space.

PENNY:

She finds that out here, in the dark

and cold, she's scared, and she's

kind of glad they're all together.

Just then Don approaches, a silver bundle under his arm.

PENNY:

Identify yourself, soldier.

WEST:

West, Major, United Space Force,

requesting permission to see the

prisoner.

Penny steps aside.

PENNY:

Proceed Major West.

Don smiles, winks at her, going through the door.

PENNY:

Ouch. Could he be cuter? I don't

think so.

INT.-SMITH'S CELL

Actually a med-lab. Smith turns to face Don an he ENTERS.

SMITH:

These quarters are totally

unacceptable. I demand-

Don tosses his bundle on the seat. A silver flight suit.

WEST:

We're going to check out the probe

ship. Maybe we can figure out how

they got here. And how to get home.

SMITH:

Ta-ta. Have a wonderful trip.

WEST:

You're coming with us.

SMITH:

Out of the question. I'm a doctor not

a space explorer. You and-

But Don is in his face in a heartbeat.

WEST:

What you are is a murderous saboteur

and I am not leaving you on this ship

so you can do more harm than you've

already caused.

SMITH:

I absolutely refuse-

WEST:

(closer)

Give me an excuse to kill you.

Please.

Smith stares at him a beat. Then he smiles, looks to the flight suit.

SMITH:

Silver always was my color.

INT.-JUPITER TWO-LOWER DECKS

Will stands in front of the Robot, polishing a blast mark clean.

WILL:

When boarding a mysterious

spacecraft, it always pays to look

your best.

John enters, removes a gun from the weapons locker.

JOHN:

Deactivate safety.

GUN:

Voiceprint confirmed. Rifle is

active.

GUN-CLOSE. A small light goes from red to green.

JOHN:

You did a good job up there son. You

saved us all.

WILL:

Thanks.

An awkward silence hangs between them.

JOHN:

I know I haven't around much these

days.That we haven't had time to-

Rate this script:0.0 / 0 votes

Akiva Goldsman

Akiva J. Goldsman (born July 7, 1962) is an American film and television writer, director, and producer. He received an Academy Award for Best Adapted Screenplay for the 2001 film, A Beautiful Mind, which also won the Oscar for Best Picture. more…

All Akiva Goldsman scripts | Akiva Goldsman Scripts

1 fan

Submitted by aviv on November 08, 2016

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Lost in Space" Scripts.com. STANDS4 LLC, 2024. Web. 26 Jul 2024. <https://www.scripts.com/script/lost_in_space_539>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Lost in Space

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    In screenwriting, what does "FADE IN:" signify?
    A A transition between scenes
    B The beginning of the screenplay
    C A camera movement
    D The end of the screenplay