Lou Page #16
- G
- Year:
- 2017
- 7 min
- 1,098 Views
LOU (CONT’D)
I wanted to protect you from him.
It’s why I moved to the island.
It’s why you’re in my trailer.
Cheap rent. A yard for Vee. I made
it so you couldn’t say no. And when
I heard he was dead, I thought you
were safe. I thought my mission was
over. I was the one who let my
guard down. Not you.
Hannah stands up, unsure of where to go or what to say.
90.
HANNAH:
Why didn’t you tell me?
LOU:
The less you know the better.
HANNAH:
This is me not knowing anything.
LOU:
Just open the egg.
Hannah thinks this over. She shakes her head.
HANNAH:
No. The weather’s cleared. Help’s
going to come and we’re going to
wait.
LOU:
We can’t wait.
Lou reaches for the egg. Hannah hides it in her jacket
pocket.
HANNAH:
No way. You’ll have to kill me
first.
LOU:
I won’t have to. If help comes,
they’ll kill you. They’ll kill
Philip and me and they won’t really
care whether Vee gets hurt in the
process.
HANNAH:
(faltering)
I don’t understand when you talk
like this.
Lou thinks, trying to find a way to make Hannah get it.
LOU:
When you read Vee a book, its
usually got a happy ending?
HANNAH:
She likes the happy ones, yeah.
LOU:
Of course. We all do. But there are
many ways for the same book, the
same story to end well.
(MORE)
91.
LOU (CONT'D)
It just depends on which character
you are. A happy ending for the
Princess, isn’t a good ending for
the witch. Us dying, for some
people, isn’t a bad ending. It’s
the best, cleanest one with no
loose ends. But if we get there
first, we can write the ending. Do
you understand?
HANNAH:
Vee and I -- we haven’t done
anything. How can you be so sure
someone’s going to hurt us?
LOU:
I used to be the witch.
Hannah steps backward.
HANNAH:
Then this is your fault. All of
this. You led Philip to us. And now
whoever’s after you guys is after
us.
Lou gets to her feet, going after her.
LOU:
You’re right. It’s my fault but I
can still help you. I’m not the
person I use to be. I’m better.
HANNAH:
If I don’t give you this egg...
you’ll take it from me anyway?
LOU:
Yes. I would.
HANNAH:
Then you haven’t changed enough.
Hannah opens the egg and EATS THE COORDINATES.
LOU:
Why’d you do that?
HANNAH:
You’re on a need to know basis. And
right now all you have to know is
that we need to climb this cliff.
Hannah grabs the harness and swings her leg through it.
92.
EXT./INT. CAVE (WOODS) - MORNING
Vee brushes her teeth by the cave’s entrance. Philip steps
into his boots, buttoning his shirt. He looks nicer today,
like he’s going to a party.
PHILIP:
Last night was fun, right?
Vee spits out her toothpaste and nods.
VEE:
Are we going to see Mom today?
PHILIP:
We are. We’re going to have a
picnic with her.
VEE:
Good.
Vee wipes her mouth. Knowing the drill, she crawls into her
playhouse. Philip begins to close the door --
VEE (CONT’D)
Can we leave it open?
PHILIP:
Promise me you’ll stay inside?
Vee pokes her head out. Looking Philip in the eye, she holds
out her pinkie to him.
VEE:
Pinky promise.
EXT. CLIFF FACE (WOODS) - MORNING
Hannah clings to the rock face, strapped into the climbing
gear. She’s scared out of her mind but she’s not going to let
that stop her. Thankfully, she’s nearly at the top.
ANGLE ON GROUND-Lou
keeps tension on the lines.
LOU:
Use your legs.
Hannah does what’s easiest, reaching up with her arms. The
rock crumbles, leaving her nothing to grip. She slips off the
cliff, FALLING.
THLUMP.
93.
The line tightens and catches. Hannah floats from the
harness.
ANGLE ON GROUND-
Lou steadies herself. Jax watches
LOU (CONT’D)
(to Jax)
She never listens.
HANNAH:
What?
LOU:
Grab the wall, hurry up!
Hannah swings back onto the cliff. Then, using her legs, she
pushes herself over the top, disappearing from view.
MOMENTS LATER:
JAX DANGLES MID-AIR as he’s hoisted up to thetop of the cliff.
Hannah reaches over, grabbing him, pulling him to safety. She
releases him from the harness.
Then Hannah steps to the edge and looks down at Lou.
ANGLE ON LOU-
LOU (CONT’D)
Throw it down!
Lou sees Hannah hesitate.
LOU (CONT’D)
Whatever you’re thinking, it’s a
bad idea. Throw the harness down
and we’ll reverse the lines like I
showed you.
HANNAH:
I’m thinking, I’m not sure I want
to live in a world where I need
someone like you to get my daughter
back. Thank you for trying but I’m
going to get her back myself.
Hannah disappears. Lou’s bruised face hardens knowing she’s
not coming back.
LOU:
Hm.
94.
Beat. Then JAX’s FURRY FACE appears, peeking down at Lou from
the cliff’s edge.
LOU (CONT’D)
Someone’s gotta keep an eye on her.
Lou motions a command. And he disappears.
Then she places a hand on the rock and using her legs, she
pushes herself up, beginning a free climb.
It won’t be pretty but it’ll work.
EXT./INT. VEE’S PLAYHOUSE/FIR GLEN - MORNING
The playhouse comes to a halt in a glen of tall firs. It’s
looks like a Christmas tree farm. Curious, Vee peers out the
door at Philip.
PHILIP:
Gotta see a man about a horse.
Vee watches Philip walk a polite distance away before he
starts to take a piss.
She looks into the trees, sensing an opportunity. Does she
dare?
She does.
Grabbing Mr. Hippo, Vee sneaks through the door, QUIETLY
RUNNING away from the playhouse.
INT. LIVING ROOM (LOU’S HOUSE) - MORNING
Inatomi sits in an easy chair. The cord of the house phone
stretches across the floor to his ear. Lou’s cat PURRS on his
lap. The KITTENS play at his feet.
INATOMI:
Thank you for the update, ma'am.
(repeating her)
You want to know where Rankin is?
Inatomi looks down at the cat, distraught, considering his
response. Finally-
INATOMI (CONT’D)
Rankin’s around ma’am. He’s a bit
p.o.’ed, you know local cops. Would
you like to speak with him?
(beat)
Alright, I’ll keep an eye on him.
But if I may, I’d like to ask
(MORE)
95.
INATOMI (CONT’D)
(he looks around, making
sure he’s alone)
What is the actual plan?
EXPLETIVES pour from the phone. Inatomi holds the receiver
from his ear. Then the line goes dead.
EXT./INT. PLAYHOUSE/FIR GLEN - DAY
Philip’s smiling face peers through the door into Vee’s
house. It’s empty. His smile disappears.
PHILIP:
Vee!
(yells into wood)
Vee! You pinky promised!
ANGLE ON VEE-
She’s running as fast as her little legs will go.
INT. CAVE (HANNAH) - MORNING
Hannah and Jax stand inside the cave. The remains of last
night’s fire still smoke. She stares at the HAND PRINT
OUTLINES on the cave wall.
She reaches her hand out, placing it between Vee’s small
outline and Philip’s larger one.
HANNAH:
(to Jax)
What a creep.
EXT. FIR GLEN (PHILIP AND VEE) - MORNING
Philip looks for Vee, checking his watch. He’s not happy
about the time this unplanned distraction is taking.
PHILIP:
I’m not mad, honey. I just want you
to come back. I miss you.
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"Lou" Scripts.com. STANDS4 LLC, 2025. Web. 24 Jan. 2025. <https://www.scripts.com/script/lou_1324>.
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