Love and Basketball Page #15

Synopsis: Monica (Sanaa Lathan) and Quincy (Omar Epps) are two childhood friends who both aspire to be professional basketball players. Quincy, whose father, Zeke (Dennis Haysbert), plays for the Los Angeles Clippers, is a natural talent and a born leader. Monica is ferociously competitive but sometimes becomes overly emotional on the court. Over the years, the two begin to fall for each other, but their separate paths to basketball stardom threaten to pull them apart.
Genre: Drama, Romance, Sport
Year:
2000
2,621 Views


MONICA:

I thought a torn ACL was ten to twelve.

QUINCY:

Not for Quincy McCall.

MONICA:

I forgot, "Q-man."

An awkward beat.

QUINCY:

So, how's pro-ball, Europe?

MONICA:

We won the championship.

QUINCY:

Still working on being the first girl in

the NBA?

MONICA:

Well, I tried sneaking in after college,

but they found breasts during my

physical.

QUINCY:

Funny. I never did.

MONICA:

Kiss my ass.

Monica cracks up. Quincy laughs with her.

MONICA (cont'd)

I can't believe it's been five years.

Quincy nods.

QUINCY:

Tried calling you a couple times.

MONICA:

Oh yeah?

QUINCY:

Wanted to give you props on making First

Team All-American. And then when Magic

retired, I tried calling you again.

MONICA:

(lying)

Must have been my cheap-ass answering

machine. It was always messing up.

QUINCY:

Figured it was something like that.

They look at each other. The moment is building.

QUINCY (cont'd)

So, when do you go back?

MONICA:

Actually, I don't...

QUINCY:

What do you mean?

MONICA:

I'm tired of playing overseas. Thinking

about giving it a rest for awhile.

QUINCY:

(completely thrown)

A rest?

MONICA:

Yeah. Basketball just, isn't fun

anymore. You know?

QUINCY:

No.

He stares at her. Into her.

FEMALE VOICE (O.S.)

Quincy!

Quincy and Monica turn, as KYRA KESSLER, black, 26 and

beautiful, rushes into the room. She wears a flight

attendant's uniform. She goes to Quincy, gives him a kiss.

Monica reacts.

KYRA:

I'm so sorry. No one would switch

flights with me.

QUINCY:

It's okay.

KYRA:

Why are you up? Get in bed.

She takes Quincy's arm, moves him to the bed. Monica

watches.

KYRA (cont'd)

Tell me you're going to be okay.

QUINCY:

I'm gonna be okay.

Kyra relaxes. Then she glances over at Monica.

KYRA:

Hello.

QUINCY:

Kyra, this is Monica. She, uh...

KYRA:

(recognizing)

Monica. You grew up together, right?

Quincy's told me about you.

Monica smiles awkwardly.

QUINCY:

This is Kyra. My fiance.

The shock hits too quick to cover. But Monica tries.

MONICA:

Fiance. Wow. Congratulations.

KYRA:

Thank you.

MONICA:

I didn't know. Wow. That's great.

(then)

Well...I should go.

QUINCY:

It means a lot that you came by.

KYRA:

Yes, we appreciate that.

MONICA:

Yeah, and Quincy, good luck with your

knee, and everything.

QUINCY:

Thanks.

Monica forces one last smile, pulls open the door and leaves.

INT. HALLWAY - MOMENTS LATER

Monica walks down the hall, shell-shocked.

INT. WRIGHT HOUSE - KITCHEN - LATE DAY

Camille moves between the counter and the stove, whipping up

a couple pecan pies. Monica enters.

MONICA:

Hey.

CAMILLE:

Hi.

MONICA:

Need any help?

CAMILLE:

I can manage.

Monica nods and moves to the barstool.

CAMILLE (cont'd)

Your sister's bringing the baby over.

You should try to be here.

MONICA:

Yeah. Can't wait to see him

(she falls silent, then)

I just saw Quincy.

CAMILLE:

How is he?

MONICA:

Engaged.

CAMILLE:

To that stewardess?

MONICA:

Yeah, you met her?

CAMILLE:

His mother had a cookout a few weeks ago.

He could do a lot better if you ask me.

MONICA:

Maybe she is.

Camille looks up, studies Monica for a moment.

CAMILLE:

I thought you were over him.

Monica shrugs.

MONICA:

So what do I do?

CAMILLE:

Find out where they're registered and

send them a gift.

MONICA:

(disgusted)

Whatever.

CAMILLE:

You didn't want my opinion in the first

place, so why even ask?

MONICA:

I asked but why does it always have to be

so damn prissy.

CAMILLE:

Don't curse.

MONICA:

There you go.

CAMILLE:

What do you want me to tell you, Monica,

to go beat that girl up? To go have sex

with him? I'm not going to do that.

Yes, I believe thinking of other people

is important and yes I'd rather bake a

pie than shoot a dumb jump shot. If that

makes me too "prissy" for you, too bad.

Monica stares at her mother. There's no going back.

MONICA:

So that's why we can't get along?

Because I'd rather shoot a "dumb" jump

shot?

CAMILLE:

You're the one always turning your nose

up at me.

MONICA:

No I don't.

CAMILLE:

Child, please. Ever since you were

little you thought you were too good for

anything I had to say.

MONICA:

I wasn't Lena. I didn't care about nail

polish or lip gloss or sneaking a spray

of your perfume.

CAMILLE:

What was so wrong with wanting to teach

you the things I knew could help you?

MONICA:

Because you're pushing me to be something

I'm not.

CAMILLE:

So you're angry with me because you're

standing here with your hair combed and

wearing perfume?

Monica is busted. It takes her a moment to come back.

MONICA:

I'm angry because I want a mother, not

Martha Stewart.

CAMILLE:

Oh, yes. The superstar female athlete

whose mother is nothing but a housewife.

MONICA:

That's not it.

CAMILLE:

Don't tell me you aren't ashamed of that

because I know.

Monica stares at her mother.

MONICA:

I remember when I was eight years old,

you spent like four hours cooking up this

fancy meal. All you'd let me and Lena do

was set the table. And I guess you and

Dad got your wires crossed or something

because he walks in with a couple of

pizzas. And you didn't say anything.

You just threw the whole meal into some

tupper-ware and tossed it in the fridge.

CAMILLE:

I don't remember that.

MONICA:

I do. You never stood up for yourself.

Ever. If I was ashamed, it was because

of that.

CAMILLE:

That's ridiculous.

MONICA:

What's ridiculous is not being a caterer

so your husband can feel like a man

knowing his woman's home cooking and

ironing his drawers.

WHAP! Camille's humiliation is immediate and she cuts off

Monica with a SLAP. Camille curses herself for losing it.

CAMILLE:

Dammitt, Monica!

Monica is stunned, hurt.

MONICA:

I'm sorry.

Camille stares at her daughter, devastated.

CAMILLE:

Is that really all you think of me?

Monica can't answer.

CAMILLE (cont'd)

When I married your father, all I wanted

was a nice house with a big kitchen so I

could start my catering business. And

then I got pregnant with Lena, and then I

got pregnant with you. And I put it out

of my mind because that's what you did.

Monica stares at her mother.

CAMILLE (cont'd)

But you want to know what day I remember?

In high school, you getting ready for the

Spring Dance. I put my pearls around

your neck, told you you were beautiful

and you looked like you were going to

cry. That day I was happy I didn't have

a catering business to run off to. My

family had three meals a day, had someone

to pick up after them, and when my

daughters went to a dance, I helped them

get ready. That's what I came to care

about.

MONICA:

(softly)

That's all you cared about. I must have

played in a thousand games and I can only

remember you being to two.

CAMILLE:

You had your coaches and your father for

that stuff. It never mattered one way or

the other if I went to your games.

MONICA:

It mattered, Mom.

Camille looks at her daughter and is struck by the need in

her eyes. Monica moves off the barstool and leaves.

INT. WRIGHT HOUSE - MONICA'S ROOM - DAY

The room looks exactly the same. Trophies, medals, plaques.

Basketball posters and her "strong women" wall.

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Gina Prince-Bythewood

Gina Prince-Bythewood is an American film director and screenwriter. She is known for directing and producing the films Disappearing Acts and Love & Basketball, The Secret Life of Bees, and Beyond the Lights. more…

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