Love Letters Page #2
- APPROVED
- Year:
- 1945
- 101 min
- 685 Views
was practically wiped out
But he grabbed a flamethrower.
And blasted a pillbox.
Single-handedly.
Well, Jim. I've lost track of everybody.
I didn't know you ended up here too.
Yes. That makes two bad pennies
coming back.
- Who?
Roger. Roger Morland.
Ever hear from him?
Roger Morland?
- Why? Didn't you know?
- What?
He's dead.
Dead in action?
No. Here at home. In England.
It was an accident.
I knew something would happen.
Naw. It was just
an unfortunate accident.
I'll try not to.
Well, I guess I'll hobble along.
I'm supposed to give it a workout.
- Miss Wentworth.
- Lieutenant.
- Alan.
- Jim.
Who was Roger Morland?
Someone I met at the front.
I don't wanna think about him though.
Or anything connected with him.
That's just what
I was trying to tell you.
You must forget the war.
You must get out and mix with people.
Find some useful work to do.
Helen.
Helen, try to understand.
should understand...
that a returning soldier
is not the man she knew
and loved before he went away.
Nor is the woman the same.
Nonsense!
Every returning soldier feels that way.
But he gets over it.
You can't permit yourself
You can't.
Alan, you can't let yourself
go to pieces like this.
Mother, the doctor told me
I've done a wonderful job of putting
all the pieces of me back together.
That's not what I mean.
Why are you avoiding people?
Why don't you show
an interest in anything?
Why do you sit at home with yourself
playing that senseless game?
Because it senseless.
What's the matter with you, Alan?
You've been back long enough
to decide what you want to do.
I have decided.
You mean you're not going
to live in Beltmarsh?
Yes. I'm going there next week. Monday.
But, Alan.
He never told us anything about it.
Mother, why argue?
If Aunt Dagmar has the good sense to die
We shouldn't interfere.
It'll be good for him.
Essex is such dull barren country.
There's a place in Essex
called Longreach.
What about it?
Nothing.
It's just a name I heard somewhere.
What are you laughing at?
I think the jokes on you, old man.
You were not too fond of Beltmarsh
nor of Aunt Dagmar, as I remember.
You're right,
I never was very fond of her.
And somehow I'm sorry now that I wasn't.
Good night, Mother.
Helen won't like Beltmarsh.
We'll ask Helen to see it for herself.
As for me, I don't intend
to live anywhere else.
If it's what you want to do.
It's what I want.
Today, mother. Tonight, father.
Good night.
- You know how parents are.
- Yes, here.
Thanks.
You're wise to get out of here.
I don't think they realize it.
But they're glad I'm going.
Of course you can't blame them.
I have nothing to give them.
They have nothing to give me.
How about one last fling
together before you leave?
My leave's up Tuesday. So let's make
it a last party for both of us.
Party? I know a girl in Bloombury.
Just the right sort.
We'll make it Monday night at her flat.
Just a few guests.
You can go to the station from there.
Straight from the train to Beltmarsh.
If you wish, it'll be better than
Derek, how good to see you.
Dilly, here's my brother Alan in person.
At your own risk. You asked for him...
now take the consequences.
I'll take them. How do you do?
Why all the flattering interest?
Oh, for obvious reasons.
I hope I'm not so obvious.
But I don't mind sharing you
with the others to begin with.
- This is Grace Foley, Lt. Stafford.
- How do you do, Alan?
- This is Grace Campbell.
- How do you do?
And this is Singleton.
Just Singleton?
Just Singleton.
Hello?
What's your name?
What's your name, kid?
Alan is leaving for the country tonight.
And it's up to us to make him regret it.
I am glad my place is the last one
you'll see you before you leave.
Perhaps you'll make it the
first when you return.
lll look forward to it... if I return.
Not certain of it?
I'm not certain of anything
at the moment.
They say this stuff
- It certainly does.
- Thank you.
My brother's a gentleman
who doesn't believe in drinking.
Your brother is a gentleman
who doesn't believe.
What makes you say that?
One quarter observation.
Three quarters intuition.
Intuition about me?
About men like you.
What other men are like me?
I don't know.
I've never met one before.
Come and sit down.
And tell us more about yourself.
All men love to talk about themselves.
We'd love to hear all about yourself.
Well, on second thought,
I think I will have a drink.
- Hooray!
- Hooray!
I've never seen her.
And never will see her.
A promise to be reached in spite
of ugliness and instant terror.
We commit unspeakable crimes.
We kill each other. We go to war.
Would blast out cities to rubble. We...
We blast all sense out of our brains.
And yet...
Always there before our eyes...
is that vision of beauty.
we do seem unbearable.
Where is everybody?
They've gone.
You've been standing there... talking
to yourself... for the past half hour.
Any objections?
No.
You're drunk.
Oh.
Tell me.
What was I saying?
What was my speech?
The usual one. A girl.
- You?
- No.
- Helen, I hope I...
- No, not Helen either.
Perhaps you better run
through the alphabet.
Beginning with Abigail
and ending with Zenobia.
Thank you, I have never known
any Zenobia in my life.
Tell me. Who is Victoria?
Not so you could be understood.
Who is she?
I don't know. I've never seen her.
And how did she come in?
Oh, I wrote to her.
Or rather, I wrote
for a friend of mine in the Army.
He was in love with her.
Who?
Roger Morland.
He married her. And then he died.
for a boy called Roger Morland?
Mmm-hmm.
Why are you so interested?
What I heard you say tonight
put me on the track of something.
It gave me an idea.
It may mean nothing.
On the other hand,
it may mean a great deal.
What are you talking about?
I'm afraid your mind is in no condition
Hmm.
Just remember my name. You got it?
Dilly Carson.
And I want you to remember this evening.
How I listened in on you
when you were aware of it.
Turn it over in your mind when
you get down to Beltmarsh.
And remember particularly
how mysterious I was.
Mysterious!
had been committed.
There has. An old murder.
It's all over and done with now.
But a murder remains a murder.
And goes on affecting people.
Look. I wish you'd tell me...
No. No, please. Don't ask me anymore.
I've told you too much already.
You talk about murder.
Then you say
don't ask me any more questions.
I'll see you to the station.
Where is Derek? Isn't he coming?
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Love Letters" Scripts.com. STANDS4 LLC, 2024. Web. 23 Nov. 2024. <https://www.scripts.com/script/love_letters_12939>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In