Love on the Run Page #3
- PASSED
- Year:
- 1936
- 80 min
- 111 Views
What do you mean, story?
Uh... I mean, well, I mean what a story
it will make to tell our grandchildren.
We're tied up
in intrigue.
But I don't want to
be tied up in anything.
We're international.
I don't want to
be international.
I just want things to
stop happening to me.
Well, don't worry. I'll handle
this when the time comes.
And nothing more is
going to happen to you.
Except that...
except that...
except what?
Except that we're out of
gas, and we're almost down!
So you better
hold tight.
Here we go!
Don't hold
on to that!
We have landed!
Are you hurt?
No, chock full of
peace and quiet.
Where are we?
Madame, this is France.
Stop annoying
the livestock.
Don't be vulgar,
Mr. Anthony.
It happens to be this woolen
undershirt, that's all.
Trains run to Paris,
you know.
Trains, remember?
Choo, choo, choo!
I don't know why I keep
explaining things to you,
Besides, you wanted
the simple life.
Peace and quiet.
Well here it is.
You're a fine one.
You profess
admiration for me,
you tell me you
want to help.
I put myself in your
hands and now look what.
Well, what? You wanted
my help and you got it.
Say, you don't think I enjoy
playing cops and robbers
all over Europe with a...
just exactly who do you
think you're talking to?
I'm talking to
a fairly attractive dame
who's got too much
dough for her own good.
Just between you and me,
Im beginning to think
that prince is
You've said just about
enough, Mr. Anthony.
Too much!
I don't need your help
As far as Im concerned,
you can take a running
front dive off this wagon.
And it's all
right with me
if I never see
you again.
Oh yeah?
Oh, where are
you going?
I can take a hint.
I'll be seeing you.
Paris in spring.
But... but you can't leave me
here with all these cabbages.
Well this constant
nagging will have to stop.
All right.
It has stopped.
And no more beefing.
Not a beef.
Ok.
In Mike you trust.
In Mike I trust.
You know, it's odd your
following me all that time.
You're reasonably
presentable and clean.
It's a wonder you didn't
get yourself introduced.
You don't know
the right people.
Then it must
be destiny.
Destiny?
Mm-hmm.
It's a story.
A great story.
Man:
Boy, he's suresteamed up about something.
Second man:
I'll say he is. Andeverybody's gonna hear about it.
Rose, it'll stand another
column on the woman's angle.
Put yourself in
Sally's place.
Jake, tell Wesson to
wire Anthony $2,000.
Union agency, Paris.
Right.
What a man, Anthony.
He's making
newspaper history.
If the circulation department
don't erect him a statue,
I'll dip myself
in bronze.
Hurry up with that
new lead, Wally.
Right.
Sit here and don't
say a word.
You're from the country
and dumb, see?
How's this?
I hope you're kidding.
Say, where are you going?
It's all right.
Well, for the love of Pete.
I'm sorry, but you'll first
have to see the man at the...
Mike! I wondered
when you'd turn up.
Hi, Jim. What the devil are you doing...
any money from home?
Sure, but what...?
All right, lead me to it, and
give me your fastest stenographer.
I've got to send
a cable home.
Got a match, pal?
No.
No.
Pretty big boy. In town
to see the girls, huh?
No.
Tell Mike Barney says
judgment day is here.
Oh...
hey, Mike, a man just
came in and told me...
we can get out of
here in a minute.
I got to get this
cable off to mother.
I know, but...
how much?
48 francs.
Hey, look at
the window.
What?
Look at the window.
Is that the man?
No, but Barney says
judgment day is here.
Huh? What?
Back way, where?
Quick!
Through there.
Good-bye.
Very clever,
Mr. Anthony.
Very astute.
It took the mind of a
child to follow your tracks.
Well, well,
Barney, old pal.
You're a gift
from the gods.
Mind over matter,
my friend.
Yours the muscle,
mine the brain.
Listen,
Miss Parker...
hey, you run along, Sally.
We'll catch up with you.
Listen,
he's the man...
you bet I am!
Yeah, yeah, sure, sure.
He's our pal.
He's gonna help us.
Go on, Sally.
Now, listen, Barney,
don't be insane.
This story's big
enough for both of us.
What was I doing in that
dark closet, hunting mice?
Oh, don't be catty.
Now listen, Barney,
she doesn't know
who I am.
She hates newspapers
and boys like us.
If you crack now,
we're both sunk.
Come on.
I'm sticking like
summer underwear.
Sally:
Hey, Michael!Michael! Here they come!
Michael:
Come on! Hop in!All right, captain
flag, baby's with you.
We can wait until the police
locate that stolen delivery truck.
And that's the way a couple of
Princeton men stick together,
hey Barney, old pal?
Old pal?
Sure, you don't have
Why, we were inseparable at Princeton.
They used to call
him my shadow.
Huh. He still is.
Sure, one for all
and all for one.
And every man for
himself now and then.
You'll excuse me,
gentlemen,
this is too good
a chance to be loose.
All for one
and one for all, huh?
You ever hear of the odious
career of Benedict Arnold?
Yes, yes. But later
document proved Benny
to have been a very much
misunderstood man.
History says
different.
No, Im on the level
now. Honest, Barney.
I believe you,
Anthony, you hope.
Cops!
Hold tight, Sally.
Hey!
she'll be comin' round
the mountain when she comes
she'll be comin' round
the mountain
she'll be comin' round
the mountain when she comes
she'll be comin'...
now what?
We're out of gas.
Don't tell me they still
use that one at Princeton.
Is this on
the level?
suspicious people in my life!
We gotta get
out and walk.
Where?
To the end of
the rainbow. Who cares?
Come on, the open
road, Barnabas.
The broad highway, madam.
Come Aramis, come Pothos!
With a cow field for a couch
and clouds for a coverlet.
Wresting the world with a song on
our lips and blade in our hands.
One for all
and all for one.
Sally, do you mind if i
speak with Romeo a minute?
Why?
Men, talk, you know.
Go pick yourself
a daisy.
Oh...
what's on your stagnant mind? Shhh...
I discovered this
while she was dressing.
What?
Look.
What?
Look.
Where?
Hey, you!
You dirty, double
- crossing snake, you!
One for all, huh?!
Good by, dear. I'll
write you in a day or two.
Pells:
Hey, if youlet me out of here...
good-bye, dear.
Pells:
Hey, Sally!
Hey, Miss Parker, let
me tell you something!
Sally! Hey! Parker,
this guy's a reporter!
Oh, now wait
a minute, Pells.
That's too much.
Enough is enough.
You can't hear him now.
I thought he
was your friend.
Well, he used to be,
but today he'd sell his
sister for a Turkish dime.
Turned out to be
a newspaper man, Sally.
A reporter?
Yeah, foreign
correspondent.
New York gazette,
or something like that,
and he's on your trail.
I thought I'd string
him along back there
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Love on the Run" Scripts.com. STANDS4 LLC, 2024. Web. 23 Nov. 2024. <https://www.scripts.com/script/love_on_the_run_12952>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In