Lovelace Page #2

---

You're late.

Come on, baby.

To... Keep going. Keep going. Boom.

And here we go.

You put a lot

of margarita mix in there.

Uh, yeah. OK.

Margarita?

- Thanks.

- Hey.

Hey.

Mmm.

- You like porno?

- I like some.

You like 'em.

- No.

- I can tell.

- Yeah, you do.

- I don't.

- Yeah.

- I don't actually. Trust me.

- I love your teeth.

- What are you doing?

But Linda won't mind. She's cool.

OK?

I wouldn't go in there if I were you.

- Oh, my God.

- Home movie.

My parents took one of me once,

but it didn't look like this.

I bet.

I've never seen a porno before.

Is it turning you on?

Good girls don't do that stuff.

Oh, 'cause you're a good girl?

I can tell you're such a good girl.

That's what I love about you.

You're such a good girl.

Come on.

I don't want to.

You know, maybe that's 'cause

you're not any good at it.

- Come on. You're gonna love it.

- Really?

- Yeah.

- I'm gonna like it? Choking myself?

I could teach you.

Remember how I got you to quit smoking?

Yeah. You gonna hypnotize me?

It's the same mind-body

control technique.

Yeah?

Out of sight. Ah!

OK, your mind has control.

Come on. A little more.

There you go.

Take it in. That's right.

Don't forget to breathe.

Come here.

Don't forget to breathe, OK?

You got it. OK? Go.

Oh, yeah.

Congratulations, Mrs. Chuck Traynor.

I've never done it with

a married man before.

- Me neither.

- Good.

- Hello?

- Hi. It's me.

Where are you?

I've been really worried about you.

Get some money, and come get me.

- I'm in jail.

- Ha-ha. Very funny.

Here you go, ma'am.

Oh! OK.

What happened, Chuck?

What did I say?

But this is different.

Whoo!

You said never ask about your work.

That's right.

Some girls were

turning tricks out back.

What do you mean by...

Prostitution?

Yeah. Linda, it's a titty bar.

What do you think these girls live off,

minimum wage?

Wait. The cops gonna

come ask me questions?

No. No, no, no,

no, no, no, baby.

Wives can't testify

against husbands.

Look, all I need is money.

Look, after paying your bail,

I have, um, 32, 33 dollars.

Linda, real money.

It's the IRS and the Miami PD,

and it's all just that shakedown.

- Do you have enough?

- "We."

Baby, do we have enough, right?

- No, we don't.

- Mm-mm.

- Not yet.

- So what are we gonna do?

Mary had a little lamb,

whose fleece was white as snow,

and everywhere that Mary went...

...the lamb was sure to go.

Yeah, right?

That... That was great.

- Did I tell you, or what, right?

- You did. You told us.

Sweetheart, there's

a little diner on the corner.

Why don't you run down,

grab us four coffees, regular?

- OK.

- All right?

- On the corner?

- Yeah.

- Thanks a lot, darling.

- Beautiful work.

Jesus f***ing Christ, Chuck.

What the f*** was that?

Does she even know what

she was auditioning for?

I know. I know.

She's new at this professionally.

I could show you this thing.

Well, Chuck, she's really cute.

She's adorable.

She's like a sexy

Raggedy Ann or something.

- Cute freckles.

- Really dug her freckles.

It was very...

But, you know, for this industry,

I don't... I don't know.

You don't know what, Gerry?

Go ahead. Be honest.

- Yeah?

- Yeah.

No, look, the point is,

we traffic in fantasy here.

Yeah, she's very real, the kind of girl

you sit next to her in class.

You see her out on the street,

you want to ball her.

But, you know, you've seen the girls

that come in and do this now.

I mean, they've all

been to the surgeon.

I mean, you can't light

your cigarette around 'em.

You're afraid their tits

are gonna go up

like the Hindenburg or something.

- Linda has tits.

- She does. Nice ones, too.

Not the point.

It's not like the old days, you know,

where you just point a camera

at two people screwing,

and you call it art.

I mean, the audiences expect a lot more.

She's beautiful, but,

you know, more pizzazz.

- We need more pizzazz.

- No offense.

I'm gonna show you

what Gerry's talking about.

- No, I...

- Nicky, come here for a sec.

I want to show you this...

I want to show you this movie we made.

Now, this is the prototype, right?

People want blonde hair, huge tits,

and a nice, beautiful round ass.

It's the harsh reality

of our chosen profession.

- Dynamite work, Nicky.

- Thanks, Butch.

I'm gonna show you this.

Chuck, we are making a movie here

on 35 millimeter.

Gerry even wrote a script.

- Forty-two pages.

- You hear that?

Forty-two f***ing pages.

This thing is gonna be in theaters,

and, look, people

want what they want.

Chuck, your girl, she's cute,

she's skinny. She's got no hips.

It's like making a war movie

without the fighting.

Tits and ass, that's the action.

Chuck, I don't want to bum you out.

Can she type?

Maybe I could find some work

for her in the office.

Look at this! Look at the...

I don't care about this.

Listen to me.

I know she doesn't

have it. Chuck.

- Look at that!

- We just saw what she could do.

- She acted? Couldn't act.

- Look what she can do.

- Look! See?

- Whoa, Butchie.

But... Are you... Did you see this?

Look at this. Look at this.

Are you seeing this?

- Holy sh*t.

- Oh!

- Wait. Is that real?

- Is she actually doing that?

Yeah, right.

Ho ho! Oh, my God!

Yeah, can she do that

with a big cock?

- No offense.

- She can do that with anything.

That's far out.

That is... You see that?

That is art, baby. That's art.

- Anybody want a hit?

- Gerry?

- Yeah?

- Not a cloud in the sky.

- What's with all the f***ing lights?

- Shadows, Butchie, shadows.

Your shadows are costing me

hundreds of dollars.

You want to turn the lights off?

You want it to look like sh*t?

No problem. I'll turn 'em all off.

F***ing artists, huh?

- Bad toupee.

- Wants to make a movie without lights.

How long have you been

a makeup person?

Oh, I'm not a professional.

I mean, not in makeup, anyway.

You know, when you get

to be my age in this business,

it helps to have

as many skills as you can.

I don't have any skills.

That's not what I heard.

There she is. Here's our star, huh?

What'd I tell you? The girl next door.

Linda, this is our financier,

Anthony Romano.

It's very nice to meet you.

Sweetheart, let me tell you something.

If what these guys

are saying is true,

this is gonna be the best

investment of my life.

I can't wait to see your work.

Yeah. Oh, and this is Dolly.

This is Linda's costar

and makeup artist.

A pleasure.

- I have many skills.

- Yeah? Do you?

Let's let the stars get back to work?

All right. We'll see you later.

Easy there, sister.

Don't cover her freckles.

OK.

Hey. What are you doing?

Her freckles are her thing.

- All right?

- OK. Be cool.

You look good.

All right. Just not too much, OK?

- You hear me?

- Yeah, I hear you.

Wow. He's pretty intense.

I used to have

an old man like that once.

You know, I should probably...

...do something about those.

Mr. Damiano will be really pissed

if I just leave 'em like that.

- I'm so clumsy.

Rate this script:0.0 / 0 votes