Lullaby of Broadway Page #2
- Painting? Madam, this is not a museum.
People don't come in off the streets.
Don't do that. Lt's liable to leave a ring.
Do you realize how much
a table like this costs?
You are in the furniture business now?
You shouldn't take advantage
that my mother's out of town...
- and abuse her furnishings.
- L abuse what l want!
Please don't spill any more beer. How
would you like it if this were your house?
Right now l wouldn't like it.
What is this?
- Better l get the police.
- Something wrong, sir?
Yes. This girl, she comes in my house,
She won't let me drip beer
on my own rug.
L sneak down to get away
from Mrs. Hubbell, and what do l get?
- Another Mrs. Hubbell.
- Leave everything to me.
Come, l have good news about your mother.
Wait for me downstairs.
- I'll explain everything.
- What's going on in my own house?
Who is she?
Do you remember many years ago you
backed a Broadway show, Pretty Lady?
- Of course.
- Remember the star?
Yeah, Jessica Howard.
How could l forget?
A wonderful woman.
Too bad what happened to her.
This girl is Jessica Howard's daughter.
What?
She doesn't know about her mother.
We want to keep it from her.
- Will you help us?
- Anything. Anything l can do.
Thank you, sir.
Sorry, l keep thinking it's my house.
The dancing will be interrupted for a
few minutes while two great artists...
who are taking a vacation
from the theater entertain you.
Mr. Hubbell.
Pretty soon your mother gets here,
and even better you will enjoy it.
Lefty. Lefty, you were wonderful.
So why am l passing this tray?
Oh, it's nice that you asked
so many show people.
You invite actors,
free entertainment you get.
Confidentially, Ferndel, the producer,
brings them so l put money in his show.
This way l throw two stones
at one bird.
There's Ferndel now.
Ladies and gentlemen,
your attention, please.
Here he is, my boy, Tom Farnham.
With the number that will be
the hit of my new show.
- Come on out here, Tom.
- George.
Thank you.
Thank you.
Unaccustomed as l am
to public auditions...
l'm always glad to raise a buck
for my producer. Let's go, Page.
- What's he gonna do?
- Like a dream he dances.
Come up here.
You wouldn't believe this,
but l gave him his first lesson.
Lefty, why her mother don't get here?
L don't know. Keep her occupied
till l find out what's happened.
- All right, l introduce her to Mrs. Hubbell.
- No, no, you stay away from her.
What will your wife think? You, taking a
blond and giving her a room in your home?
You mean, you-?
You think she would think that l...?
Thank you. That's the nicest thing
anyone has said to me in 15 years.
Thank you.
Oh, Miss Howard.
L have some money for you.
Here's a nickel.
You owe me four insults.
You picked up dancing pretty quickly
for a beginner.
Oh, l'm ready for more lessons anytime.
What are you doing here anyway?
L never thought l'd see you again.
It's a small, uncomfortable world,
isn't it?
L see l've got a lot of explaining to do.
That was my shipboard treatment
you got that day.
On land, l'm really not a bad guy.
Tell me, how are you underwater?
Would you give me a little time
to redeem myself?
Oh, Tom.
I've got to butter up Mrs. Hubbell.
Back in two seconds.
Oh, you can take longer than that.
- Here, Tom, l think you earned this.
- Thank you, Mrs. Hubbell.
- Did you like my little number?
- L think it'll be wonderful.
In a show my husband
doesn't have to back.
- He hasn't done too badly in show business.
- He's lost everything but his accent.
- Well, now, if you'll excuse me, l-
- Better wait.
L may call on you
to rescue my husband from Ferndel.
No, no, not even a nickel does my wife
let me put in another Broadway show.
But, Adolph, l counted on you for 50,000.
I'm already in rehearsal.
Rehearsal already.
And who picked the chorus girls? You.
Who stages the numbers? You.
Who picks the music? You.
And who pays the bills? Me.
But this is a modern Broadway show.
I'd like to have you help, but your taste in
music and girls is a little old-fashioned.
So my money's old-fashioned too.
Lt won't go out of the house.
Remember us, Mr. Ferndel?
Davis and Mack?
- Oh, sure, sure.
- We're just working here for laughs.
Not to mention food,
lodging and clothing.
Oh, but the theater's our first love.
Give us a spot in your show,
l'll turn in my dickey.
There isn't gonna be any new show.
My angel just flew the coop.
Freeloader.
- Fine, Tom. Very, very good.
- Thank you.
How much did you go for this time?
Not a cent.
L kept my promise to you. Sure.
Anna, l wonder, do you mind
if l ask something?
- What?
- The music, the excitement...
l'm getting too old for it.
Every bone in my head aches.
Always too old. Always something aches.
L just thought if l could go upstairs,
slip away without anyone noticing.
- That's just to get out of dancing with me.
- Anna-
All right, go upstairs
to your hot-water bottle, but l stay.
How can you sneak away? There's people
here who want something from you.
L manage it, don't worry.
Sure you won't mind staying a little longer
and carrying on for me?
Not a bit. I'll dance with Tom.
Won't l, Tom?
- Well, l... l'd be glad to, Mrs. Hubbell, but-
- Thanks, it helps me out. L won't forget it.
Good night, Anna. Lf anybody asks for me,
tell them l'm enjoying poor health.
Well, shall we give it a tussle?
Mr. Hubbell. Excuse me,
Don't worry, she will come.
Everything l have taken care of.
- What are you doing here all alone?
- Oh, l'm trying to avoid a dancing lesson.
What's the matter,
you don't like the teacher?
Well, l haven't made up my mind yet.
A pity l am too old,
You would?
Oh, well, you know the old saying:
- "The young in heart never grow old."
- So?
- L think you're one of the young in heart.
- Thank you.
May l have this dance, please?
- Me?
- Oh, this is a nice waltz.
All right, but too much
you shouldn't expect.
My heart is young,
but my feet are ready to retire.
Shall we then?
- Right now?
- Would you rather wait for the next one?
Oh, no, no, by that time,
even older l will be.
Come on, you can do it. Lt's easy.
- See? You dance beautifully.
- Thank you.
I'm afraid l'm not as lightheaded
as l used to be.
Look, there's Adolph.
And he told me that he had a headache.
- No, it's a little crowded.
Let's get closer
Who is that girl?
Look, l'm gonna stop dancing.
One Hubbell creating a spectacle is enough.
L should cut in.
- Yes, go on.
- Excuse me.
Why, Tom, what a surprise.
For years l haven't seen you.
- You know Miss...?
- Howard, Melinda Howard.
- How do you do?
- How do you do?
Excuse me, l see somebody makes motions
to me. Pardon me.
- May l?
- I'm charmed.
Who is that girl, and why did you
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"Lullaby of Broadway" Scripts.com. STANDS4 LLC, 2024. Web. 23 Nov. 2024. <https://www.scripts.com/script/lullaby_of_broadway_13043>.
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