Madadayo Page #7

Year:
1993
210 Views


My only concern

is this bunch here.

Their motives may not be pure.

You want to wake him up

and keep drinking, don't you?

Are you kidding?

We're all going beddy-bye.

See that you don't wet the bed.

What a quack.

The futons are in here.

Shall I pull them out?

We'll do that, ma'am.

There may not be enough.

You may be cold.

Not if there's enough sake.

- It's fine cold.

- But -

We'll be like students

again tonight.

Remember his speech? We'll be

genuine geezers too soon enough.

I have so little to offer.

Thank you, ma'am.

I'll sleep in the Temple Where Guests

are Forbidden. If you need anything -

We're fine. Don't worry.

Be sure not to wake

the professor.

Yes, ma'am.

Good night.

Feels good.

What does?

When we used to stay over

in the old days,

he made us do all our homework.

That was a real pain.

None of that tonight,

and no school tomorrow.

We've got it made.

Not yet...

He's sound asleep.

He must be dreaming.

I wonder

what his dreams are like.

I'm sure they're pure gold too.

Ready yet?

Not yet.

Ready yet?

Not yet.

Starring

TATSUO:

MATSUMURA:

HISASHI IGAWA:

JOJI TOKORO:

MASAYUKI YUI:

AKIRA TERAO:

TAKESHI KUSAKA:

ASEI KOBAYASHI:

KYOKO KAGAWA:

MITSURU HIRATA:

TAKAO ZUSHI:

NOBUTO OKAMOTO:

TETSU WATANABE:

EIJI BANDO:

HIDETAKA YOSHIOKA

Based on the Books by

HYAKKEN UCHIDA:

Written and Directed by

AKIRA KUROSAWA:

General Producers - YASUYOSHI

TOKUMA and GOHEI KOGURE

Executive Producers

HIROSHI YAMAMOTO and YUZO IRIE

Produced by

HISAO KUROSAWA:

Directors of Photography

TAKAO SAITO and MASAHARU UEDA

Production Design by

YOSHIRO MURAKI:

Lighting by

TAKEJI SANO:

Sound Recording by

HIDEO NISHIZAKI:

Music by

SHINICHIRO IKEBE

Costume Design by

KAZUKO KUROSAWA:

THE END:

SUBTEXT SUBTITLING

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Akira Kurosawa

After training as a painter (he storyboards his films as full-scale paintings), Kurosawa entered the film industry in 1936 as an assistant director, eventually making his directorial debut with Sanshiro Sugata (1943). Within a few years, Kurosawa had achieved sufficient stature to allow him greater creative freedom. Drunken Angel (1948)--"Drunken Angel"--was the first film he made without extensive studio interference, and marked his first collaboration with Toshirô Mifune. In the coming decades, the two would make 16 movies together, and Mifune became as closely associated with Kurosawa's films as was John Wayne with the films of Kurosawa's idol, John Ford. After working in a wide range of genres, Kurosawa made his international breakthrough film Rashomon (1950) in 1950. It won the top prize at the Venice Film Festival, and first revealed the richness of Japanese cinema to the West. The next few years saw the low-key, touching Ikiru (1952) (Living), the epic Seven Samurai (1954), the barbaric, riveting Shakespeare adaptation Throne of Blood (1957), and a fun pair of samurai comedies Yojimbo (1961) and Sanjuro (1962). After a lean period in the late 1960s and early 1970s, though, Kurosawa attempted suicide. He survived, and made a small, personal, low-budget picture with Dodes'ka-den (1970), a larger-scale Russian co-production Dersu Uzala (1975) and, with the help of admirers Francis Ford Coppola and George Lucas, the samurai tale Kagemusha (1980), which Kurosawa described as a dry run for Ran (1985), an epic adaptation of Shakespeare's "King Lear." He continued to work into his eighties with the more personal Dreams (1990), Rhapsody in August (1991) and Maadadayo (1993). Kurosawa's films have always been more popular in the West than in his native Japan, where critics have viewed his adaptations of Western genres and authors (William Shakespeare, Fyodor Dostoevsky, Maxim Gorky and Evan Hunter) with suspicion - but he's revered by American and European film-makers, who remade Rashomon (1950) as The Outrage (1964), Seven Samurai (1954), as The Magnificent Seven (1960), Yojimbo (1961), as A Fistful of Dollars (1964) and The Hidden Fortress (1958), as Star Wars: Episode IV - A New Hope (1977). more…

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Submitted on August 05, 2018

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