Madame Bovary Page #8

Synopsis: French author Gustave Flaubert is on trial for writing the "indecent" novel "Madame Bovary." To prove that he wrote a moral tale, Flaubert narrates the story of beautiful Emma Bovary, an adulteress who destroyed the lives of everyone she came in contact with.
Genre: Drama, Romance
Director(s): Vincente Minnelli
Production: MGM
  Nominated for 1 Oscar. Another 1 nomination.
 
IMDB:
7.1
PASSED
Year:
1949
114 min
704 Views


sitting on a high, stupid stool|that I'll never get off till the day I die.

Now you can laugh.

All my success.

I failed in Yonville. I failed in Paris.

Now I can't even succeed at pretending|that I am what I'm not.

I thought you'd hate me.

Did you see the master in Rouen?

He went in last night.|He went looking for you.

- Has he come back yet?|- No.

Why, isn't it proper for me to forgive you?|Surely other women have forgiven you.

- Or isn't that fair?|- It's fair enough.

I just don't happen to remember you|in terms of other women.

- How was Italy?|- Can't you guess? Without you?

I'm sure you found other amusements.

Why should I deny it?

Emma, why did you come here to see me?

Why, I came to tell you that I forgive you.

You're pale.

Those lines around your eyes,|I don't remember them.

I'm sure there's a great deal|you don't remember.

Would you offer me some brandy?

Oh, Rodolphe, forgive me.

Being here again, seeing you again,|I suppose in a way I still love you.

To the happiest of memories|and the saddest.

- Why didn't you take me with you?|- Don't, Emma.

If you loved me,|why didn't you take me with you?

I'm a fairly courageous man, Emma,|but I was afraid of you.

No.

Oh, I ask for too much, I know it.|I expected too much of you...

You asked for something|that consumes while it burns,

that destroys everything it touches.|I didn't want to be destroyed.

Rodolphe. Rodolphe, if I promised...

Oh, I was childish. I confess it.

We all have to grow up, you know.

Supposing I promised|never to expect too much of you again.

Oh, well, don't look so gloomy.

Really, I swear it,|I'd never ask too much of you.

Oh, Emma.

Well, you can at least look at me,|can't you?

I'm not that unattractive, am I?|I'm not that pale.

My eyes, they aren't that ugly, are they?|Oh, here.

Here.

I need money.

- Money.|-15,000 francs.

Why didn't I know it was money?

- Oh, I love you. I do love you, I swear it.|- Oh, get up, Emma. I can't stand it.

Only 15,000 francs.|I'll do anything you ask.

- I'll never ask too much of you, believe me.|- I believe you. I pity you.

- And I don't have it.|- You don't...

Why should I share your humiliation?|Go home. You're destroyed.

I said, I'm afraid of you.|I said, I don't have it.

You don't have it?

You don't have it?

I'd have given my life for you.|I'd have begged on the highroads.

I'd have stolen for you.|I'd have worked on my hands and knees.

I said I don't have it.

The bell? At this hour of the night?|Who can that be?

Well, well, just don't stand there.|Go see who it is.

No! No!

Don't, don't!

If you say one word,

if you make one sound, I shall say|that you gave it to me by mistake.

Say one word, Justin, make one sound...

Justin. Who was it? Justin.

You've seen this?

I said have you seen this?

Come to your senses.

I'm not going to ask you|where you've been.

I know where you've been.

I'm not going to ask you|where you were in Rouen.

I can guess where you were in Rouen.

Don't hate me, Charles.|Don't hate me now.

What's the matter with you?

Emma?

What is it?

Arsenic. Arsenic.

Don't let go.

Don't let go, Emma. There'll be|another doctor here by morning.

No. No.

I hurt, Charles. I hurt inside.

- You're crying.|- No, Emma.

Always trying to save me.

Why are you always trying to save me?

I love you, Emma.

You came in out of the rain,|and you were so wet,

and you'd come so far.

Please. Please, please, please...

Where are we, Charles?

- Is this our house?|- Yes, this is our house.

I'm going to make you|the most beautiful home,

like... Like pictures in magazines

when I was a child.

There's not something wrong|with things being beautiful, is there?

No, Emma, there...

What did I do?

Hold me, Charles. Hold me.

Through this holy unction

and through his divine mercy,

may the Lord pardon|all the sins that you have committed

through the sense of hearing. Amen.

Through this holy unction|and through his divine mercy,

may the Lord pardon|all the sins that you have committed

through the sense of sight. Amen.

Through this holy unction and through|his divine mercy,

may the Lord pardon|all the sins that you have committed

by the sense of taste and of speech. Amen.

Through this holy unction|and through his divine mercy,

may the Lord pardon|all the sins that you have committed

through the sense of touch.

Amen.

And so it was.

A woman had been born into this world|and had died young.

She had touched on numerous lives

some lightly,

some not so lightly.

Some despised her.

Some mourned her a little.

Some profited by her.

And then, of course,|there were those she had ruined,

who would never cease to love her.

Now there are those|who are offended by her

and who see in Emma Bovary's life|an attack upon public morality.

Gentlemen of the court,|I maintain that there is truth in her story,

and that a morality which has within it|no room for truth, is no morality at all.

Men may dislike truth.

Men may find truth offensive|and inconvenient.

Men may persecute the truth, subvert it,|try by law to suppress it,

but to maintain that men|have the final power over truth

is blasphemy and the last illusion.

Truth lives forever, men do not.

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Robert Ardrey

Robert Ardrey (October 16, 1908 – January 14, 1980) was an American playwright, screenwriter and science writer perhaps best known for The Territorial Imperative (1966). After a Broadway and Hollywood career, he returned to his academic training in anthropology and the behavioral sciences in the 1950s.As a playwright and screenwriter Ardrey received many accolades. He was awarded a Guggenheim Fellowship in 1937, won the inaugural Sidney Howard Memorial Award in 1940, and in 1966 received an Academy Award nomination for best screenplay for his script for Khartoum. His most famous play, Thunder Rock, is widely considered an international classic.Ardrey's scientific work played a major role in overturning long-standing assumptions in the social sciences. In particular, both African Genesis (1961) and The Territorial Imperative (1966), two of his most widely read works, were instrumental in changing scientific doctrine and increasing public awareness of evolutionary science. His work was so popular that many prominent scientists cite it as inspiring them to enter their fields. more…

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Submitted on August 05, 2018

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    "Madame Bovary" Scripts.com. STANDS4 LLC, 2024. Web. 26 Jul 2024. <https://www.scripts.com/script/madame_bovary_13118>.

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