Magnolia Page #27
EARL'S VOICE
...it's so f***in' hard....and so long....
life ain't short it's long....Life is long,
godddmnit -- god damn....whatd I do?
Whatd I do? ohhhh what'dIdo?
CUT TO:
INT. FRANK'S CAR - THAT MOMENT/NIGHT
CAMERA holds CU on Frank. He just sits. BEAT. THEN.
WIDER ANGLE, THAT MOMENT.
Reveal that Frank's car is sitting out front of Earl's house.
The Mexican Nurse that we saw earlier in the film, who Phil
relieved, walks past his car and up to Earl's house...
CUT TO:
INT. EARL'S HOUSE - MOMENTS LATER/NIGHT
Phil quietly stands in the front doorway, sotto words with the
Mexican Nurse, who keeps outside.
PHIL:
It's ok...I'm gonna stay...stay it out.
The Mexican Nurse nods, understands. Phil turns back into the house.
CUT TO:
INT. EARL'S HOUSE - THAT MOMENT/NIGHT
CAMERA CU on the bottle of liquid morphine. Phil's hand comes
into FRAME and takes it....TILT up to his face.
Phil is in tears....he dips the baby dropper in the bottle.....
Earl is out of breath, painfully....Phil hesitates, then:
CU - The liquid morhphine is dropped into Earl's mouth.
CUT TO:
INT. CLAUDIA'S APARTMENT - THAT MOMENT/NIGHT
She looks at the coke in front of her. She hesitates. Her stereo is
playing a song....it plays softly, then gets a bit louder....
She leans down and SNORTS the fat line of COKE. HOLD on her....she
starts to sing along with the song....
CLAUDIA:
"..it's not what you thought when you
first began it...you got what you want....
now you can hardly stand it though by now
you know, it's not going to stop....."
The SONG continues. The following has each of the principles
half singing along with the song, who's lead vocal will stay
constant throughout.
CUT TO:
INT. JIM KURRING'S APARTMENT - THAT MOMENT
CAMERA PUSHES in slowly on Jim Kurring. He sits on the bed, dressed up
and ready to go. He starts to sing along to the song as well.
JIM KURRING:
...it's not going to stop...it's not
going to stop 'till you wise up..."
CUT TO:
INT. JIMMY'S HOUSE - OFFICE - THAT MOMENT
CAMERA moves in towards Jimmy, alone, sitting in his office, singing.
JIMMY GATOR:
"You're sure there's a cure and you
have finally found it"
CUT TO:
INT. DONNIE'S APARTMENT - THAT MOMENT
CAMERA pushes in on Donnie smith as he starts to sing.
DONNIE SMITH:
"You think....one drink...will shrink
'till you're underground and living down,
but it's not going to stop..."
CUT TO:
INT. EARL'S HOUSE - THAT MOMENT
CAMERA DOLLIES in on Phil, holding back his tears and singing
along to the song...as he sits over Earl....
PHIL:
"It's not going to stop...it's not
going to stop...."
CAMERA moves over to Earl, eyes closed, starts to sing as well...
EARL:
"...it's not going to stop 'till
you wise up..."
CUT TO:
INT. EMPTY PARKING LOT - THAT MOMENT
CAMERA DOLLIES in on LINDA. She's passed out in her car, head
pressed against the glass, but she starts to sing along....
LINDA:
"...prepare a list of what you need
before you sign away the deed, 'cause
it's not going to stop..."
CUT TO:
INT. FRANK'S CAR - PARKED - THAT MOMENT
CAMERA pushes in a bit on Frank, singing along.
FRANK:
"...it's not going to stop...it's not
going to stop....it's not gonna
stop 'till you wise up, no it's not
gonna stop..."
CUT TO:
INT. SCHOOL LIBRARY - THAT MOMENT
CAMERA pushes in, (light coming up from the book he reads)
optical, glimpse what he reads....then pulls back from STANLEY.
STANLEY:
"..till you wise up, no it's not
going to stop, so just....give up."
PULL BACK.
CUT TO:
EXT. SKY - NIGHT Sequence I
The rain stops. Suddenly and quickly it's over. Clear as a bell. HOLD.
Title card:
Weather information,etc.CUT TO:
INT. CLAUDIA'S APARTMENT - STAIRWELL - NIGHT
The door opens and Claudia looks really nice. Jim Kurring smiles
and says hello.
CUT TO:
EXT. CLAUDIA'S APARTMENT - MOMENTS LATER
Jim Kurring opens the door for Claudia and she gets in.
He runs around and they drive off.
CUT TO:
INT. DONNIE'S APARTMENT - THAT MOMENT
Donnie takes the KEYS and puts on big dark coat and looks
in the mirror.
DONNIE:
You know, you know, you know. Go,go,go.
CUT TO:
INT. DONNIE'S APARTMENT - STAIRWELL - THAT MOMENT
Donnie knocks on his neighbor's door. A little OLD LADY opens up;
LITTLE OLD LADY:
Donnie, oh, Donnie --
DONNIE:
Hello, dear...I need a favor.
CUT TO:
EXT. DONNIE'S APARTMENT - CAR PORT - THAT MOMENT
Donnie comes down and gets in the little old lady's
Buick Regal and starts it up.
CUT TO:
EXT. EARL'S HOUSE - THAT MOMENT
Frank gets out of his car and walks up to the house.
He rings the doorbell.
CUT TO:
INT. EARL'S HOUSE - THAT MOMENT
The DOGS go crazy barking. Phil walks away from Earl and answers
the door. Frank standing there. Phil looks a bit surprised and
fumbles a moment...They stand in doorway and speak very quietly;
PHIL:
Hello. Frank. Frank TJ Mackey.
FRANK:
...are you Phil...?
PHIL:
Yeah. I was trying to get in touch
with you. We got dissconnected.
FRANK:
I got your message. That you were
trying to get me -- right?
PHIL:
Yes. I didn't know how to find you.
Earl asked me, so I looked through
the adress books and there was no number,
nothing --
FRANK:
Is Linda here?
PHIL:
She's not here, she went out.
I'm sorry. This is all just so,
I don't know what, what to do -- your
Dad asked me to try and track you down.
To get you and I did, I called the number --
Do you wanna come in?
FRANK:
Yeah let's...maybe just stand.
PHIL:
These Dogs'll calm down -- you just
have to come in --
He steps in the door and the dogs start to settle down a bit.
PHIL:
He's in here.
FRANK:
Let's just wait one minute and stay here, okay?
PHIL:
Ok.
BEAT. They stand in the foyer and the dogs eventually calm down
and go away. BEAT.
FRANK:
How long have you taken care of him?
PHIL:
For six months. I'm the day nurse...
FRANK:
Uh-huh. What's going on?
PHIL:
He's...I'm sorry...so sorry...I've seen
this before, you know and you don't....
He's going very fast....Frank...um....
FRANK:
Is he in pain?
PHIL:
I just...he was...but I gave him,
I just had to give him a small dose of
liquid morphine. He hasn't been able to
swallow the morphine pills so we now,
I just had to go to the liquid morphine...
For the pain, you understand?
FRANK:
...uh-huh...
BEAT. Silence, then:
FRANK:
How long...you think?
PHIL:
Um...soon tonight...I think, yes?
Tommorrow...I mean...very soon...very...
FRANK:
When did he go off chemo?
PHIL:
About three weeks ago.
FRANK:
.....have you ever seen this..I mean,
never mind, you said --
PHIL:
I work as a nurse, for a proffesion --
FRANK:
Uh. huh.
PHIL:
I'm really sorry.
FRANK:
He's in here --?
PHIL:
Yeah.
Phil starts to guide him, Frank holds him back.
FRANK:
No, let's just wait one minute,
let's just stand here one minute or so --
BEAT. They stand. HOLD.
PHIL:
I've heard your tapes on the phone.
FRANK:
Oh yeah.
PHIL:
When they put me on hold, to
talk to you...they play the tapes.
I mean:
I'd seen the commercialsand heard about you, but I'd never heard
the tapes ....
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"Magnolia" Scripts.com. STANDS4 LLC, 2025. Web. 23 Jan. 2025. <https://www.scripts.com/script/magnolia_911>.
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