Magnolia Page #29
He takes one of the KEYS from the key chain and uses it to
get in a door in back. He enters.
CUT TO:
INT. SOLOMON AND SOLOMON ELECTRONICS - THAT MOMENT
Donnie in a back corridor. He walks down through some BOXES
and assorted MERCHANDISE towards another door. He pulls his
hat down some more, moves swiftly.
He arrives at another door and does a KEY PAD CODE thing and
also uses ANOTHER KEY from the key chain.
ANOTHER BACK CORRIDOR
Donnie enters, walks towards Solomon's office and does another
Key Pad Code and Lock thing and enters --
SOLOMON'S OFFICE
Donnie enters, takes a quick beeline to behind the desk and
under the floor, under a rug he kneels down....
DONNIE'S POV
he pulls the rug back and there's a SAFE. He does the combination
and opens it up.
IN THE SAFE.
There's five stacks of five thousand dollars for a total of
$25,000. In addition, some jewelry and some papers, etc.
CU - DONNIE
he starts to take the money, putting into a plastic shopping bag.
CUT TO:
INT. EARL'S HOUSE - THAT MOMENT
Frank and Phil stand in the foyer. They're quiet a moment, then:
FRANK:
So....Phil....um...I think I'm gonna
step in and try and see him and say
something if he can...talk...I mean:
PHIL:
...ok...
FRANK:
Can you stand...back...maybe, I mean...
just a little bit...in the room is
ok, but back from us a little...
PHIL:
yeah.
Frank walks slowly into the Living Room and over to Earl's
bedside. He's holding back his tears. He sits. Earl
is eyes closed, breathing a bit irregular....HOLD.
FRANK:
...Dad...Dad...hey...Earl?
He tries to wake him a bit, but Earl is not moving.
FRANK:
...hey...Dad...Dad can you wake up
a minute Dad?
He turns to Phil, crying now, says:
FRANK:
He's not waking up.
CUT TO:
INT. JIMMY'S HOUSE - THAT MOMENT
ROSE:
How many times....it's ok...just say...
Just say...
JIMMY:
I don't even remember...many...twenty...
maybe more...not much more...twenty times.
BEAT.
ROSE:
I don't hate you, Jimmy. But I have
a couple questions that I wanna ask....
JIMMY:
I'll answer anything.
ROSE:
Was there anyone that I know?
JIMMY:
Yes.
ROSE:
Who?
JIMMY:
Rose, I don't --
ROSE:
hey.
JIMMY:
Paula. Ellen.
She laughs a bit, rolls her eyes.
JIMMY:
That's it.
ROSE:
No one else that I know?
JIMMY:
No.
ROSE:
How long with Ellen?
JIMMY:
Just once.
ROSE:
How long with Paula?
JIMMY:
Two years...three years...
ROSE:
What about now?
JIMMY:
It's over. I talked to her
this morning.
ROSE:
Is it over 'cause you're sick?
JIMMY:
It's over becuase...for all the the
right reasons I hope, what I said.
ROSE:
Do you have any children with anyone?
JIMMY:
What? No, Rose, jesus, no --
ROSE:
Well maybe.
JIMMY:
I don't.
ROSE:
Do you feel better now that you've said this?
JIMMY:
I don't know....
ROSE:
I'm not mad. I am, but I'm not. Y'know?
JIMMY:
I love you so much.
ROSE:
I'm not through asking my questions.
Jimmy laughs a bit, smiles.
ROSE:
Why doesn't Claudia talk to you, Jimmy?
JIMMY:
Why, well I think we've, we both
don't know...what do you mean?
ROSE:
I think that you know.
JIMMY:
Maybe...I don't...
BEAT. HOLD.
CUT TO:
EXT. VENTURA BLVD. - THAT MOMENT
CAMERA tracks with an AMBULANCE rushing down the street.
CUT TO:
INT. LAMPLIGHTER - THAT MOMENT
Through the window, the AMBULANCE passes in the b.g., heading
nearby...and OC we hear the siren throughout scene;
Stanley looks up at Worm, who's crying harder now, they make
another moment of eye contact. BEAT, THEN:
WORM:
Hi.
STANLEY:
Hi.
WORM:
..sorry...
STANLEY:
It's ok.
BEAT.
STANLEY:
Are you alright?
Worm looks up.
CUT TO:
EXT. EMPTY PARKING LOT - THAT MOMENT
The AMBULANCE arrives at Linda's Mercedes and the PARAMEDICS
hop out, open the doors, call direction and try to speak with
her and revive, etc. CAMERA is HAND HELD and moving frantically
with them;
PARAMEDICS (various)
Hello, hello, can you hear us, huh?
Stay with us, can you hear me...etc. etc.
ANGLE, ACROSS THE PARKING LOT.
Dixon is hiding way across the way in the shadowed, hidden
parked car, watching the paramedics. All the while he counts
the money from Linda's wallet.
CUT TO:
INT. BILLINGSLEY'S BATHROOM - THAT MOMENT.
CAMERA with Claudia, she snorts some coke off her hand in the stall.
She takes a quick look in the mirror, walks out --
CUT TO:
INT. BILLINGSLEY'S - THAT MOMENT
CAMERA tracks with Claudia as she walks back to the table...she
comes up from behind Jim Kurring and leans in quick...KISSES
HIM ON THE CHEEK and then quickly sits down across from him;
CLAUDIA:
I wanted to do that.
Jim Kurring smiles, shaken a bit.
JIM KURRING:
Well.
CLAUDIA:
That felt good to do...to do what
I wanted to do.
JIM KURRING:
Yeah.
CLAUDIA:
Can I tell you something?
JIM KURRING:
Yeah, of course.
CLAUDIA:
I'm really nervous that you're
gonna hate me soon. That you're
and you're gonna hate me --
JIM KURRING:
-- no, like what, what do you mean?
CLAUDIA:
You're a police officer. You have
so much, so many good things and
you seem so together...so all straight
and put together without problems.
JIM KURRING:
I lost my gun.
CLAUDIA:
What?
JIM KURRING:
I lost my gun after I left you today
and I'm the laughing stock of a lot
of people. I wanted to tell you that.
I wanted you to know...and it's on my mind
and it makes me look like a fool and
I feel like a fool and you asked that
we should say things, that we should
say what we're thinknig and not lie
about things and I'll tell you that, this:
that I lost my gun and I'm not a good
cop...and I'm looked down at...and I know
that....and I'm scared that once you
find that out you might not like me.
CLAUDIA:
Oh my god, Jim. Jim, that was so --
JIM KURRING:
I'm sorry --
CLAUDIA:
That was so great what you just said.
JIM KURRING:
I haven't been on a date since I
was married and that was three years
ago....and Claudia...whatever you
wanna tell me, whatever you think
might scare me, won't...and I will
listen...I will be a good listener
to you if that's what you want...and
you know, you know...I won't judge you....
I can do that sometimes, I know, but
I won't...I can...listen to you and you
shouldn't be scared of scaring me off
or anything that you might think I'll
think or on and on and just say it and
I'll listen to you....
CLAUDIA:
You don't how f***in' stupid I am.
JIM KURRING:
It's ok.
CLAUDIA:
You don't know how crazy I am.
JIM KURRING:
It's ok.
CLAUDIA:
I've got troubles.
JIM KURRING:
I'll take everything at face value.
I'll be a good listener to you.
CLAUDIA:
Ohhhh I started this, didn't I,
didn't I, didn't I, f***.
JIM KURRING:
Say what you want and you'll see --
CLAUDIA:
Wanna kiss me, Jim?
JIM KURRING:
Yes I do.
They lean across the table and kiss each other. CAMERA DOLLIES
IN SUPER QUICK as their lips touch.
CUT TO:
INT. SOLOMON AND SOLOMON ELCTRONICS - THAT MOMENT
Donnie finishes taking the money from the safe....
...Donnie walks back one of the corridors and heads through
a door...(again using the key and code)....
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"Magnolia" Scripts.com. STANDS4 LLC, 2025. Web. 23 Jan. 2025. <https://www.scripts.com/script/magnolia_911>.
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