Main Hoon Na Page #5

Synopsis: When India and Pakistan decide to end their hostilities, there is one army person in India who is unhappy, because of his son's death in the Indo-Pak war. He decides to launch terror attacks and bring an end to peace, and for this purpose he shoots and gravelly injures an Indian army officer. After the death of this officer, Raghavan then decides to do away with the army officer's daughter, Sanjana, who is studying in hostel. Raghavan and his men descend on the hostel and hold over 100 students hostage. There is only one student who can save them, and his name is Ram, he claims he is a student, but is here on a mission - a mission that when told will reveal his real identity and two plans which he must carry out simultaneously.
Genre: Action, Comedy, Crime
Director(s): Farah Khan
Production: Eros Entertainment
  8 wins & 34 nominations.
 
IMDB:
7.0
NOT RATED
Year:
2004
179 min
Website
2,551 Views


who claim they got lost

searching for water.

They are Pakistanis.

You know very well that you

are standing on Indian soil.

So get ready for a trial.

Are you Pakistani?

Don't be afraid.

Just answer me.

Are you Pakistani?

Yes, Sir.

Trial over.

Major Dutta, on what basis did

you kill those 11 Pakistanis?

-They were Pakistani spies.

-All of them?

-Perhaps.

-Is it possible that

-some of them weren't spies?

-It's possible.

And it's also possible

that none of them were spies.

They were Pakistanis.

Major Dutta, let me inform you

we are not in a

state of war with Pakistan.

Brigadier Sharma, we've been in a state

of war with Pakistan since 1947.

I'm ashamed that I ever

considered you my friend.

This man is mentally ill.

He does not deserve to be an officer

of the Indian army.

Ten years.

It has taken me ten years

to create my own army.

I've handpicked every soldier,

who'll be with me in this war.

I never said it would be easy.

Never claimed, victory would

come without losing something.

We must shed blood if we have to, Khan.

It could be ours, the enemies'

or that of a kid.

Right, Khan?

Right, Sir.

span style="style.default1"Who are you waiting for?/span

span style="style.default1"I'm here /span

span style="style.default1"Just one look, I'm here/span

span style="style.default1"Who are you waiting for?/span

span style="style.default1"I'm here/span

span style="style.default1"Just one look, I'm here/span

span style="style.default1"Why are you quiet?/span

span style="style.default1"You can tell me whatever you like/span

span style="style.default1"If it's endless love you wish,/span

span style="style.default1"Ask for it aloud/span

span style="style.default1"And you shall receive it,/span

span style="style.default1"For I'm here/span

span style="style.default1"Who are you waiting for?/span

span style="style.default1"I'm here/span

span style="style.default1"Just one look, I'm here/span

span style="style.default1"When you think, when you see/span

span style="style.default1"How much I love you/span

span style="style.default1"Don't stay silent/span

span style="style.default1"Tell me/span

span style="style.default1"You have that special friend/span

span style="style.default1"Who will give you his heart,/span

span style="style.default1"Give up his soul/span

span style="style.default1"Who will give you his heart,/span

span style="style.default1"Give up his soul/span

span style="style.default1"And I will say, true,/span

span style="style.default1"For I'm here/span

span style="style.default1"Who are you waiting for?/span

span style="style.default1"I'm here/span

span style="style.default1"Just one look, I'm here/span

span style="style.default1"Why are you quiet?/span

span style="style.default1"You can tell me whatever you like/span

span style="style.default1"If it's endless love you wish,/span

span style="style.default1"Ask for it aloud/span

span style="style.default1"And you shall receive it,/span

span style="style.default1"For I'm here/span

span style="style.default1"Who are you waiting for?/span

span style="style.default1"I'm here/span

span style="style.default1"Just one look, I'm here/span

span style="style.default1"If there's something in your heart/span

span style="style.default1"Tell me/span

span style="style.default1"No matter what time of day or night/span

span style="style.default1"Tell me/span

span style="style.default1"If problems plague you/span

span style="style.default1"Or you feel down and out/span

span style="style.default1"Tell me/span

span style="style.default1"If you have a wish,/span

span style="style.default1"A little want.../span

span style="style.default1"If you have a wish,/span

span style="style.default1"A little want.../span

span style="style.default1"Don't ever be apprehensive/span

span style="style.default1"For I'm here/span

span style="style.default1"Who are you waiting for?/span

span style="style.default1"I'm here /span

span style="style.default1"Just one look, I'm here/span

span style="style.default1"Why are you quiet?/span

span style="style.default1"You can tell me whatever you like/span

span style="style.default1"If it's endless love you wish,/span

span style="style.default1"Ask for it aloud/span

span style="style.default1"And you shall receive it,/span

span style="style.default1"For I'm here/span

span style="style.default1"Who are you waiting for?/span

span style="style.default1"I'm here/span

span style="style.default1"Just one look, I'm here/span

-Yes! Yes!

-Oh, no! Come on!

Ram, you can do it!

Come on.

-Excuse me. What's going on?

-The loser must face punishment.

No. Hang on.

Look, I lost because you--

-Sit down.

-Okay.

Till when do I have to sit here?

Until a girl doesn't

walk towards you from there.

A girl?

-And until you don't serenade her.

-Right.

No. I can't do that.

I've never done that.

-Sit down!

-Okay, I'm sitting.

-Someone's coming. Someone's coming.

-I hope it's not Mrs. Kakkar.

-Come on, guys.

-No. Sanju, I can't sing.

-Come on.

-What should I sing?

span style="style.default1"I'm a little tin soldier/span

span style="style.default1"Sing with me.../span

I should have stuck to the army.

I need a fresh new song. Yes.

span style="style.default1"Buffalo soldier,/span

span style="style.default1"In the heart of.../span

Sari.

I got it. She's the new

Chemistry Professor.

What!

Ram, don't sing.

Don't sing.

Swan song, baby.

Wow! What a lovely sari!

Thank God! Come on, guys.

span style="style.default1"My heart is the moon.../span

span style="style.default1"You are the moonlight/span

I just remembered.

She is Miss Chandni.

-What!

span style="style.default1"-Why is the moonlight.../span

span style="style.default1"So far from the moon?/span

Is it my imagination

or were you just singing to me?

No. I am... just a little tin soldier.

What?

Whatever.

Go ahead and finish the song.

I said, finish the song.

span style="style.default1"You have no choice/span

span style="style.default1"But to return to my sphere/span

span style="style.default1"So go where you will, go my dear/span

span style="style.default1"Go on, my.../span

Don't watch.

You won't be able to bear it.

No way. Such behavior won't be tolerated

in this college.

By the way, which song was it?

One, two, three...

span style="style.default1"My heart is the moon.../span

-My favorite.

-Really?

-span style="style.default1"You are the moonlight.../span

-What song is this?

span style="style.default1"-Why is the moonlight so.../span

-Stop it.

So old and a student. Disgusting!

So young and a teacher. Amazing.

Colonel, do you know who her father is?

-No. Who, Sir?

-How would I know?

-You also don't--

-Admiral...

I know she is relevant to your mission.

-No, no.

-But you must apologize.

-Go now!

-Okay.

-Good morning.

-Hello.

I will spit on you.

I will spit on you.

But never do such a thing.

-Good morning.

-Good morning.

She's the moonlight.

Rate this script:5.0 / 2 votes

Abbas Tyrewala

Abbas Tyrewala is an Indian film storywriter, screenwriter, dialogue writer and director. After making his mark as a screenwriter and dialogue writer in early 2000s, with award-winning films like Maqbool (2003), Munnabhai M.B.B.S. (2003), he made his debut as a director with a breezy romantic comedy, Jaane Tu Ya Jaane Na (2008). more…

All Abbas Tyrewala scripts | Abbas Tyrewala Scripts

1 fan

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Main Hoon Na" Scripts.com. STANDS4 LLC, 2024. Web. 19 Nov. 2024. <https://www.scripts.com/script/main_hoon_na_13191>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does the term "plant and payoff" refer to in screenwriting?
    A Setting up the final scene
    B Introducing a plot element early that becomes important later
    C The introduction of main characters
    D The payment to writers for their scripts