Major Barbara Page #14

Synopsis: A young and idealistic woman, who has adopted the Salvation Army and whose father is an armament industrialist, will save more souls directing her father's business. A comedy with social commentary.
Genre: Comedy
Production: Criterion Collection
  1 nomination.
 
IMDB:
7.0
Rotten Tomatoes:
86%
APPROVED
Year:
1941
121 min
339 Views


I must have, uh, 2,500

a year for two years.

At the end of that time,

if I'm a failure I go.

But if I'm a success and stay on,

you must give me the other 5,000.

What other 5,000?

To make the two years

up to 5,000 a year.

The 2,500 is only half pay, in

case I should turn out a failure.

The third year I must have,

uh, 10% of the profits.

Ten per... Do you know

what my profits are?

Enormous, I hope!

Otherwise, I shall require 25%.

But, Mr. Cusins, this is a

serious matter of business.

You're not bringing any

capital into the concern.

What? No capital?

Is my mastery of Greek no capital?

Is my access to the subtlest thought...

the loftiest poetry yet

attained by humanity no capital?

My character? My intellect?

My life? My career?

And what Barbara calls my soul?

Are these no capital?

- Say another word, and I double my salary.

- Be reasonable.

Mr. Undershaft, you have my

terms. Take them or leave them.

Very well. I note your

terms, and I offer you half.

- Half?

- Half.

You call yourself a gentleman,

then you offer me half?

I don't call myself a

gentleman, but I offer you half.

This to your future partner,

your successor, your son-in-law?

Leave me out of the

bargain please, Dolly.

You're selling your own soul, not mine.

Come, I'll go a step further for Barbara's sake.

I'll give you three-fifths, but that's my last word.

- Done!

- Done in the eye.

[Sighs]

By the way, Mac, I'm a classical

scholar, not an arithmetical one.

Is three-fifths more than half or less?

More, of course.

I'd have taken 250.

How you can succeed in business...

when you're willing to pay all that

money to a university professor...

who obviously isn't worth a

junior clerk's wages, well...

What'll Lazarus say?

He'll be blamed for your rapacity

in money matters, poor fellow...

as he's hitherto been blamed for mine.

You're a shark of the

first order, Euripides.

So much the better for the firm.

Dolly, old fellow, think.

Think before you decide.

Do you feel that you're a

sufficiently practical man?

It's a huge undertaking.

An enormous responsibility.

All this mess of business

will be Greek to you.

I think it'll be much

less difficult than Greek.

[Vehicles Rassing]

[Train Whistle Blows]

- Bill!

- Hello, Judy!

What you think of it? Got

meself a job... 3.10 a week!

How's that for salvation, eh?

Barbara.

You understand, don't you, that I

had to decide without consulting you.

If I had left this choice to you, you'd

sooner or later have despised me for it.

Your father's challenge has beaten me.

Dare I make war on war?

I dare. I must!

I will.

And now, is it all over between us?

Silly baby Dolly.

How could it be?

Then you... You...

Oh, for my drum!

Take care, Dolly, take care.

Oh, if only I could get away from

you, from Father, and from it all.

- And leave me?

- Yes.

But I can't.

I was happy for a moment

in the Salvation Army...

but as soon as our money ran

short it all came back to Bodger.

Undershaft and Bodger.

Their hands stretch everywhere...

and as long as that lasts

there's no getting away from them.

Turning our backs on them

is turning our backs on life.

Do you know what would have happened

if you'd refused Papa's offer?

- I wonder. - I should have given you up

and married the man who'd accepted it.

After all, my dear old mother's

got more sense than any of you.

I felt like her when I saw this

place, felt that I must have it...

that never, never,

never could I let it go.

Only she thought it was all the houses

and kitchen ranges and linen and china.

But it was really all the

human souls to be saved.

Not weak souls in starved bodies...

sobbing with gratitude for

a scrap of bread and scrape...

but souls that are hungry...

because their bodies are full.

My father shall never throw it in my teeth

again that my converts were bribed with bread.

I have got rid of the bribe of bread.

I have got rid of the bribe of heaven.

Let God's work be done

for its own sake...

the work that he had

to create us to do...

because it cannot be done

except by living men and women.

Then the way of life lies

through the factory of death.

Yes, through the raising of hell

to heaven and of man to God...

through the unveiling

of an eternal light...

in the valley of the shadow.

Oh, did you think that my

courage would never come back?

Did you believe that I was a deserter...

that I, who have stood in the streets

and taken my people to my heart...

and talked of the greatest and

holiest of things with them...

could ever turn back

and chatter foolishly...

to fashionable people about

nothing in a drawing room?

Never, never, never, never!

Sooner than that I'd sweep

out the gun-cotton sheds...

or be one of Bodger's barmaids.

Major Barbara will die with the colors!

Glory, hallelujah.

[Barbara] Mamal Mamal

- Well, what did she say?

- She's gone right up into the skies!

- Mama!

- Well, Barbara, what do you want?

A house in the village

to live in with Dolly!

6:
00 tomorrow morning, Euripides!

I'll see the whole place blown up with

its own dynamite before I get up at 5:00!

Here! Remember my tip, mate.

Stop her jaw, or you'll

die afore your time!

Wore out, that's what

you'll be! Wore out!

[All Laughing]

Rate this script:0.0 / 0 votes

George Bernard Shaw

George Bernard Shaw (26 July 1856 – 2 November 1950), known at his insistence simply as Bernard Shaw, was an Irish playwright, critic, polemicist, and political activist. His influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman (1902), Pygmalion (1912) and Saint Joan (1923). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature. Born in Dublin, Shaw moved to London in 1876, where he struggled to establish himself as a writer and novelist, and embarked on a rigorous process of self-education. By the mid-1880s he had become a respected theatre and music critic. Following a political awakening, he joined the gradualist Fabian Society and became its most prominent pamphleteer. Shaw had been writing plays for years before his first public success, Arms and the Man in 1894. Influenced by Henrik Ibsen, he sought to introduce a new realism into English-language drama, using his plays as vehicles to disseminate his political, social and religious ideas. By the early twentieth century his reputation as a dramatist was secured with a series of critical and popular successes that included Major Barbara, The Doctor's Dilemma and Caesar and Cleopatra. Shaw's expressed views were often contentious; he promoted eugenics and alphabet reform, and opposed vaccination and organised religion. He courted unpopularity by denouncing both sides in the First World War as equally culpable, and although not a republican, castigated British policy on Ireland in the postwar period. These stances had no lasting effect on his standing or productivity as a dramatist; the inter-war years saw a series of often ambitious plays, which achieved varying degrees of popular success. In 1938 he provided the screenplay for a filmed version of Pygmalion for which he received an Academy Award. His appetite for politics and controversy remained undiminished; by the late 1920s he had largely renounced Fabian Society gradualism and often wrote and spoke favourably of dictatorships of the right and left—he expressed admiration for both Mussolini and Stalin. In the final decade of his life he made fewer public statements, but continued to write prolifically until shortly before his death, aged ninety-four, having refused all state honours, including the Order of Merit in 1946. Since Shaw's death scholarly and critical opinion has varied about his works, but he has regularly been rated as second only to Shakespeare among British dramatists; analysts recognise his extensive influence on generations of English-language playwrights. The word "Shavian" has entered the language as encapsulating Shaw's ideas and his means of expressing them. more…

All George Bernard Shaw scripts | George Bernard Shaw Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Major Barbara" Scripts.com. STANDS4 LLC, 2024. Web. 26 Jul 2024. <https://www.scripts.com/script/major_barbara_13197>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Major Barbara

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is a "treatment" in screenwriting?
    A The first draft of the screenplay
    B The character biographies
    C A detailed summary of the screenplay
    D The final cut of the film