Malcolm X Page #44
- PG-13
- Year:
- 1992
- 202 min
- 1,750 Views
ANGLE - WILLIAM
He stands up from the fourth row with 12-gauge sawed-off
shotgun blasting.
CLOSE - MALCOLM
Throws up his hands, grabs his chest and is knocked backward.
SHOTS - PURE PANDEMONIUM
People hit the floor, knock over chairs, stampede for the
exits.
ANGLE - BACK OF AUDITORIUM
Wilbur Kinley ignites a smoke bomb.
ANGLE - FIRST RUN
Thomas Hayer and Leon Davis stand up, run toward the stage,
and empty their .45's and Luger into the fallen body of
Malcolm.
ANGLE - BETTY
She is on the floor covering her children.
ANGLE - AISLE
Hayer and Davis charge up the aisle toward the rear exit,
shooting at the crowd.
ANGLE - BODYGUARD
He stands in Hayer's way, Hayer fires, he turns, the bullet
misses and the bodyguard gets off a shot which hits Hayer in
the leg.
ANGLE - HAYER
He stumbles momentarily, then limps on.
ANGLE - STAIRCASE
Hayer is running down the staircase when he is tripped, and
goes flying through the air to the bottom of the landing.
The crowd starts to beat the sh*t out of him, kicking him in
the head, etc., they're about to tear him apart from limb to
limb when a PATROLMAN enters with gun drawn.
He shoots gun into air and the crowd backs off and he takes
custody of Hayer.
ANGLE - STAGE
One of Malcolm's bodyguards, BROTHER GENE, is over him, giving
him mouth-to-mouth resuscitation. Brother Gene stops, Betty
moves in and hugs her dying husband.
BETTY:
Somebody call an ambulance. Somebody
call an ambulance.
ANGLE - ENTRANCE
THIRTY COPS walk in like it's a spring Sunday stroll in
Central Park.
CLOSE - MALCOLM
His eyes are glazed over.
BETTY'S VOICE
They killed him. They killed him.
SHOT - BROTHERS EARL AND BENJAMIN 2X SITTING ON STAGE
SHOT - MALCOLM IS RUSHED ON A STRETCHER TO HOSPITAL NEXT
DOOR SHOT - HOSPITAL SPOKESPERSON
HOSPITAL SPOKESPERSON
The person you know as Malcolm is no
more.
THE STUNNED FACES OF BLACK PEOPLE OUTSIDE THE AUDUBON
BALLROOM...
--AND IN HARLEM.
OSSIE DAVIS speaking behind the above:
OSSIE DAVIS'S VOICE
Here at this final hour, in this
quiet place, Harlem has come to bid
farewell to one of its brightest
hopes, extinguished now and gone
from us forever.
DOLLY SHOT of the long line of people outside the funeral
parlor, waiting to see Malcolm's body, where it lies before
burial.
OSSIE DAVIS'S VOICE
For Harlem is where he worked, and
where he struggled and fought. His
home of homes, where his heart was
and where his people are. And it is
therefore most fitting that we meet
once again in Harlem to share these
last moments with him. For Harlem
has ever been gracious to those who
loved her, have fought for her and
defended her honor even to death. It
is not in the memory of man that
this beleaguered, unfortunate but
nonetheless proud community has found
a braver, more gallant young champion
than this Afro-American who lies
before us unconquered still. Many
will ask what Harlem finds to honor
in this stormy, controversial and
bold young captain and we will smile
and we will answer and say unto them:
SHOTS - FACES OF HARLEM - PRESENT DAY - THE 90'S
Ordinary PEOPLE in ordinary pursuits of life, BLACK PEOPLE
still struggling to stay afloat in a racist WHITE AMERICA
that does not have their best interests at hand -- 8 years
of Reagan and now at least 4 years of Bush.
OSSIE DAVIS'S VOICE
Did you ever talk to Brother Malcolm?
Did you have him smile at you? Did
you ever listen to him? Did he ever
really do a mean thing? Was he ever
associated with violence or any public
disturbance?
SHOT - STREET SIGN - MALCOLM X BOULEVARD - HARLEM
SHOT - YOUNG AFRO-CENTRIC TEENAGERS WITH MALCOLM X T-SHIRTS,
HATS, JACKETS, JEWELRY, ETC.
OSSIE DAVIS'S VOICE
For if you did, you would know him
and if you knew him, you would know
why we must honor him.
SHOT - NEWSREEL FOOTAGE OF THE _REAL_ MALCOLM X
OSSIE DAVIS'S VOICE
Malcolm was our manhood, our living
black manhood. That was his meaning
to his people and in honoring him we
honor the best in ourselves.
FREEZE FRAME - A CLOSE-UP OF THE REAL MALCOLM X SMILING RIGHT
AT US.
CUT TO:
SHOT - INT. CLASSROOM BULLETIN BOARD
A picture collage of Malcolm X. It reads P.S. 153 -- Harlem
honors Malcolm on his birthdate May 19, 1935.
OSSIE DAVIS'S VOICE
And we will know him then for what
he was and is. A PRINCE, A BLACK
SHINING PRINCE who didn't hesitate
to die because he loved us so.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Malcolm X" Scripts.com. STANDS4 LLC, 2025. Web. 12 Jan. 2025. <https://www.scripts.com/script/malcolm_x_488>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In