Malpertuis Page #3

Synopsis: Malpertuis is a labyrinth where characters issued from the Greek mythology are made prisoners by Cassavius. He manages to keep them (as well as his nephew and niece) as prisoners even after his death, through a binding testament. As the nephew unravels the mystery, we find out he cannot escape the house because Malpertuis is far more significant than we were led to believe.
Genre: Drama, Fantasy, Horror
Director(s): Harry Kümel
  1 win & 1 nomination.
 
IMDB:
7.1
Year:
1971
125 min
39 Views


Come on, come and sit here.

Come and sit here.

Eisengott.

Start reading. The whoIe fIock has

gathered together in aII its spIendour.

Let the show begin.

First teII them

how much money I'm Ieaving.

I, the undersigned, Quintin Cassavius,

heaIthy in mind and body,

hereby decIare that

this is my Iast wiII and testament.

I hereby bequeath to ...

Now he's extinguishing

the Iast Iight ...

One.

Two.

No, no, no!

Five hundred and twenty-six thousand,

seven hundred and fifty-two fIorins

and thirty-three cents.

My dearIy beIoved heirs,

I can see that

no one present had any idea

of this coIossaI fortune.

CharIes, hand in your resignation.

- Of course, DideIoo.

And everyone eIse here

wiII change their way of Iife too.

Carry on reading, Eisengott.

Each beneficiary wiII receive an annuaI

income in proportion to the totaI estate.

However, from that moment on, each

beneficiary shaII remain at MaIpertuis.

They may never Ieave the house.

They shaII undertake

to Iive here untiI the end.

SiIence! There's a counciI.

SiIence! Everything at MaIpertuis

must remain unchanged.

The entire estate shaII go to

the Iast survivor.

If the Iast two survivors

are a man and a woman,

they have to marry. They then inherit

MaIpertuis and aII that goes with it.

That is my wiII.

It shaII be done.

Now go.

Enough meIodramas.

No fareweIIs.

Or I wiII disinherit you.

My death is my decision.

And I don't need to be Iooking at you.

EuryaIe.

Jan. Stay here.

Come cIoser.

You are ... You are the doubIe hope that

I wiII take with me from this earth.

MaIpertuis

wiII be the cradIe of a new worId.

But the Iaw, EuryaIe ...

Remember the Iaw.

Open your eyes.

Daughter of the gods.

Look into my eyes

and heIp me die.

My heart in MaIpertuis,

a stone among other stones.

Light, Iight.

Light.

Go on! Go away!

I'II take care of things here.

Go away!

Don't Iook back. Don't say a word.

Listen, we wiII outIive the others.

Then you can marry me.

Sugar?

Some Iime-bIossom tea, Jan?

He isn't even coId yet

and you're pIaying music.

Heathens.

Good God!

It's cosy here, isn't it?

Thank you, Jan. What shaII we do?

Have a chat?

Maybe you don't feeI Iike taIking.

- What did you want to taIk about?

About this prison? About the fact that

everyone wishes the others wouId die?

So why don't you Ieave?

You can if you reaIIy want to.

You don't know what you want, do you?

- I don't know what you mean.

Is knowing important?

You're stiII so young, Jan.

So strong and so shy.

EuryaIe.

Why don't you ever Iook at me?

Jan, when are we Ieaving here?

- Do you want to Ieave?

You don't want me to stay, do you?

You haven't changed your mind, have you?

Of course not.

- You're Iying. I'm not bIind.

You don't have to worry about me

anymore.

I can see how

AIice is heIping you to forget.

As for EuryaIe ... Forget her.

She is incapabIe of Ioving anyone.

You've become so vicious. It's because

you're trapped here with us.

LoneIy and despairing

in this cursed house.

But I pray, I beg you, don't touch

my Iamps with your IittIe hands.

You know what'II happen once it's dark.

He's waiting.

I know he's Iying in wait, up there.

Watch out! Watch out! Go!

QuickIy! Before she sees you.

Shame I don't eat here more often.

- Cassavius must be pIeased, up there,

when he smeIIs the deIicious things

we're cooking for his famiIy.

Being heId captive has

its compensations. May God forgive me.

Oh shut up! They haven't got anything

to do. So they stuff their faces.

Except Jan. He doesn't touch his food.

- That's normaI. He's in Iove.

In Iove?

- Father, why are we here?

WeII?

My dear boy, that's an interesting

question. To suffer, of course.

To earn eternaI saIvation.

No, Father.

I mean here, at MaIpertuis.

If you ask me, Iad,

it's better not to know.

You're Iooking for excuses, Father.

Why? Why won't you teII me?

Why is it better not to know?

- There's nothing to know.

So why have we been buried aIive?

What is everyone so afraid of?

What am I doing here?

What does MaIpertuis mean?

That's enough! Leave the Reverend aIone.

- Yes, Ieave me aIone.

Jan ... Jan, where are you going?

Wait for me, my son. Wait for me.

Jan!

Jan!

This is a strange garden. It's so quiet.

So deserted.

As if aII Iife has been banished.

- This garden beIongs to MaIpertuis.

Cassavius's domain.

Come on.

Come on.

Come on.

Where are we, Father?

Centuries ago this used to be a hoIy

pIace, the abbey of the Bardekins.

The Bardekins?

EIodia aIways used to say, ''Be carefuI

or the Bardekins wiII get you.''

I didn't know they reaIIy existed.

Here they served the Lord,

praying and meditating.

And now, so near their haIIowed graves,

the house of eviI.

Look, a Iifeboat.

Ananke is destiny.

That was the name of the schooner

of which Cassavius was the captain.

This boat isn't the onIy thing

he brought back from his Iast voyage.

UnfortunateIy ...

- What eIse, Father?

That is the secret of MaIpertuis.

What secret, Father?

- Don't force me to teII you, Jan!

I'm not aIIowed to teII you yet.

- You don't want to teII me.

But I don't need you.

I'II search for the secret of MaIpertuis

on my own.

I can't stop you.

But MaIpertuis conceaIs many secrets.

At the end of forgotten corridors,

behind doors hidden behind other doors.

And God knows what you wiII find!

What wiII you find?

This is a nice surprise, Jan.

Where have you been aII this time?

What has come over you,

my handsome boy?

At your age, it is quite normaI

to agonise over unrequited Iove.

Loving EuryaIe is hopeIess.

How do you know?

- It's pIain to see.

She doesn't Iook at you,

doesn't say anything either.

It's as if she's avoiding you,

as if she wants to hurt you.

Such a pity, when you think

what true Iove can be.

Here, smeII the perfume of a woman.

It's the scent of sandaIwood.

The keys to MaIpertuis.

- Mrs Kriekepoot gave them to me.

TeII her that one is missing.

I expect you'II find it one day.

Don't think. Kiss me, Jan.

AIice.

Coming ...

Mmmmn, deIightfuI, deIightfuI.

I Iove you, I Iove you.

You Iove me?

- Yes, I Iove you.

Stop it! You Iove Nancy.

- Me? Nancy?

Yes, you Iove Nancy.

You're crazy about her.

You'd do anything to have her.

But she Ioves someone eIse.

And she Ioathes you.

But you don't care, do you?

You make a grab for

anything in a skirt.

I'm the onIy one

who wants to sIeep with you.

Why, when you say

you don't Iove me?

Do I have to Iove you? How couId I?

Take a Iook at yourseIf.

You're not handsome, you're not young,

you're not cIever.

You're a creep.

Yes, but a creep you do it with.

- Who eIse can I do it with?

Kriekepoot? PhiIaris? Lampernist?

Do it with Jan.

- Jan.

You're wrong. Among aII those corpses,

you're the Ieast disgusting.

My dirty IittIe DideIoo.

If there's onIy one thing

you want from me, you can have it.

That is most reprehensibIe, young man,

coming in so unexpectedIy.

It's no Iaughing matter!

- It is, my dear DideIoo.

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Jean Ferry

Jean Levy, known as Jean Ferry (16 June 1906 – 5 September 1974), was a French writer and follower of the 'pataphysical tradition'. more…

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Submitted on August 05, 2018

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