Manhunter Page #3

9.

GRAHAM (CONT'D)

(beat)

Profusion of bloodstains and matted

sliding marks on hall carpet and

west wall of master bedroom remain

unexplained... as does superficial

ligature mark around Mr. Leed's

chest, believed to be post-mortem.

What did the killer do with them

after they were dead? And before

he put the boys back in their beds?

CUT TO:

ZNT. LEEDS BATHROOM - MEDICINE CABINET - NIGHT

is dark. We see nothing. Light comes on. Graham enters.

He rests his hands on the sides of the sink. He turns on

the water. He pops two pills, cups his hands under the

faucet and drinks. He looks at himself in the mirror. Be

is breathing normally. Over his shoulder he sees...

ZOOM INTO:
MRS. LEEDS' PANTYHOSE

still hanging on a towel railing over the bathtub. Graham

is staring at the normal domesticity of a family bathroom.

He doesn't let it unnerve him.

CUT TO:

EXT. LEEDS' HOUSE; PORCH ROOF - WIDE - NIGHT

The window opens and Graham climbs onto the porch roof and

sits on the gritty shingles. We're looking for a distressed

reaction. There is none. Graham is clamped down. Beyond

him, the lights of Atlanta and the stars are brilliant...

More brilliant than they ought to be. The Delta Aquirid

meteor shower's at its maximum This is not a normal image.

He takes out his tape recorder again.

GRAHAM:

There's a wicker dog bed on the back

porch. There's a doghouse in the

back yard. Where's the dog?

HOLD ON Graham.

CUT TO:

INT. ATLANTA HYATT HOUSE, ELEVATOR - WIDE - NIGHT

Graham riding up with two half-drunk CONVENTIONEERS with big

"Hi" badges. One Conventioneer is looking over at the lobby

below.

10.

A good-looking woman in a floral dress walks underneath them.

Graham is leaning against the glass.

CONVENTIONEER #1

...like to rip me off a piece of

that!

CONVENTIONEER #2

F*** her 'til her nose bleeds.

The other cracks up.

GRAHAM:

snaps alert and stares at Conventioneer #2.

CONVENTIONEER #2

sips his gin and tonic, senses Graham's stare. He smiles:

CONVENTIONEER #1

What the f*** are you lookin' at?

Graham looks away. The elevator stops. The door opens.

Conventioneer #1 drags Conventioneer #2.

CONVENTIONEER #l

(being pulled out

of elevator)

What are you, a f*ggot?

Both Conventioneers laugh as they walk down the hall.

Conventioneer #1 wiggles his fat hips and apes a limp wrist

Graham looks away.

CUT TO:

ZNT. HOLIDAY ZNN ROOM - VTR MONITOR: LEEDS FAMILY - NIGHT

We are seeing a videotape transfer of the Leeds family home

movie. Mr. Leeds and Mrs. Leeds are behind the table while

the youngest boy is in the center. His brother sits next

to him. The birthday cake has eleven candles on it. All

are mouthing silently: "Happy Birthday to you, happy birth-

day to you..." Mrs. Leeds has her arms crossed underneath

her breasts. She's a young mother, sensual and warm. She's

smiling. The camera must be on a tripod because Mr. Leeds

runs into the frame tousles his son's hair and kisses his

wife's cheek. He has thinning hair. He's a big man. He

looks like a nice guy. He darts out of the frame back to

the camera. They finish singing. The youngest Leeds boy

blows out the candles. Mr. Leeds holds up for the camera

a large yellow envelope that says: "Follow the ribbon." A

big yellow ribbon is attached to the envelope.

11.

The camera pans right as the youngest Leeds boy starts to

follow the ribbon... The image suddenly ours out. Video noise.

GRAHAM:

has hit the stop button. He picks up a measured field sketch

of the master bedroom. The bloodstains are represented in

outline. Three are along the left wall. The arterial

splashes from Mr. Leeds are on the right wall. Mr. and Mrs.

Leeds' body positions are indicated on the king-size mat-

tress.

GRAHAM:

(into the tape

recorder)

When they were dead -- except

possibly Mrs. Leeds -- he smashed

the mirrors and began selecting

shards that he used later on Mrs.

Leeds... What did he do in the

interval? Struggling with Mr.

Leeds and killing the others would

take less than a minute. What

else?

(beat)

Three bloodstains on the east wall,

not from Mr. Leed's arterial spray.

What did killer do after they were

dead?

Graham can't go any further. He is frustrated. He picks

up the phone and dials. He waits. Then:

GRAHAM:

(into phone)

Molly?

MOLLY (V.O.)

(asleep)

Huh?

(beat)

Will? Is that you?

GRAHAM:

It's me. I'll call you tomorrow,

sweetheart. Go back to sleep.

(beat)

I love you...

MOLLY (V.O.)

Mmmmh... I love you, too, Will.

Good night.

Will hangs up the phone. He reaches over and punches "Play"

on the VTR.

12.

WIDE SHOT:
THE ROOM - GRAHAM

VTR backs up, starts to play and we see the image of Mrs.

Leeds again in the home movie: they follow the yellow rib-

bon down the stairs to a bicycle. It's indoors. It's rain-

ing outside. The eleven-year-old Leeds boy is ecstatic.

Mrs. Leeds smiles.

GRAHAM:

(into tape recorder)

You moved the kids after you killed

them, didn't you? Did you arrange

them for your performance with Mrs.

Leeds on their bed? Did you tie Mr.

Leeds sitting up in bed? That's the

postmortem ligature on his chest.

Did you make them your audience?

Did you open their eyes? There is

something you can't afford for me

to know about. Isn't there? Mrs.

Leeds was lovely, wasn't she? It was

maddening to have to wear gloves when

you touched her, wasn't it?

(beat)

There was talcum powder on her leg.

There was no talcum powder in the

bathroom.

(beat)

The powder they found came out of a

rubber glove as you pulled it off

to touch her. You took off your

glove to touch her. DIDN'T YOU,

YOU SON-OF-A-B*TCH?! You touched

her with your bare hands! And then

you put the gloves back an. And

you wiped her down! While your

gloves were off?

(shouts)

DID YOU OPEN THEIR EYES? THEIR DEAD

EYES?!

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