Mansfield Park Page #6

Synopsis: At 10, Fanny Price, a poor relation, goes to live at Mansfield Park, the estate of her aunt's husband, Sir Thomas. Clever, studious, and a writer with an ironic imagination and fine moral compass, she becomes especially close to Edmund, Thomas's younger son. Fanny is soon possessed of beauty as well as a keen mind and comes to the attention of a neighbor, Henry Crawford. Thomas promotes this match, but to his displeasure, Fanny has a mind of her own, asking Henry to prove himself worthy. As Edmund courts Henry's sister and as light shines on the link between Thomas's fortunes and New World slavery, Fanny must assess Henry's character and assert her heart as well as her wit.
Genre: Comedy, Drama, Romance
Director(s): Patricia Rozema
Production: Miramax
  5 nominations.
 
IMDB:
7.1
Metacritic:
71
Rotten Tomatoes:
77%
PG-13
Year:
1999
112 min
Website
1,702 Views


Forgive me.

Enjoy your stay in Portsmouth,

Miss Price.

May it be long...

and up to your standards.

Henry...

Are you certain?

I have no talent for certainty, Susy.

Fanny, come quickly.

Fanny...

Who's to pay for all this paper, Fanny?

Come, come.

Edmund...

I've come to take you back

to Mansfield. You're needed there.

- What's happened?

- Tom was celebrating and fell ill.

The group he was travelling with

left him to recover with Yates...

...who then deserted him as well.

He was found almost dead

two days ago.

The situation is very grave.

We must hurry.

If you wish to, that is.

Fanny, I cannot tell you how much l...

- I shall see you soon, Susy, I feel it.

- Go on, now!

Remember:
"Run mad as often

as you choose, but do not faint!"

I trust, other than this tragedy,

you're well?

Yes...

As I intimated in my last letter,

I believe Mary has almost reconciled

herself to marrying a stodgy clergyman.

I understand Crawford paid you a visit.

Yes.

And was he attentive?

Yes... Very.

And has your heart changed

towards him?

Yes...

Several times.

I have... I find that l...

I find that...

Surely you and I are beyond speaking,

when words are clearly not enough.

I missed you.

And I you.

- Fanny, you're back.

- Yes, sir.

Good. We've had our fill

of estrangement at Mansfield Park.

Water.

The light...please.

- Morning, sir.

- Dear Mr Crawford.

Thank you for joining us at this difficult

time. Maria will be joining us later.

Mr Rushworth is detained

with improvements to Sotherton.

- Miss Julia is due within the hour.

- Welcome.

- Fanny.

- Thank you for coming.

Fanny, I've been meaning to ask you,

how long are you staying?

I'm not certain, Aunt Norris.

And how long are you staying?

Mrs Rushworth...

- I trust you are well?

- I'm fine.

And Mr Rushworth?

Maria...

Is this the behaviour of friends?

Maria... Please...

How's Fanny?

She's a good little girl.

And you've become a good little boy?

She's rejected me, Maria.

Would that this sigh were for me...

My son is mad.

Go to your room!

Get out!

Fanny, what is it? What?

What's wrong?

What?

Don't look at me like that.

Rushworth's a fool, and I can't get out.

Edmund...

I can't get out.

You all right?

I'm sorry. I'm sorry.

Good morning, Mansfield Park!

Come!

Get Edmund, Sir Thomas and Maria.

We have an important guest here.

Edmund! This is Mr Dixon

of the 'London Times'.

He is writing an article about modern

gardens and is interested in Sotherton.

Where's Maria?

He has noticed the influence of Gilpin.

He loves the new ruins.

Wake up, you degenerate lot!

Hello!

- Maria?

- Sir... Sir!

- Where's Maria?

- I could not say...

At this hour?

We'll speak to Crawford.

It was recommendation to remove

the avenue of oaks from the west front,

up to the top of the hill.

- Where is Crawford?

- At the parsonage with the Grants.

No, we...stopped there first.

Sir Thomas...

There's something you must read.

Oh, dear, dear...

It is...quite startling.

Here, in the society section.

Fanny...

You read it to us.

You have such a strong, clear voice.

"lt is with infinite concern

we have to announce that..."

"...a matrimonial fracas in the family

of Mr Rushworth of Wimpole Street."

Go on.

"The beautiful Mrs Rushworth,"

"who was to be so brilliant a leader

in the fashionable world,"

"has quitted her husband's roof

for the captivating Mr Crawford,"

"the intimate friend

of not only Mr Rushworth,"

"but Mrs Rushworth's father,

Sir Thomas Bertram of Mansfield Park."

"lt is not known even to the editor

whither they have gone."

May God help us.

The fools! Under this roof!

They should've known Rushworth

would bring in a newspaper man.

Under which roof

would it have been better, Mary?

I understand your bitterness,

but do not direct it at me.

Your brother is an actor.

A charming inscrutable actor,

through and through.

The temptation of quick pleasure was

too strong for one unused to sacrifices.

After all the cost and care of an

anxious and expensive education,

I do not feel I know

my own children at all.

Now, please, of course

you know them.

This is 1 806, for heaven's sake!

This is not the first time, nor the last,

such a thing will happen.

Look...

You are indeed a family in distress,

but you must recover

and survive gracefully.

If Henry does not choose

to marry Maria,

and if you also reject her,

she will be an outcast.

A leaf in the wind of other men's plans.

Or...

We can recover.

Here is my proposal...

We must persuade Henry

to marry Maria.

After a respectable period,

Edmund and I will accept them

into our acquaintance...

and household.

Then you all, after an appropriate

period, will properly support them, too.

The Bertrams, being people

of respectability, as they are,

she may recover her footing in society

to a certain degree.

In some circles, she'd never be

admitted, but with dinners and parties...

...some people will like her acquaintance.

Such a strategy.

And how will a poor clergyman

afford these dinners and parties?

Chance is not always unkind.

I beg your pardon.

If Tom is not able to recover,

Edmund will be the heir.

Wealth and consequence could fall

into hands no more deserving.

I understand you think

I should not say such things.

But one must prepare oneself

for every eventuality.

It is the mark of an evolved individual.

I advise that you, Sir Thomas, do not

injure your cause by interference.

Let things take their course.

That may be a difficult thing,

but although Tom, bless his heart, may

not be strong enough for this world,

the rest of us must be.

I speak merely of what must be done,

not what I feel.

You may wish to reconsider

your eagerness for Tom's death.

You may wish to reconsider

your thinly-veiled anger towards me!

If you'd accepted my brother,

you'd be now on the point of marriage,

and Henry would not be

on terms with Mrs Rushworth.

It would have ended

in a regular flirtation

in meetings at Sotherton

and Everingham.

It could all be construed as your fault.

Your startling adaptability

to my brother's possible demise

sends a chill through my heart.

A chill...

You're cheerfully planning parties

with his money!

You shush my father

like a dog at your table.

You attack Fanny for following her own

infallible guide on matters of the heart.

All this has grievously convinced me

that the person I've so dwelt on

has been a creature

of my own imagination!

Not you, Miss Crawford...

You are a stranger to me.

I do not know you, and I'm sorry to say,

I have no wish to.

Is there anything to be done?

Wait...

- Wait?

- Yes.

Time can do almost anything.

He'll be all right.

He survived brain fever

when he was six.

He used to play 'Tom the Knight'.

"Give me a mission, Father," he'd say.

I'd send him with a message to mother

about the tea or...

...to get Baddeley

to get the carriage ready.

"No, Father..."

"Give me a noble mission."

Rate this script:0.0 / 0 votes

Jane Austen

Jane Austen (; 16 December 1775 – 18 July 1817) was an English novelist known primarily for her six major novels, which interpret, critique and comment upon the British landed gentry at the end of the 18th century. Austen's plots often explore the dependence of women on marriage in the pursuit of favourable social standing and economic security. Her works critique the novels of sensibility of the second half of the 18th century and are part of the transition to 19th-century literary realism. Her use of biting irony, along with her realism and social commentary, have earned her acclaim among critics and scholars. With the publications of Sense and Sensibility (1811), Pride and Prejudice (1813), Mansfield Park (1814) and Emma (1816), she achieved success as a published writer. She wrote two additional novels, Northanger Abbey and Persuasion, both published posthumously in 1818, and began another, eventually titled Sanditon, but died before its completion. She also left behind three volumes of juvenile writings in manuscript and another unfinished novel, The Watsons. Her six full-length novels have rarely been out of print, although they were published anonymously and brought her moderate success and little fame during her lifetime. A significant transition in her posthumous reputation occurred in 1833, when her novels were republished in Richard Bentley's Standard Novels series, illustrated by Ferdinand Pickering, and sold as a set. They gradually gained wider acclaim and popular readership. In 1869, fifty-two years after her death, her nephew's publication of A Memoir of Jane Austen introduced a compelling version of her writing career and supposedly uneventful life to an eager audience. Austen has inspired a large number of critical essays and literary anthologies. Her novels have inspired many films, from 1940's Pride and Prejudice to more recent productions like Sense and Sensibility (1995) and Love & Friendship (2016). more…

All Jane Austen scripts | Jane Austen Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Mansfield Park" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/mansfield_park_13334>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Mansfield Park

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the purpose of "scene headings" in a screenplay?
    A To provide dialogue for characters
    B To outline the plot
    C To describe the character's actions
    D To indicate the location and time of a scene