Marked Woman Page #8

Synopsis: In this roman-a-clef for the infamous Lucky Luciano Trial, Mary Dwight and four roommates work as hostesses at the Club Intime, a "clip joint" that offers gambling, liquor, and female companionship to the "big spender" clientèle. When ruthless thug and pimp Johnny Vanning takes over all the clubs in town, the girls are forced to follow Vanning's rules and kick back on their "tips" in exchange for protection. Although she is not a hardened old hand like Gabby and Estella, Mary knows enough to sidestep Vanning's amorous advances. Unfortunately the more naive Mary Lou is impressed by Vanning's oily veneer of materialism and accepts invitations to "entertain" at the gangster's private parties. Mary's naive younger sister Betty arrives from college just when Mary and her roommates are arrested as material witnesses in the murder of one of the casino's non-paying customers. Vanning's corrupt lawyer frees the others but pressures Mary to commit perjury in order to discredit crusading District
Production: MGM Home Entertainment
  1 win & 1 nomination.
 
IMDB:
7.4
Rotten Tomatoes:
100%
APPROVED
Year:
1937
96 min
209 Views


down on nightclubs and gambling joints...

... owned or controlled

by Johnny Vanning.

Neither police nor the DA

would disclose the reason...

... for this sudden interest in Mr. Vanning.

It's not hard to guess that it all ties in

with the killing of Betty Strauber...

... and the beating

of her sister, Mary...

... who is still in serious condition

at the General Ho...

All right, Johnny, you wait out here.

Come on, sister, you're going places.

- Where to?

- Never mind. Just places.

Get her stuff out of here.

No. No, I won't go.

I won't. Johnny promised me.

He promised me he'd take care of me.

He can't double-cross me.

He can't. He cant. No.

Oh, no! No!

No.

Wait a minute, Charlie. Vanning's phoning

down. Let's take her to the lobby.

Come out.

Gotta open it.

Get on the phone.

Tell the doorman to stop her.

- Tell him she's drunk.

- Right.

Around the back.

- Did you see a blond come through here?

- No, sir.

Get that dame and get her fast.

You feel better now, don't you?

Yes.

- We'll have to go soon.

- Goodbye.

Oh, don't take it so hard, Mary.

The doctor outside told me he could fix

that scar so nobody'd ever notice it.

I got things wrong with me

that all the doctors in the world can't fix.

Mary, we were figuring

that when you got out...

...we'd send you away,

maybe to Florida...

...and you could lie in the sun

and rest for a few weeks.

It'll do you a lot good.

You'll forget all about this.

How?

By just closing my eyes

and pretending it never happened?

I wish it was as easy as that,

but it isn't.

You see, I keep seeing

that poor little sister of mine...

...lying there with that fear

still in her eyes...

...and her pretty little head all twisted.

Me too.

- I see her too, just like you do.

- Emmy Lou.

Mary.

Oh, Mary.

You go on back to headquarters

and I'll see you there later.

If you pick up any news of Emmy Lou,

call me here at the hospital.

All right, Mr. Graham.

I didn't mean to take her there, Mary.

- You know I didn't.

- Never mind.

Never mind, Emmy Lou.

It's all over now.

There's only one thing

that I'm interested in.

- Estelle, call Graham's office, will you?

- What are you gonna do, Mary?

Have Emmy Lou tell him the same story

she just told us.

- Do you know what you're doing?

- Sure, I do.

I swore that I'd make Vanning pay for this

if it was the last thing I ever did.

Well, why make her pay for it too?

Once she tells Graham, she's gone.

Don't you realize that?

And you'll be just as responsible

for her being bumped off as Vanning will.

Well?

Go ahead, Mary.

It doesn't make any difference anymore.

My number's up anyhow.

He'll get me,

just as he'll get every one of you.

As long as we're alive,

there's a chance of someone telling.

And Vanning doesn't take chances.

One by one, he'll get us.

Well, maybe if we went to him and said:

"Look, Johnny, you know

we won't talk."

Maybe we could make a deal.

I'm sick of making deals.

Well, you wanna keep on living,

don't you?

If this is what you call living,

I don't want any part of it.

Always being afraid.

Never knowing from one day to the next

what's going to happen to you.

I'm fed up with being afraid

of Vanning or anybody else.

There must be some other way

for me to live.

If there isn't, I...

Well, I'd just as soon put a bullet

in my head right now and end it.

- Hello, Graham.

- Hello, Mary.

Emmy Lou?

What does she know?

- Everything.

- Will she talk?

Yeah, she'll talk, and so will we.

I'm telling you, Johnny,

we've got to make a deal.

What do you mean?

Plead guilty.

Throw yourself on the mercy of the court.

Mercy? Don't make me laugh.

They've been waiting to get me

in a spot like this for years.

We haven't got a chance

with that Emmy Lou testifying for them.

- Our only way out is a deal.

- Me?

I don't make no deals with nobody.

They make deals with me.

All the time I've been that way,

ever since I was that big.

You think I care for money?

All I care about is to make people do

what I tell them.

You're crazy, Johnny.

Yeah, maybe I am.

Maybe I ain't.

I just know one thing.

I ain't going to let no five crabby dames

put the skids under me now.

You wanna deal? Here it is:

You get word to those dames

that maybe I get them before the trial...

...and maybe I got to wait

until after it's over.

But if they talk, sure as my name's

Johnny Vanning...

...I'll get them.

I wish that guy Graham would stop

sending these banquets.

He's ruining my girlish figure.

- Don't have to make a pig out of yourself.

- Well, it's free, why not?

- Come on, Mary, your stuff's getting cold.

- No, I'm not hungry.

Gabby, look.

See that guy down there across the street

with the gray hat on?

He looks like Joe Donnera,

one of Vanning's pet executioners.

Right. Get away from that window, Mary.

That little hophead isn't out there walking

for his health.

That's all.

Be seated.

Proceed with the case

of The State v. Vanning.

The state calls Florrie Liggett.

And when Betty got out of the taxi

and came up the stoop...

...she had money in her hand, didn't she?

- Yes, sir.

- It was a hundred dollar bill, wasn't it?

- Yes, sir.

Where did she tell you

she got that hundred dollar bill?

- From a man at the party.

- Just as a sort of a little present?

No, sir. She said she got it

for taxi fare.

She told you that she accepted

a hundred dollar bill for taxi fare?

Yes, sir. We always got that

at Johnny's parties.

Thank you. That's all.

The state calls Estelle Porter.

- You knew the deceased, Betty Strauber?

- Yes, sir.

Will you speak a little louder

so the jury can hear you?

Yes, sir.

- What kind of a girl would you say she was?

- She was the sweetest kid you ever saw.

And up until very recently...

...she didn't know the kind of work

you and her sister were doing?

No, sir. She thought we were

models in a dress shop.

Mary kept her in a swell school.

Wanted her to grow up

to be a god kid, and...

Objection, as irrelevant

and cheap pathos...

...in an attempt to play

on the sympathies of the jury.

I merely offer it in rebuttal to the cheap

insinuations cast upon the character...

...of the deceased Betty Strauber.

Overruled. Proceed.

The state calls Dorothy Marvin,

known as Gabby Marvin.

Then why did you refuse to talk about

this case to the district attorney at first?

I had a reason.

And was it for the same reason that you

tried to persuade the other girls not to talk?

- Yes.

- And just what was that reason?

- Vanning.

- What do you mean, Vanning?

A boy I was crazy about

used to work for him.

He wanted to get out of this racket

so we could go away together.

But he knew too much.

Vanning wouldn't let him out.

So the boyfriend got sore and talked.

George, he was that kind of a guy,

sort of hotheaded and wild...

Never mind that. What happened?

They found him in a ditch,

full of slugs.

The state calls Mary Dwight.

When you defied Vanning's command

Rate this script:0.0 / 0 votes

Robert Rossen

Robert Rossen (March 16, 1908 – February 18, 1966) was an American screenwriter, film director, and producer whose film career spanned almost three decades. His 1949 film All the King's Men won Oscars for Best Picture, Best Actor and Best Supporting Actress, while Rossen was nominated for an Oscar as Best Director. He won the Golden Globe for Best Director and the film won the Golden Globe Award for Best Picture. In 1961 he directed The Hustler, which was nominated for nine Oscars and won two. After directing and writing for the stage in New York, Rossen moved to Hollywood in 1937. There he worked as a screenwriter for Warner Bros. until 1941, and then interrupted his career to serve until 1944 as the chairman of the Hollywood Writers Mobilization, a body to organize writers for the effort in World War II. In 1945 he joined a picket line against Warner Bros. After making one film for Hal Wallis's newly formed production company, Rossen made one for Columbia Pictures, another for Wallis and most of his later films for his own companies, usually in collaboration with Columbia. Rossen was a member of the American Communist Party from 1937 to about 1947, and believed the Party was "dedicated to social causes of the sort that we as poor Jews from New York were interested in."He ended all relations with the Party in 1949. Rossen was twice called before the House Un-American Activities Committee (HUAC), in 1951 and in 1953. He exercised his Fifth Amendment rights at his first appearance, refusing to state whether he had ever been a Communist. As a result, he found himself blacklisted by Hollywood studios as well as unable to renew his passport. At his second appearance he named 57 people as current or former Communists and his blacklisting ended. In order to repair finances he produced his next film, Mambo, in Italy in 1954. While The Hustler in 1961 was a great success, conflicts on the set of Lilith so disillusioned him that it was his last film. more…

All Robert Rossen scripts | Robert Rossen Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Marked Woman" Scripts.com. STANDS4 LLC, 2024. Web. 19 Nov. 2024. <https://www.scripts.com/script/marked_woman_13397>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Marked Woman

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Who directed "Jurassic Park"?
    A Steven Spielberg
    B Peter Jackson
    C Ridley Scott
    D James Cameron