Marlowe Page #10
- Year:
- 2017
- 485 Views
They moved to the barn where they all stopped as Lloyd took
his own tour around the entire outside of the building
arriving back where he started.
LLOYD:
Nothen on the outside.
Lloyd and Louise look at each other and then they both turn
and walk into the huge opening mouth of the dark barn.
Lloyd turned on a light switch but many of the lights were
burned out so there wasn’t much change in the room.
Lloyd started in one direction and Louise and Cole in
another.
After the first hour of searching Louise goes in the house
to prepare lunch and Lloyd climbs the old, rickety, wooden
ladder to the loft.
He swipes away at the cobwebs as he climbs but just as he is
about to reach the top a wooden rung breaks under his legs
and he starts to fall.
Cole runs out of the barn yelling for his mother and then he
rushes back in to his dad hanging from one of the rungs and
trying to grab one higher but his legs are stuck in the
LLOYD:
Cole, Cole, run up the back
stairs and throw me down a rope
and hurry son.
Cole takes off like a rabbit and runs all the way to the
back of the barn and then up the stairs along the back wall
to the loft.
He jumps up to the loft level and runs across the loft,
jumping over old bicycles, boxes, trunks and old ski
equipment until he gets to the wall with the ropes and such
hanging off hooks.
Cole grabs a rope and pulls but the rope is stuck in the
hook.
LLOYD:
Come on son, I don’t have too
much time left for I pass out
here.
Cole pulls and yells and kicks and pulls harder, pulling
with all his might until the rope bundle pulls three or four
wall boards off the wall exploding onto the ground.
LLOYD:
Cole!! Cole!!
COLE:
Coming dad, coming.
Cole grabs the rope and rushes to the edge of the loft where he
throws over a loose end.
LLOYD:
Okay Cole, tie that off on
something solid. Use one of
Cole looks around anxiously and sees a round metal hook sticking
out of a post going all the way to the ceiling. He quickly loops
the rope through the hook and ties it off.
COLE:
Okay dad, it’s tight.
The post shakes and trembles as Lloyd adds his weight to the rope
and pulls himself up to the loft where he crawls over the ledge
and rolls onto his back gasping.
LLOYD:
Guess that ladder isn’t any
good anymore, huh?
Cole walks over to his dad and helps him sit up.
Lloyd grabs his son and gives him a huge hug. Cole, who was
never hugged by his dad before doesn’t know what to do so he just
stands there and waits for it to be over.
LLOYD:
You did good Cole. You saved
your old dad’s butt from
falling all the way to the
that I was back in that
that same hospital and adding
up more bills than we have the
money to pay for – so thank you.
COLE:
Yes sir.
LLOYD:
Where is Marlowe, Cole?
Cole suddenly remembered Marlowe and turns to rush over to where
the mouse rolled out of his pocket but Marlowe is standing there
pointing at something.
Cole runs up to Marlowe and the mouse jumps up onto his arm and
hops back in the shirt pocket.
Lloyd comes up behind Cole and they both stare at what Marlowe
was pointing at.
LLOYD:
I don’t even believe that I am
saying this Cole but that is one
damn smart mouse.
Cole and Lloyd continue to look at and old wall built in some
earlier period of time that had been closed up with the wall that
held the ropes and other barn hardware on hooks, wires and nails.
In the middle of the wall was the symbol from the watch. The
symbol was only about ten inches square and faded almost to the
point of being gone but just enough of the colored triangles and
other shapes exist to see that it was the symbol from the watch.
LOUISE:
Lunch is ready.
LLOYD:
Louise, come up here but don’t use
the ladder, it’s rotten. Come up
the back steps.
Cole and Lloyd stood waiting as Louise made it to the top of
the loft and then complained about the junk and filth all the way
across the loft until she arrived at the wall and immediately
stopped talking.
LLOYD:
COLE:
Marlowe.
Cole corrected his father.
LOUISE:
Oh my God. How do we get in
there?
Lloyd hobbled down the back steps and returned almost as
soon with a hammer, crowbar and a hand saw.
He starts pounding at the top of one of the wall boards
until it breaks away from the nails and falls into a dark
room.
Lloyd continues on with the hammer while Louise and Cole use
the crow bar and their feet, kicking at the old wall boards
until they fall into the unknown room and form a hole the
size of a door.
Lloyd, Louise and Cole with Marlowe step into the darkness.
After their eyes have adjusted the three see a room filled
with antique furniture.
LLOYD:
Cole, go get the big light from
the kitchen and use the stairs
and don’t fall.
Cole runs towards the back steps and in a few moments he
runs back up the steps and into the room where he hands his
dad the big light. Lloyd turns on the light and walks a few
steps.
The entire room is filled with antique furniture dating back
to the fifteenth and sixteenth century, all covered in dusty
fading sheets.
Cole and Louise walk along pulling sheets off an old spinet
harpsichord, an ancient kitchen hutch, a full set of
Victorian couches with matching wing chairs, more chairs, an
elegant fire place mantle, lamps, beds, paintings and all
stacked neatly in rows and all in perfect condition.
Lloyd finally walks over to a piece of furniture and pulls
an old, dusty sheet off and there in front of him is a
large, black desk with a top standing portion with doors and
above it, the very top opens up like a piano lid to expose
little, letter cubby holes and slots.
LLOYD:
Does anyone know what this is?
COLE:
It’s a desk dad.
LLOYD:
It’s an Edison Desk Cole. This
Thomas Edison and is probably
worth, more than the farm.
COLE:
Who was Thomas Edison?
LOUISE:
Now Cole, you must have learned
in school about Thomas Edison,
he invented the electric light
bulb and electricity, didn’t he
Lloyd?
COLE:
But this is a desk
LLOYD:
That’s right Cole, he was an
inventor and built many things
and one of my family used to
work for him in his carpentry
shop and that relative may have
even worked on this desk.
COLE:
Are we going to sell it?
LLOYD:
Yes son, as soon as we can get
it out of this barn - it goes
on the auction block, along with
probably everything else in this
room. It’s as fortune – in
furniture. It is a treasure and
we found it - because of a mouse
– how ironic can that be?
COLE:
What’s irenic mean?
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Marlowe" Scripts.com. STANDS4 LLC, 2024. Web. 25 Nov. 2024. <https://www.scripts.com/script/marlowe_1066>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In