Marvel One-Shot: All Hail the King Page #2

Synopsis: After the events of Iron Man 3, Trevor Slattery is an infamous icon. He's also locked up in a high-security prison. Luckily, his newfound profile has brought him celebrity and protection on the inside - and the actor has gladly agreed to an in-depth profile with a documentary filmmaker.
 
IMDB:
7.4
NOT RATED
Year:
2014
14 min
933 Views


who wants to meet you.

- Do I know him?

No, but you took his name.

And now he wants it back.

Oh...

No. Sorry.

I still don't get it.

Uh... Mr. Slattery?

Me and the boys was just wondering

if you could, uh...

Do the voice.

Jackass.

Whatever.

Where have you been? I wrote a book

in the time you were gone.

And you'll never see me coming.

Look at this guy.

What is so special about him?

I mean, I had an army of robots.

What's he got?

He's got some dumb accent.

His name's Trevor. What is that?

It's like if bin Laden

and Benny Hill had a baby.

Then I got to wake up

and look at this chick?

"Pepper Potts stirs up stuff."

"Look at me."

Some second-rate, jumped up,

Amazon secretary.

Tony and I...

Tony's cool.

Tony and I, we have an understanding.

We're brothers in arms, you know.

Literally. We were both arms dealers.

We're both good-looking.

We both have nice hair.

We both have boats.

I used to have a boat.

Well, anyway...

Not here, baby. Not here.

Rate this script:5.0 / 1 vote

Drew Pearce

Drew Pearce (born 24 August 1975) is a British screenwriter and producer. He is known for creating the cult hit British TV comedy No Heroics, co-writing Iron Man 3, and writing the story for Mission: Impossible – Rogue Nation. In 2017, Pearce made his feature directorial debut with Hotel Artemis, a futuristic thriller set in a secret, members-only hospital for criminals. more…

All Drew Pearce scripts | Drew Pearce Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Marvel One-Shot: All Hail the King" Scripts.com. STANDS4 LLC, 2024. Web. 14 Nov. 2024. <https://www.scripts.com/script/marvel_one-shot:_all_hail_the_king_13428>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Marvel One-Shot: All Hail the King

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does the term "beat" refer to in screenwriting?
    A A type of camera shot
    B The end of a scene
    C A brief pause in dialogue
    D A musical cue