Maverick Page #9
- PG
- Year:
- 1994
- 127 min
- 1,285 Views
MAVERICK -Rev. 8/31/93 52A. *
56 56
CONTINUED:
COOP:
I just want to see those fine
Maverick grumbles to himself and ducks under a low
branch. Annabelle pushes it aside, snapping it back
into Coop's face. He blinks a couple of times then
moves stoically forward.
MAVERICK:
(turning to
Annabelle)
anybody.
ANNABELLE:
Well, I suppose sixty/forty
would be acceptable if you're
going to be recalcitrant...
Maverick and Coop do a double take on this.
MAVERICK:
'Re' --what?
ANNABELLE:
(with condescention)
Education.
MAVERICK:
(dumbfounded)
Sixty/forty! What are you gonna
do for forty percent?
ANNABELLE:
(lady-like)
I'm going to help.
At that moment Annabelle loses her footing on the trail
and lurches forward. She grabs onto Maverick, clutching
onto his gunbelt, as she tries to keep her balance.
Annabelle FIRES ONE ROUND into the ground (with his gun
still in his holster). Maverick turns and looks at her
in amazement.
ANNABELLE:
Seventy/thirty?
MAVERICK:
(getting nuts)
Excuse me, but you're not exactly
an experienced tracker!
(CONTINUED)
MAVERICK -Rev. 8/31/93 52B. *
56 CONTINUED:
(2)ANNABELLE:
Big tracker! Follow a couple of
that. You're not so great.
MAVERICK:
(turning)
You see that hawk over there?
ANNABELLE:
Yeah?
MAVERICK:
You know what it means when it?
ANNABELLE:
... What?
MAVERICK:
Absolutely nothing. But you
didn't know that did you?
ANNABELLE:
(beat)
I did so.
MAVERICK:
You did not.
COOP:
(breaking it up)
Children...
They turn and look at him for a beat. Annabelle glances
back at Maverick.
MAVERICK:
(quickly turning
away)
Shh...
Maverick quickly drops to the ground, putting his head
down to the earth, listening.
ANNABELLE:
Oh right! Lemme guess. You smell
a bunch of Indians off in Montana...
Beat, hooked.
MAVERICK:
(concentrating hard
now)
No. Not Indians.
(CONTINUED)
MAVERICK -Rev. 8/31/93 52C. *
56 CONTINUED:
(3) 56Maverick rolls over to his back still listening, halfway
closing his eyes.
ANNABELLE:
(really hooked
now)
What are you doing?
MAVERICK:
(pulling his hat
over his eyes)
Just gonna take a nap here 'til
the sun goes down. We'll sneak
up on them at dark.
Annabelle fumes.
CUT TO:
57 EXT. TRACKING AREA #2 -DAY 57
Above the treetops --FOLLOW a hawk soaring across the
sky; as we PAN we reveal Maverick, on his haunches again,
studying, studying.
GROUND:
That's all it is, just dirt.
MAVERICK:
still watching it. Then he rises, whistles for his
horse, gracefully mounts.
And rides very slowly forward.
If it isn't clear by now, it should be:
lowing something.
Maverick's fol-
Who knows? Maybe he was an Indian Scout after all.
any case, this much is clear: the man has instincts
other people don't have.
In
58 EXT. TRACKING AREA #3 -WATERFALL -LATE AFTERNOON 58
Maverick, riding along, watching the terrain. The sound
of a WATERFALL GETS LOUDER as he approaches it.
--he stops ---
listens ---
no question, he's hearing something, it is FAINT
MUSIC.
He urges his horse forward, very slowly.
MAVERICK -Rev. 8/31/93 52D.
58A EXT. WATERFALL AREA -LATE AFTERNOON 58A
The terrain they're going over. Rocky again. The
HORSE'S HOOVES make sounds. Over the RUSH of the WATERFALL
Maverick hears the FAINT sound of OLD TIME MUSIC.
He quickly reins in, dismounts, moves a few steps away,
studying. Then he gives an all but inaudible WHISTLE.
HIS HORSE:
It obeys immediately, trots to him, stops.
(CONTINUED)
53.
58A CONTINUED:
58AMAVERICK:
He ties the horse to a small tree, puts his fingers to
his lips.
MAVERICK:
(as if the horse
were human)
Shhhh --and stay that way.
HORSE:
It nods as if it understands.
MAVERICK:
MAVERICK:
(pats his horse's
head, whispers)
Ollie, if you're smarter than I
am, keep it to yourself.
HORSE:
It nods again.
MAVERICK:
59
moving slowly away.
EXT. CAMPFIRE VICINITY -POND -LATE AFTERNOON 59
*
Maverick, moving slowly forward.
He might be a shadow too --he makes no sound.
IS GROWING LOUDER.
The MUSIC
HIS SHADOW:
He moves silently forward. Slowly, without any sound ---
then he freezes.
CLOSEUP -MAVERICK
60
Staring ahead. Now -EXT.
CAMPFIRE AREA -LATE AFTERNOON 60
*
Across a pond --a campfire. Half a dozen men. They are
all six of them white. And several still have paint on
their faces and bodies.
A couple of them wash their faces in the pond. Others
dance to an old-time music box. All of them are
drinking. HOLD then -
54.
61 EXT. WAGON TRAIN -AREA #2 -DUSK 61
Maverick comes riding up. Then -COOP
(O.S.)
Bring it to a halt.
COOP:
He lies against a rock. Annabelle lies close alongside.
Maverick dismounts, moves to them.
MAVERICK:
Found 'em. Six men. Snow white.
Some of them still had paint on.
(as Coop looks
dubious)
Come with me --it's not that long
a ride, now that I know where they
are. I need someone to vouch for
what I'm saying.
ANNABELLE:
What's with you and Indians?
CLOSEUP -MAVERICK
MAVERICK:
Not a thing. Personally I think
we've spoiled them from the
beginning. We've poisoned them,
infected them, killed them --but
I say it's their fault for being
on our land before we got here.
*
*
*
*
*
*
ALL THREE:
Annabelle nods. *
*
MAVERICK:
Let's go --these guys were
drinking heavy, they're not up to
anything tonight.
ANNABELLE:
(rising along with
Coop)
This could be exciting.
COOP:
Could be dangerous, too.
ANNABELLE:
staring up at Coop.
(CONTINUED)
55. *
61 CONTINUED:
61ANNABELLE:
Couldn't be as dangerous as being
a married woman and standing next
to the most blindingly-attractive
man on the face of the earth.
MAVERICK:
His back has been to her but it's clear to him she's
talking about him.
He turns ---
oops ---
she's looking at Coop and that's who she's been talking
to.
Maverick, embarrassed, turns away.
62 EXT. TRAIL -DUSK 62
The three of them riding in silence. Still dusk. As
they go across a small but fast stream, both Maverick and
Coop lead her horse along.
62A OMITTED 62A
63 EXT. WATERFALL -TWILIGHT 63
Their horses are tied up in the same place as Maverick
tied his before.
In the distance now, the sound of the MUSIC BOX.
THREE OF THEM:
moving in silence. The MUSIC BOX is LOUDER.
ANNABELLE:
(soft)
Could you teach me to be a great
poker player?
Now?
MAVERICK:
(stunned)
ANNABELLE:
Well, you could be dead tomorrow
and I need help.
(CONTINUED)
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