Mean Streets Page #6

Synopsis: The future is set for Tony and Michael - owning a neighbourhood bar and making deals in the mean streets of New York city's Little Italy. For Charlie, the future is less clearly defined. A small-time hood, he works for his uncle, making collections and reclaiming bad debts. He's probably too nice to succeed. In love with a woman his uncle disapproves of (because of her epilepsy) and a friend of her cousin, Johnny Boy, a near psychotic whose trouble-making threatens them all - he can't reconcile opposing values. A failed attempt to escape (to Brooklyn) moves them all a step closer to a bitter, almost preordained future.
Genre: Crime, Drama, Thriller
Director(s): Martin Scorsese
Production: Warner Bros.
  5 wins & 5 nominations.
 
IMDB:
7.4
Rotten Tomatoes:
96%
R
Year:
1973
112 min
2,048 Views


-You know, when you're on, I--

-Excuse me.

I really think you're a terrific performer.

Fine.

Hey, no, I'm serious.

You're really very good.

I know.

Groovy.

In a little while I'm gonna have

the opportunity of openin' my own place.

Much nicer.

Much nicer than this.

Uptown, sort of a nightclub restaurant

and everything.

I was thinkin' you'd do much....

You'd do very nicely for the place.

Dancin'?

No, as the hostess. That's nice.

Hostess?

The people come in, you greet 'em

and you show 'em to the tables.

Listen, why don't we get together later on?

We'll talk about it a little bit.

-Chinese food?

-Hey, Chinese food.

Where do you want me to drop you off?

No, don't stop.

Just pass by real slow, okay?

Hey, stop there.

What, am I crazy?

Would you take me back

to where you picked me up?

-Sorry.

-All right.

Hey, you crazy?

That's all I need now:

to get caught in the village with a--

Hi, Lou.

-Come sta?

-Fine, thank you.

-Good to see you.

-Good to see you.

Here you go, Lou.

-How are ya, kid?

-Nice to see you.

-Giovanni, can I sit?

-Sure.

Can I talk?

What is it?

It's about Groppi.

I know all about it.

We'll discuss it later, huh?

Sure, I understand.

Shall I serve the tripe now?

-Anytime. Thank you, Oscar.

-You're welcome.

They are not like us.

They know where to come

when they need us.

I realized this a long time ago,

during World War II.

Charlie Lakey was working for

the government, taking care of the docks.

What did he do?

He was there, that's what he did.

I said the same thing to your father

20 years ago.

He didn't listen.

You're still around that kid, Johnny Boy.

This Johnny Boy is named after me.

Nice, huh? Oh, sure.

But this Johnny Boy is a little bit

like your friend, Groppi-- Half-crazy.

I understand you try to help him out

because of our family and his family.

Well, that's nice. I understand.

But watch yourself, don't spoil anything.

Honorable men go with honorable men.

Don't forget that.

His whole family has problems.

His cousin, the girl who lives

next door to you....

Teresa. The one who's sick in the head.

No, she's got epilepsy.

That's what I said. She's sick in the head.

Her mother and father came to me

for advice.

She wants her own apartment.

What am I gonna tell 'em? Lock her up?

You know I'm compato with them.

So I listen.

I have to take an interest.

You live next door. Keep an eye open.

But don't get involved.

Charlie, why don't you take a look

around the place if you want to?

I've been in and outta this place

about 50 times already.

Well, maybe you missed something.

After all, you should get to know the place.

Yeah.

Jesus Christ, you are disgusting!

Hi, Charlie, how are ya?

Hot enough for ya?

Yeah, how are ya doin' there, Cookie?

Fire.

Teresa!

Downstairs.

Meet me downstairs now. Yeah.

What is it?

Come on.

I can't make it tonight.

All right, so, is that all?

So I'll see you on Friday?

Friday...

...I can't make it Friday either.

What do you mean?

I can't see you for a while.

Don't tell me that.

-Teresa.

-Why?

Because you're f***in' things up!

Between you and Johnny...

-...you're gonna ruin everything for me.

-What?

Ruin what...?

I'm sorry, Mrs. Rucco, pardon me.

Come on inside.

Why am I ruining everything?

Because. Be quiet! I'll give you

a slap in the mouth, Teresa! Shut up!

Listen to me for a minute.

My uncle wants me to run a restaurant,

but I gotta stay away from you and Johnny.

-Does he know about you and me?

-No.

Does he know about Johnny

and those loans?

No, what are ya kiddin' me?

Of course not.

He doesn't understand, Johnny.

You know, he's just a kid who needs to be--

Answer me!

What do you want from me?

I said:
Do you feel the way

he does about me?

No!

I don't feel that way.

I don't want to stop seein' you.

What are you afraid of?

I love you.

-Don't ever say that.

-What?

-That.

-What? That you love me?

Let's just get out of here.

Let me get the restaurant first, all right?

Then I think things are gonna be easier.

Okay.

So, where have you been?

Around.

You heard what happened to Groppi, huh?

Groppi? No, what?

Well, Oscar found out where his partner is.

It seems Groppi went to visit his mother.

He went to her room

where she was watching television...

...and he says to her that he's sorry.

That's all. Just, he's sorry.

He goes into the next room, gets a gun,

puts it in his mouth....

That's it!

How do you like that? I tell you

that Groppi was always half-crazy...

...half-crazy to say the least.

What is it?

Not now, huh?

Doesn't he see that we are talking?

A couple of minutes, will ya? Outside.

What does he want?

He wants to talk to me about somethin'.

Hey, you spit on my shoe.

Okay, Charlie, lot of aggravation though,

you know.

Like Johnny Boy...

...I figure...

...I give him all the breaks I can give him.

-Oh, look, Michael....

-No.

No, Charlie, it's no good, see?

He's a punk bastard, Charlie.

I call them down there at work

and I ask them...

...if Johnny Boy's there.

He doesn't even show up anymore.

-They told ya that down at his place?

-Yeah.

How's he gonna pay me, Charlie?

I've talked to him, I've talked to him.

-What more can I do?

-I don't know.

Tonight at the party,

the three of us get together...

...and we knock some sense into his head.

Okay?

All right, Charlie. You know I don't like

bein' taken advantage of.

I mean, you're inside there

with your uncle and all that.

It's kind of embarrassing to me, you know?

I apologize, Michael.

We had some business.

Private. Ya know what I mean?

I'm late. I gotta meet someone.

All right. We'll settle it tonight.

-Okay.

-Ciao.

And, Michael, I appreciate

what you're doin' for me.

All right.

-Very intelligent, too, you know?

-Yeah.

She's goin' to college.

She's gonna be a school teacher.

I've been out with her a few times.

-Yeah?

-Yeah.

-Let me see that picture.

-Yeah, she's gonna be a teacher.

-Oh, I know this girl.

-Yeah?

I seen her kissin' a n*gger

under the bridge in Jersey.

What are you talkin' about?

A n*gger, that's a--

A black, a n*gger.

What do ya mean, kissin'?

I mean kissing. Her lips on his lips.

Kissing.

-You sure?

-I'm sure.

I kissed her.

Don't worry about it, brother.

Hallelujah, I've come to create order.

Carl, J& B and soda, please.

God be with you and with his spirit.

-Let me ask you somethin'.

-What?

Art thou the king of the Jews?

Does thou say this of thyself

or have others told thee of me?

Am I a Jew?

My kingdom's not of this world.

Jerry, hey, how ya doin'?

To Jerry...

...who served in Vietnam.

The immortal words of John Garfield:

''Get him in the eyes,

get him right in the eyes.''

Came back with a silver star.

From the boys.

Drinks for everybody!

Hey, drinks for everybody!

Could make a shirt outta that, Jerry.

-We drink and then we bullshit!

-We bullshit!

George, my man.

Watch this.

Put your mouth down there.

-Michael.

-What?

Play only old ones tonight.

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Martin Scorsese

Martin Charles Scorsese (; born November 17, 1942) is an American director, producer, screenwriter, actor and film historian, whose career spans more than 50 years. Scorsese's body of work addresses such themes as Sicilian-American identity, Roman Catholic concepts of guilt and redemption, faith, machismo, modern crime, and gang conflict. Many of his films are also known for their depiction of violence and liberal use of profanity. Part of the New Hollywood wave of filmmaking, he is widely regarded as one of the most significant and influential filmmakers in cinematic history. In 1990, he founded The Film Foundation, a nonprofit organization dedicated to film preservation, and in 2007 he founded the World Cinema Foundation. He is a recipient of the AFI Life Achievement Award for his contributions to the cinema, and has won an Academy Award, a Palme d'Or, Cannes Film Festival Best Director Award, Silver Lion, Grammy Award, Emmys, Golden Globes, BAFTAs, and DGA Awards. He has directed works such as the crime film Mean Streets (1973), the vigilante-thriller Taxi Driver (1976), the biographical sports drama Raging Bull (1980), the black comedies The King of Comedy (1983), and After Hours (1985), the religious epic drama The Last Temptation of Christ (1988), the crime film Goodfellas (1990), the psychological thriller Cape Fear (1991) and the crime film Casino (1995), some of which he collaborated on with actor and close friend Robert De Niro. Scorsese has also been noted for his successful collaborations with actor Leonardo DiCaprio, having directed him in five films, beginning with Gangs of New York (2002) and most recently The Wolf of Wall Street (2013). Their third film together, The Departed (2006), won Scorsese the Academy Award for Best Director in addition to the film winning the award for Best Picture. Their collaborations have resulted in numerous Academy Award nominations for both as well as them winning several other prestigious awards. Scorsese's other film work includes the biographical drama The Aviator (2004), the psychological thriller Shutter Island (2010), the historical adventure drama Hugo (2011) and the religious epic Silence (2016). His work in television includes the pilot episodes of the HBO series Boardwalk Empire and Vinyl, the latter of which he also co-created. With eight Best Director nominations, he is the most nominated living director and is tied with Billy Wilder for the second-most nominations overall. As a fan of rock music, he has directed several documentaries on the subject, including The Last Waltz (1978), No Direction Home (2005), Shine a Light (2008), and George Harrison: Living in the Material World (2011). more…

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Submitted on August 05, 2018

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    "Mean Streets" Scripts.com. STANDS4 LLC, 2024. Web. 29 Aug. 2024. <https://www.scripts.com/script/mean_streets_13561>.

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