Meet Joe Black Page #10
- PG-13
- Year:
- 1998
- 178 min
- 6,381 Views
PARRISH:
You know, I got to thinking last
night -- with you here, and seem-
ingly occupied, how's your work
going - uh - elsewhere?
A flicker from Joe. He has heard what Parrish has said, his
eyes busy with the grift and the sparkle of the Avenue, but
he is concentrating on Parrish's words.
JOE:
When you were shaving this morning,
you weren't just shaving, right?
PARRISH:
What do you mean?
JOE:
You were hatching ideas, making
plans, arriving at decisions, right?
PARRISH:
I guess so.
JOE:
So you understand the concept then.
When you're busy here, your work,
what your task is, is being executed
elsewhere.
PARRISH:
Of course.
JOE:
So you've grasped the idea. Con-
gratulations. Now multiply it by
infinity and take it to the depth
of forever, and you still will
have barely a glimpse of what I
am talking about.
Parrish falls silent, chewing over Joe's admonition.
PARRISH:
Joe --?
JOE:
Yes, Bill.
PARRISH:
How about giving a guy a break?
JOE:
Make an exception?
PARRISH:
There's one to every rule.
JOE:
Not this.
They stride on, cutting through the crowd, Joe all at home
in his new surrounding, but Parrish just the opposite, un-
characteristically uncomfortable, phrases forming on his
lips but unspoken, then suddenly he blurts out:
PARRISH:
-- I don't deserve this. I'm still
young, this is not my time --
JOE:
That's what everybody says.
PARRISH:
I'm not everybody.
JOE:
That's what everybody says.
Parrish is trying to control himself, glances at Joe.
PARRISH:
I want to live.
JOE:
I understand.
A moment.
JOE (cont'd)
But you can't.
A sudden silence between them. Parrish's shoulders appear
to have stopped slightly, the courage he displayed at rais-
ing these issues has vanished.
PARRISH:
What's it like?
JOE:
What do you mean?
PARRISH:
What's it like where I'm going?
JOE:
Can you keep a secret?
PARRISH:
Yes.
JOE:
So can I.
They turn into Parrish's office building.
INT. LOBBY, PARRISH COMMUNICATIONS - DAY
As Parrish and Joe enter, Parrish is hailed by JAIME, the
Elevator Starter.
JAIME:
Good morning, Mr. Parrish.
PARRISH:
Good morning, Jaime.
JAIME:
Knight's Reward in the 4th at
Calder --
A bemused Parrish walks on, Joe beside him, Jaime pursuing
them.
JAIME (cont'd)
-- A closer in today with cheap
speed. The colt will come from the
clouds and boom! Fifty-eight dollar
horse. I get you down, Mr. Parrish,
just say the word.
PARRISH:
(smiles)
I'm sorry, not today, Jaime.
Parrish and Joe arrive at the bank of elevators. Jaime,
back at his post, hits a button.
PARRISH (cont'd)
(to Joe)
You know, everyday I've walked into
this building, Jaime gives me a
horse.
(a moment)
I wonder if any of them won.
The elevator materializes, Parrish and Joe step on.
INT. PARRISH COMMUNICATIONS, OFFICE OF THE CHAIRMAN - DAY
Parrish and Joe emerge from the executive elevator, Jennifer
is waiting as usual with her pad, "Good morning"s, etc. As
Parrish strides down the hall, Joe right beside him, he passes
instructions back to Jennifer who, scribbling, hurries along
behind them.
PARRISH:
-- And call my family, I'd like them
to come over for dinner tonight.
JENNIFER:
Didn't the family get together last
night --?
PARRISH:
(remonstrating, gently)
Jennifer.
JENNIFER:
Of course, Mr. Parrish. Right away.
Jennifer wheels and heads right back to the office as
Parrish arrives at the door to the Board Room.
PARRISH:
(to Joe)
Perhaps you would like to wait in my
office --?
JOE:
No.
PARRISH:
What I'm trying to say is this is a
Board meeting and you are not a mem-
ber of the Board.
JOE:
I'm sure you'll see to it that it
won't be a problem.
Parrish hesitates, nods, conceding the point, reaches for
the doorknob.
INT. BOARD ROOM, PARRISH COMMUNICATIONS - DAY
Parrish enters, Joe following right behind him. A euphony
of "Good morning"'s from the various members of the Board,
including Quince. Everyone sits when Parrish does but Joe,
right at home, spots a tray of refreshments: coffee, pas-
tries, he heads for them.
PARRISH:
(to the Board)
-- This is Joe Black, a personal
associate of mine - uh - he'll be
joining us today. I know it's --
uh -- unusual, and my apologies --
and Drew -- uh -- carry on.
Immediately indications of surprise on Board members' faces at
Parrish bringing in an 'observer', Drew's reaction guarded
but intense.
DREW:
(after a moment, to
Joe)
Nice to see you. I didn't expect
you, but certainly you can't get
enough of a good thing.
JOE:
Thank you.
DREW:
(to the Board)
The Board of Parrish Communications -
is hereby called to order. Our sole
order of business is an acceptance
of John Bontecou's generous offer
and --
JOE:
(to Drew)
Do you have any more of these deli-
cious cookies?
A hushed silence at the inappropriateness of Joe's inter-
ruption.
JOE (cont'd)
And a cup of tea. With milk, I
think. I'd like to try it English-
style. Yes, a cup of tea with milk.
DREW:
Anything else, Mr. Black? How about
some water?
JOE:
Why yes, thank you.
DREW:
Hot or cold.
JOE:
Cold.
DREW:
And a glass.
Drew indicates to the Board's Stenographer to arrange Joe's
refreshments.
PARRISH:
(quietly, indicating a
chair)
Would you like to sit down, Joe?
JOE:
Yes.
Joe sits.
DREW:
To review -- we're really crossing
the 't's and dotting the 'i's here.
Bill had a great and conclusive
meeting with John Bontecou yester-
day, all that remains for us is to
put it to a vote.
Smiles and murmurs of a congratulatory receptiveness from
the Board at Drew's news.
PARRISH:
(emptily)
Thank you, Drew.
Parrish takes a moment, draws himself up to say something
official then stops himself, what follows is spontaneous,
reflective, deeply felt.
PARRISH (cont'd)
Umm -- I did enjoy -- or rather I
was interested in meeting John yes-
terday -- impressive... I suppose...
But it did get me to thinking. I
started in this business because
this is what I wanted to do. I knew
I wasn't going to write the Great
American Novel, but I also knew
there was more to life than buying
something for a dollar and selling
it for two. I wanted to give the
news to the world, and I wanted to
give it unvarnished. The more we
all know about each other, the
greater the chance we will survive.
Sure, I want to make a profit, you
can't exist without one but John
Bontecou is all profit. If we give
him license to absorb Parrish
Communications, and he has his eye
on a few others after us, we'll be
appointing him to the position he
craves -- Gatekeeper. In order to
reach the world you will have to go
through John Bontecou. And not only
will you have to pay him to do this,
far more expensive, you'll have to
agree with him. Reporting the news
is a privilege and a responsibility
and it is not exploitable. Parrish
Communications has earned this priv-
ilege, John Bontecou wants to buy
it. As your chairman, I urge you to
agree this company is not for sale.
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"Meet Joe Black" Scripts.com. STANDS4 LLC, 2024. Web. 20 Dec. 2024. <https://www.scripts.com/script/meet_joe_black_716>.
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