Meet John Doe Page #10

Synopsis: A reporter (Barbara Stanwyck) writes a fictitious column about someone named "John Doe," who is distraught at America's neglect of the little people and plans to kill himself. The newspaper then hires a ballplayer-turned-hobo (Gary Cooper) to pose as John Doe. In a series of radio addresses written by a publisher with fascist leanings, Doe captures the public's imagination. When he finally realizes he has been used, Doe comes to his senses and becomes the man he never knew he could be.
Genre: Comedy, Drama, Romance
Production: Madacy Entertainment
  Nominated for 1 Oscar. Another 1 win.
 
IMDB:
7.7
Rotten Tomatoes:
89%
NOT RATED
Year:
1941
122 min
1,270 Views


COLONEL:

You ain't gonna get me to stay

here.

JOHN:

Sure, you are.

COLONEL:

No, sir. That spot under the bridge

where we slept last night's good

enough for me.

While he speaks, JOHN has managed to get a glimpse of

himself in a mirror—admiring his new suit.

BELL HOP:

Hey, what'll I do with this baggage?

BEANY:

Aw, stick 'em in the bedroom.

COLONEL:

Gimme mine. I ain't staying! You

know we were headed for the Columbia

River country before all this John

Doe business came up. You remember

that, don't yuh?

JOHN:

Sure. I remember . . . Say, did

your ears pop coming up in the

elevator? Mine did.

COLONEL:

Aw, Long John . . . I tell you—it's

no good. You're gonna get used to

a lotta stuff that's gonna wreck

you. Why, that fifty bucks in your

pocket's beginning to show up on

you already. And don't pull that

on me neither!

(as John brings out

harmonica)

JOHN:

Stop worrying, Colonel. I'm gonna

get my arm fixed out of this.

WIDER SHOT:
As BEANY enters scene with box of cigars.

BEANY:

Here's some cigars the boss sent

up. Have one.

JOHN's eyes light up.

JOHN:

Hey, cigars!

He grabs one and stuffs it in his mouth.

BEANY:

(to Colonel)

Help yourself.

COLONEL:

Naw.

JOHN flops into a luxurious chair—and immediately ANGELFACE

holds a light up for his cigar. JOHN looks up, pleased.

JOHN:

Say, I'll bet yuh even the Major

Leaguers don't rate an outfit like

this.

ANGELFACE:

(hands him a

newspaper)

Here. Make yourself comfortable.

(turns to the Colonel)

Paper?

COLONEL:

(sharply)

I don't read no papers and I don't

listen to radios either. I know

the world's been shaved by a drunken

barber and I don't have to read

it.

ANGELFACE backs away, puzzled.

COLONEL:

(crosses to John)

I've seen guys like you go under

before. Guys that never had a worry.

Then they got ahold of some dough

and went goofy. The first thing

that happens to a guy—

BEANY:

Hey, did yuh get a load of the

bedroom?

JOHN:

No.

BEANY beckons to him to follow, which JOHN does with great

interest.

INT. BEDROOM

FULL SHOT:
As BEANY and JOHN puff luxuriously on their

cigars and examine the room.

COLONEL:

(in doorway)

The first thing that happens to a

guy like that—he starts wantin' to

go into restaurants and sit at a

table and eat salads—and cup

cakes—and tea—

(disgusted)

Boy, what that kinda food does to

your system!

JOHN pushes on the bed and is impressed with its softness.

COLONEL:

The next thing the dope wants is a

room. Yes sir, a room with steam

heat! And curtains and rugs and

'fore you know it, he's all softened

up and he can't sleep 'less he has

a bed.

CLOSE-UP:
Of BEANY. He stares, bewildered, at the COLONEL.

WIDER SHOT:
JOHN turns and crosses to window.

JOHN:

(as he goes)

Hey, stop worrying, Colonel. Fifty

bucks ain't going to ruin me.

COLONEL:

I seen plenty of fellers start out

with fifty bucks and wind up with

a bank account!

BEANY:

(can't stand it any

more)

Hey, whatsa matter with a bank

account, anyway?

COLONEL:

(ignoring him)

And let me tell you, Long John.

When you become a guy with a bank

account, they got you. Yes sir,

they got you!

BEANY:

Who's got him?

COLONEL:

The heelots!

BEANY:

Who?

JOHN:

(at the window)

Hey. There's the City Hall tower

I'm supposed to jump off of. It's

even higher than this.

Rate this script:3.6 / 7 votes

Robert Riskin

Robert Riskin (March 30, 1897 – September 20, 1955) was an American Academy Award-winning screenwriter and playwright, best known for his collaborations with director-producer Frank Capra. more…

All Robert Riskin scripts | Robert Riskin Scripts

0 fans

Submitted by aviv on November 06, 2016

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Meet John Doe" Scripts.com. STANDS4 LLC, 2024. Web. 26 Jul 2024. <https://www.scripts.com/script/meet_john_doe_492>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Meet John Doe

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does the term "plant and payoff" refer to in screenwriting?
    A The payment to writers for their scripts
    B The introduction of main characters
    C Setting up the final scene
    D Introducing a plot element early that becomes important later