Meet Me in St. Louis Page #2

Synopsis: "Meet Me in St. Louis" is a classic MGM romantic musical comedy that focuses on four sisters (one of whom is the nonpareil Judy Garland) on the cusp of the 1904 St. Louis World's Fair. The film spotlights the sisters' education in the ways of the world, which includes, but isn't limited to, learning about life and love, courtesy of the prototypical boy next door. In the end, love -- accompanied by song, dance and period costumes, all in glorious Technicolor -- conquers all.
Genre: Comedy, Drama, Family
Production: MGM
  Nominated for 4 Oscars. Another 6 wins & 1 nomination.
 
IMDB:
7.7
Rotten Tomatoes:
100%
NOT RATED
Year:
1944
113 min
2,283 Views


WE KNOW VERY LITTLE

ABOUT HIM.

WE HAVEN'T EVEN

MET HIS FOLKS.

IT SEEMS TO ME:

THAT ONE LITTLE:

PHONE CALL:

IS CAUSING AN AWFUL

LOT OF EXCITEMENT.

BESIDES,

YOU'RE TOO YOUNG.

I DON'T THINK

YOUR FATHER:

WOULD ALLOW IT.

IF I HAVE TO KEEP

LYING FOR YOUR DAUGHTERS,

I'LL NEED MORE MONEY.

REMEMBER, NOT A WORD

OF THIS TO PAPA.

EVERYBODY KNOWS:

BUT PAPA?

YOUR PAPA'S NOT

SUPPOSED TO KNOW.

IT'S ENOUGH THAT

WE'RE LETTING HIM

WORK TO SUPPORT:

THE FLOCK OF US.

HE CAN'T

HAVE EVERYTHING.

[HUMMING

MEET ME IN ST. LOUIS]

WHERE'S TOOTIE?

I HAVEN'T SEEN HER ALL DAY.

DID TOOTIE:

COME HOME WITH YOU?

NO, MAMA.

OH, I SUPPOSE

SHE'S WORKING

ON THE ICE WAGON.

" BRIGHTEN THE CORNER

WHERE YOU ARE "

" BRIGHTEN THE CORNER

WHERE YOU ARE "

" SOMEONE

FAR FROM HARBOR... ""

WHO GETS ICE NOW,

MR. NEELY?

OH, MR. NEELY!

WHO GETS ICE NOW,

MR. NEELY?

NO ONE, TOOTIE.

ROBIN CAN'T REMEMBER

MRS. WILKINS MOVED.

NOW, YOU GET

OUT OF THERE.

POOR MARGARETHA.

NEVER SEEN HER:

LOOK SO PALE.

THE SUN OUGHT:

TO DO HER SOME GOOD.

I EXPECT:

SHE WON'T LIVE

THROUGH THE NIGHT.

SHE HAS FOUR:

FATAL DISEASES.

IT ONLY TAKES ONE.

BUT SHE'S GOING TO HAVE

A BEAUTIFUL FUNERAL--

IN A CIGAR BOX:

MY PAPA GAVE ME,

ALL WRAPPED:

IN SILVER PAPER.

THAT'S THE WAY TO GO

IF YOU HAVE TO GO.

OH, SHE HAS TO GO.

IS ROBIN A GIRL HORSE

OR A BOY HORSE?

GIRL.

HOW OLD IS SHE?

4.

SHE'S AWFUL BIG

FOR 4.

I'M 5.

IS SHE STRONG?

STRONGEST ICE HORSE

IN ST. LOUIE.

EXCUSE ME, MR. NEELY,

BUT IT'S PRONOUNCED

ST. LOUIS.

IS IT, NOW?

I'VE GOT A COUSIN

SPELLS IT THE SAME WAY,

AND WE CALL HIM LOUIE.

HE'S NOT A CITY,

THOUGH, IS HE?

NO.

IS HE A SAINT?

NO.

THEN THERE'S

NO COMPARISON.

WELL, ANYWAY,

SHE'S A GRAND OLD TOWN.

IT ISN'T A TOWN,

MR. NEELY,

IT'S A CITY--

THE ONLY CITY:

WITH A WORLD'S FAIR.

MY FAVORITE.

WASN'T I LUCKY

TO BE BORN:

IN MY FAVORITE CITY?

" MEET ME IN ST. LOUIS,

LOUIS "

" MEET ME AT THE FAIR "

" DON'T TELL ME

THE LIGHTS ARE SHINING "

" ANYPLACE BUT THERE "

" WE WILL DANCE

THE HOOTCHIE-KOOTCHIE "

" YOU WILL BE

MY TOOTSIE-WOOTSIE "

" IF YOU WILL MEET ME

IN ST. LOUIS, LOUIS "

" MEET ME AT "

" THE FAIR "

" MEET ME

IN ST. LOUIS, LOUIS "

" MEET ME AT THE FAIR "

" DON'T TELL ME

THE LIGHTS ARE SHINING "

" ANYPLACE BUT THERE "

" WE WILL DANCE

THE HOOTCHIE-KOOTCHIE "

" I WILL BE

YOUR TOOTSIE-WOOTSIE "

" IF YOU WILL MEET ME

IN ST. LOUIS, LOUIS "

" MEET ME AT-- ""

FOR HEAVEN'S SAKE,

STOP THAT SCREECHING.

WE'RE SORRY, PAPA.

THAT SONG.

THE FAIR WON'T OPEN

FOR SEVEN MONTHS.

THAT'S ALL

EVERYBODY SINGS:

OR TALKS ABOUT.

I WISH EVERYBODY

WOULD MEET THERE

AND LEAVE ME ALONE.

HELLO, DEAREST.

DID YOU HAVE:

A NICE DAY?

I LOST THE CASE.

I'M SORRY. YOU WERE

SO SURE YOU'D WIN IT.

I OVERLOOKED:

ONE THING--

THAT JUDGE:

IS A THIEF.

IF LOSING A CASE

DEPRESSES YOU,

WHY DON'T YOU GO

INTO ANOTHER BUSINESS?

THAT'S A GOOD IDEA.

BEGINNING TOMORROW,

I INTEND TO PLAY

FIRST BASE:

FOR THE BALTIMORE

ORIOLES.

SORRY, ANNA, IF

I WAS BOMBASTIC.

THAT'S ALL RIGHT,

DEAR.

YOU'LL FEEL BETTER

AFTER DINNER.

I SUPPOSE SO,

BUT RIGHT NOW,

I'M GOING TO SOAK

IN THAT COOL BATHTUB

FOR ONE SOLID HOUR.

BUT THAT'S

IMPOSSIBLE.

DINNER'S

BEING SERVED:

IN FIVE MINUTES.

FIVE MINUTES?

IT'S 5:
25, NOT 6:25.

WE'RE PLANNING ON EATING

AN HOUR EARLIER TONIGHT.

THE PLANS:

HAVE BEEN CHANGED.

I'M TAKING A BATH.

DINNER'S EARLY

FOR KATIE'S SAKE.

FAMILY TROUBLE.

SHE'S GOING THERE

ONCE WE FINISH.

HER SISTER'S FIGHTING

WITH HER HUSBAND.

I SUPPOSE:

THEY'LL STOP

FIGHTING:

IF I DON'T

TAKE A BATH.

KATIE NEVER:

ASKS FAVORS.

WE CAN'T RISK

LOSING HER.

NOWADAYS YOU:

CAN'T GET A MAID

FOR UNDER:

$12 A MONTH.

LON, COUNT THREE.

1, 2, 3.

I DON'T CARE

IF WE HAVE TO:

PAY $15 A MONTH.

DINNER:

WILL BE AT 6:
30.

IF KATIE:

WANTS TO RESIGN,

SHE CAN REACH ME

IN THE BATHTUB!

[CLOCK CHIMES]

IT'S WAY AFTER 6:30,

AND WARREN:

HASN'T CALLED YET.

MAYBE HE GOT:

ANOTHER GIRL.

QUIET, YOU TWO.

MOM, I'M NOT

AT ALL SENSITIVE

ABOUT WARREN:

SHEFFIELD.

THE QUEEN:

HAS SPOKEN.

I SUPPOSE WARREN'S

TOO YOUNG, TOO,

LIKE EVERY FELLOW

I INTRODUCE HER TO.

YOUR FATHER:

WILL BE DOWN SOON.

IF WE EAT QUICKLY,

WE MAY:

GET HIM OUT OF HERE

BEFORE WARREN CALLS.

WARREN'S 21.

THAT'S PERFECT.

PRACTICALLY:

A CHILD.

YOUR FATHER:

WAS 20 WHEN

WE WERE MARRIED.

WE GAVE HIM A BACHELOR

DINNER THE NIGHT BEFORE.

HE ALMOST MISSED

THE WEDDING.

[DOOR SLAMS]

THE LORD:

AND MASTER.

[CLATTERING

DOWN THE STAIRS]

NOW I REMEMBER:

WHERE I LEFT:

MY OTHER SKATE.

I HOPE I HAVEN'T

HELD YOU UP.

I WAS JUST TAKING

A LITTLE RIDE:

BEFORE DINNER.

HELLO, PAPA. I BURIED

MAUDE ROCKEFELLER TODAY.

YOU MISSED:

ALL THE FUN.

I WOULDN'T

SAY THAT.

I'VE HAD

A PRETTY FULL DAY.

TOOTIE, REMIND ME

TO SPANK YOU:

AFTER DINNER.

O.K., PAPA.

LORD, WE THANK YOU

FOR THE BOUNTIFUL

BLESSINGS WE ARE

ABOUT TO RECEIVE.

AMEN.

IF I FORGET:

TO REMIND PAPA,

YOU REMIND ME.

ALL RIGHT.

KATIE,

THIS IS DELICIOUS.

WELL, I GUESS

THIS HASN'T BEEN

A RED-LETTER DAY

FOR ANY OF US.

NOW SUPPOSE:

WE ALL RELAX:

AND ENJOY A NICE,

LEISURELY MEAL.

KATIE, I'M SORRY

I COULDN'T EAT

AN HOUR EARLY.

DON'T BLAME ME

IF THE CORNED:

BEEF'S TOUGH.

YOU FINISHED:

ALREADY, TOOTIE?

THAT'S THE WAY

TO EAT.

YOU'LL BE

A BIG GIRL IF YOU--

EITHER I'VE

LOST SOME SOUP,

OR I'VE

FOUND A SPOON.

OH, KATIE.

DID YOU HAVE:

A NICE DAY?

OH, YOU DIDN'T.

OH, KATIE.

ROSE, THEY'RE HAVING

A FASHION PAVILION

AT THE WORLD'S FAIR.

I CAN'T

WAIT SIX MONTHS:

FOR THE OPENING.

I'LL DIE.

I'LL SIMPLY DIE.

ANYBODY WANT:

DESSERT?

DESSERT? WHAT

HAPPENED TO DINNER?

I DIDN'T THINK

ANYBODY COULD:

EAT MEAT:

ON SUCH:

A HOT DAY.

I'M NOT HOT.

I HAD A COOL BATH.

I HAVE:

EVERY INTENTION:

OF EATING:

AN ENORMOUS DINNER!

ANNA, I THINK KATIE'S

GETTING A LITTLE OLD.

HER MENTAL PROCESSES

BAFFLE ME.

AH, CORNED BEEF

AND CABBAGE.

I COULD SMELL:

THAT CABBAGE:

WHEN I GOT:

OFF THE TROLLEY.

CABBAGE HAS:

A CABBAGE SMELL.

IN THIS HOUSE,

WE CUT THE CORNED BEEF.

WE DON'T SHAVE IT.

WHERE'S THE KNIFE?

MRS. SMITH,

YOU WANTED THIS:

TO LAST TWO MEALS.

KATIE.

[TELEPHONE RINGS]

I'LL TAKE IT.

[RING]

HELLO.

WHAT?

YOU'LL HA-HAVE TO

Rate this script:5.0 / 1 vote

Irving Brecher

Irving S. Brecher (January 17, 1914 – November 17, 2008) was a screenwriter who wrote for the Marx Brothers among many others; he was the only writer to get sole credit on a Marx Brothers film, penning the screenplays for At the Circus (1939) and Go West (1940). He was also one of the numerous uncredited writers on the screenplay of The Wizard of Oz (1939). Some of his other screenplays were Shadow of the Thin Man (1941), Ziegfeld Follies (1946) and Bye Bye Birdie (1963). more…

All Irving Brecher scripts | Irving Brecher Scripts

0 fans

Submitted by acronimous on June 16, 2016

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Meet Me in St. Louis" Scripts.com. STANDS4 LLC, 2024. Web. 26 Dec. 2024. <https://www.scripts.com/script/meet_me_in_st._louis_211>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Meet Me in St. Louis

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the "midpoint" in screenwriting?
    A The beginning of the screenplay
    B The end of the screenplay
    C The halfway point where the story shifts direction
    D The climax of the screenplay