Melvin and Howard

Synopsis: This movie tells the possibly true story of Melvin E. Dummar. Melvin is a nice guy, but he is a total loser: unlucky, impractical and can't keep a job. One night, however, he helps an old man who has had a motorcycle accident in the desert. Melvin laughs when the old man says he is Howard Hughes, the eccentric multimillionaire. But when Howard Hughes dies, Melvin is mailed a will leaving him part of the estate!
Genre: Comedy, Drama
Director(s): Jonathan Demme
Production: Universal
  Won 2 Oscars. Another 15 wins & 9 nominations.
 
IMDB:
6.9
Rotten Tomatoes:
90%
R
Year:
1980
95 min
208 Views


[Chirruping]

[Engine drones in distance]

Ya-haa!

[Laughs]

[Laughs]

[Groans]

[Car radio.

# Crazy Horse. Gone Dead Train]

# My engine was pumping steam

# And I was grinding at you

hard and fast

# And I was burnin'down the rails

To heat the way...

[static as radio switches stations]

[# Bob Wills. San Antonio Rose]

[Static]

...16 miles an hour, decreasing tonight,

becoming easterly tomorrow...

[# Phil Ochs. My Kingdom for a Car]

#... look how far

# A car

A car

# My kingdom for a car...

[man]

...with Kraft's macaroni and cheese...

[# Eddy Arnold. Tennessee Stud]

#... a horse like

the Tennessee Stud...

[man] Oh, man!

[Radio switched off]

[Man] # Santa called his elves together

to soup up his old sleigh

# So Rudolph and the other reindeer

could rest on Christmas Day

# He's got a million miles to travel

and he'll do it in one day

# Oh, that's because ol' Santa Claus

has a souped-up Santa sleigh #

[hums song melody]

[Hums, urinates]

[Nearby moaning]

[Mumbling]

[Incoherent sounds]

Hey.

What's the matter with you?

Hey.

What are you doing out here?

Come on, get up.

What happened?

Get up.

[Groans]

Come on, old man.

[Coyote howls in the distance]

[Old man shudders]

- I'm gonna get you some help.

- No, no doctor.

Yeah, there's a town

about three miles up the road.

- No, no.

- I'll get that heater to work.

- No, no, it's OK.

- It ain't OK! It ain't OK!

Here.

Oh, come on, man! You'll be all right.

[Coughs]

Well, we ain't gonna

get into town none too soon.

No doctors.

They ain't got no doctor in Arden,

just a public health nurse.

No nurses.

- Don't like nurses either?

- No, I don't.

All right, all right.

I'm not going to Arden!

OK, take it easy.

- Where are you going?

- I'm going to Vegas.

You are, huh?

You know, if you don't beat all.

Strange old, weird old wino,

layin' out in the middle of the desert,

everybody drivin' by,

nobody seein' you.

I pick you up, put you in my truck,

take you where it's safe.

And what do you do? Give me

a hard time. Rag me, bug me.

No, no stops, please.

[Old man coughs]

[Radio plays country music, dog barks]

- [Young man] Going home to Gabbs.

- [Old man] What do you do in Gabbs?

[Young man] I work in a plant,

a magnesium plant, you know.

I've had a lot ofjobs but...

...I can't seem to get the right one,

you know.

When I was a milkman,

I used to go around,

and see these wives at home,

the husbands working night shift,

I thought, "Maybe I should do that."

I went around, applied for a job

at places like McDonnell Douglas,

Northropp, Hughes...

- What happened there?

- They didn't want me.

What a shame.

How come you keep saying that,

"What a shame?"

Well, I might have done something.

Like what?

I'm Howard Hughes.

[Thunderclap]

Well...

Well, listen.

I believe anybody can

call themselves whatever they want.

[Young man] Got stuff

from my sister for my trailer.

- What did you say your name was?

- Dummar. Melvin, first name.

You're kiddin' me, Melvin.

- Listen, buddy.

- Yeah.

- Wanna do me a favour?

- Depends on what it is.

- You see, I wrote this song and...

- No.

A Christmas song. You'll like it.

Santa's Souped-Up Sleigh.

Oh, God.

I wrote the words and sent them

into the Hollywood Music Company.

They make up the music.

Cost 70 bucks, but it's worth it.

- Here's how it goes. Wanna hear it?

- No, I don't.

# Santa called his elves together

to soup up his old sleigh

# So Rudolph and the other reindeer

could rest on Christmas Day

# He's got a million miles to travel

and he'll do it in one day

# And that's why Santa Claus

has a souped-up Santa sleigh #

- Enough, sir.

- You haven't heard the good part yet.

It's dramatic narration,

like Red Sovine.

"Hey up there, fat man!

What are you doing on my roof?"

"I don't care if you are Santa..."

- Please, stop.

- What's the matter?

My ear.

I told you we should

have stopped back there.

- It's the sound.

- What do you mean?

Your song.

Boy, you can be cruel.

Anybody ever tell you that?

You can be real cruel.

I have an aversion to songs.

That's what makes you an old a**hole.

Sing along with me, this is the chorus.

# Got a rocket burnin'mighty quick

Turnin'souped-up Santa's Sleigh

# Comes in like a streak of light

and goes out the same way #

- You got it?

- I don't know.

Listen, man, you sing this or you walk.

OK?

"Got a rocket burnin' mighty quick,

Turnin' souped-up Santa's sleigh."

[They sing in unison]

You got it! OK, one more time.

[Both sing]

"Hey, now, fat man!

I told you to get off my roof."

"The chimney's too small,

you're gonna fall!"

"Come on down off that roof!"

This is the last verse.

"When you hear that rocket roar

You know Santa's on his way."

OK? Ready?

[Both sing]

"But he'll be back again next year

in his souped-up Santa sleigh."

Hey! That's great, man!

You know what?

- What?

- You sounded good.

- Oh, come on.

- You did.

- Didn't anybody tell you you can sing?

- No.

- Come on, let's hear one of yours.

- I don't know any songs.

Oh, come on. You must know one.

How about...

Do anything, do...

Love Me Tender, Don't Be Cruel,

My Woman, My Woman, My Wife...

I don't know any songs.

My father was the singer in the family.

I played the saxophone.

When The Sunset

Turns The Ocean Blue To Gold.

Bill Bailey.

He'd say, "Sonny, you do the verse

and I'll take the chorus."

And off he'd go.

Well, I mean, do you know any song?

- Bye Bye Blackbird.

- There you go. There you go.

Oh, sorry.

- Lay it on me, old timer.

- Don't be crazy.

Ladies and gentlemen,

it's been a great show!

And now we have a special attraction.

An old, old timer with a new, new song.

He's been playin' all his life

so let's hear it for the old, old timer

and Bye Bye Blackbirdl Take it!

Come on. Sing it.

[Clears throat]

[Hums faintly]

That's real nice.

But I don't think I heard any words.

Got any words?

# Pack up all my cares and woe

# Here I go, singin'low

# Bye bye blackbird

# Where somebody waits for me

# Sugar sweet, so is she

[both] #Bye bye blackbird

# No-one here can love

# Or understand me

# Oh, what hard luck stories

# They all hand me

# So...

# Make my bed

# And light the light

# I'll be home late tonight

# Blackbird

[Melvin] # Blackbird

[both] # Blackbird bye bye

[thunder rumbles]

Greasewood.

Sage.

Nothing like the smell

of the desert after the rain.

Greasewood and sage.

[Melvin]

Let you off at the Salvation Army?

- [Howard] No. Let me off over there.

- [Melvin] OK.

[Howard] Stop.

- Here?

- This is the place.

What have you got,

a friend who works in the kitchen?

Aah... How do you get out of this thing?

Oh, you just...

Well, I had a good time, buddy.

Oh, sorry.

You'd better take care of that arm.

Yeah.

You got any money?

Oh, boy...

Well...

You're somethin' else.

Well, that's it. That's all I got.

- Take care of yourself, will you?

- Thank you, Melvin.

[Hums softly]

[Coins clink on the concrete]

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Bo Goldman

There are but a few select screenwriters who are spoken of with the kind of reverence usually reserved for film Directors - Robert Towne, Alvin Sargent and Bo Goldman. Goldman is a screenwriter's screenwriter, and one of the most honored in motion picture history. The recipient of two Academy Awards, a New York Film Critics Award, two Writers Guild Awards, three Golden Globes, additional Academy Award and Writers Guild nominations and, ultimately, the Guild's life achievement Award - The Laurel. Born in New York City, Goldman was educated at Exeter and Princeton where he wrote, produced, composed the lyrics and was president of the famed Triangle show, a proving ground for James Stewart and director Joshua Logan. On graduation, he went directly to Broadway as the lyricist for "First Impressions", based on Jane Austen's "Pride and Prejudice", produced by composer Jule Styne and directed by Abe Burrows, starring Hermione Gingold, Polly Bergen and Farley Granger. Moving into television, Goldman was mentored by the redoubtable Fred Coe (the "D.W. Griffith of dramatic television") and became part of the twilight of The Golden Age, associate producing and script editing Coe's prestigious Playhouse 90 (1956)'s, "The Days of Wine and Roses", "A Plot to Kill Stalin" and Horton Foote's "Old Man". Goldman went on to himself produce and write for Public Television on the award-winning NET Playhouse. During this period, Goldman first tried his hand at screen-writing, resulting in an early version of Shoot the Moon (1982) which stirred the interest of Hollywood and became his calling card. After reading Shoot the Moon (1982), Milos Forman asked Goldman to write the screenplay for One Flew Over the Cuckoo's Nest (1975). Goldman's first produced film won all five top Academy Awards including Best Screenplay for Goldman. "Cuckoo's Nest" was the first film to win the top five awards since Frank Capra's It Happened One Night (1934). Goldman also received the Writers Guild Award and the Golden Globe Award for his work on the film. He next wrote The Rose (1979), which was nominated for four Academy Awards, followed by his original screenplay, Melvin and Howard (1980), which garnered Goldman his second Oscar, second Writers Guild Award and the New York Film Critics Circle Award for Screenplay of the Year. Goldman's first screenplay, Shoot the Moon (1982), that started it all, was then filmed by Alan Parker, starring Diane Keaton and Albert Finney, the film received international acclaim and was embraced by America's most respected film critics including Pauline Kael and Richard Schickel. For Shoot the Moon (1982), Goldman earned his third Writers Guild nomination. Over the next few years, he contributed uncredited work to countless scripts, including Milos Forman's Ragtime (1981), starring James Cagney and Donald O'Connor, The Flamingo Kid (1984), starring Matt Dillon, and Warren Beatty's Dick Tracy (1990). Goldman tried his hand at directing an adaptation of Susan Minot's novel "Monkeys", and a re-imagining of Ingmar Bergman's Wild Strawberries (1957) (aka "Wild Strawberries") as a vehicle for Gregory Peck, but for budgetary and scheduling reasons, both movies lost their start dates. Goldman returned solely to screen-writing with Scent of a Woman (1992), starring Al Pacino. Goldman was honored with his third Academy Award nomination and his third Golden Globe Award. He followed this with Harold Becker's City Hall (1996), starring Al Pacino and John Cusack, and then co-wrote Meet Joe Black (1998), starring Brad Pitt and Anthony Hopkins. More recently, Goldman did a page one uncredited rewrite of The Perfect Storm (2000). It was Goldman's script that green lit the movie at Warner Bros. and convinced George Clooney to star in the film, which went on to earn $327,000,000. In 2005, he helped prepare the shooting script for Milos Forman's Goya's Ghosts (2006), produced by Saul Zaentz and starring Natalie Portman and Javier Bardem. He wrote a script for a remake of Jules Dassin's Rififi (1955) (aka Rififi), for director Harold Becker, starring Al Pacino. Goldman is married to Mab Ashforth, and is the father of six children, seven grandchildren and one great grandchild. He resides in Rockville, Maine. more…

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Submitted on August 05, 2018

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