Message In A Bottle Page #3
- PG-13
- Year:
- 1999
- 126 min
- 1,024 Views
We think maybe this is
the first one or the final one.
204
00:
15:39,214 -- 00:15:41,494''This is a message and a prayer.
205
00:
15:41,839 -- 00:15:44,719The message is that my travels
taught me a great truth.
206
00:
15:45,089 -- 00:15:47,839l already had what
everyone is searching for. . .
207
00:
15:48,213 -- 00:15:49,853. . .and few ever find:
208
00:
15:50,172 -- 00:15:53,242The one person in the world
who l was born to love forever.
209
00:
15:53,630 -- 00:15:55,670A person like me, of the Outer Banks. . .
210
00:
15:56,046 -- 00:15:57,526. . .and the blue Atlantic mystery. ''
211
00:
15:57,838 -- 00:15:59,508Outer Banks.
That's North Carolina.
212
00:
15:59,921 -- 00:16:02,721Right. But it's about a dozen towns.
213
00:
16:03,088 -- 00:16:06,318Only four support a boat-building
and restoring company.
214
00:
16:06,713 -- 00:16:07,593Then we got him.
215
00:
16:07,879 -- 00:16:10,789We've got stringers there,
and a sister paper in Wilmington.
216
00:
16:11,171 -- 00:16:13,761l bet we find this guy
before the week's out.
217
00:
16:14,754 -- 00:16:16,024Any bets, girls?
218
00:
16:19,671 -- 00:16:20,551What?
219
00:
16:20,837 -- 00:16:21,637l want to go.
220
00:
16:21,921 -- 00:16:23,191She wants to do it.
221
00:
16:23,670 -- 00:16:25,260You find this guy, then what?
222
00:
16:25,587 -- 00:16:27,977l don't know. l'm not sure.
But l want to go.
223
00:
16:28,379 -- 00:16:30,739Can't spare you. Need you here.
224
00:
16:32,337 -- 00:16:36,567You're the one that sent me to lndia
for the column on smokestacks.
225
00:
16:37,003 -- 00:16:40,123You sent her to Texas for 3 days,
talking to Marines.
226
00:
16:40,503 -- 00:16:41,773That was different.
227
00:
16:42,087 -- 00:16:43,997Why do you have to
do this personally?
228
00:
16:44,336 -- 00:16:46,376What do you mean?
l'm intrigued, so what?
229
00:
16:46,711 -- 00:16:47,541lntrigued?
230
00:
16:47,836 -- 00:16:49,586What if he's covered in tattoos. . .
231
00:
16:49,920 -- 00:16:51,910. . .and has four serious convictions?
232
00:
16:52,544 -- 00:16:53,504Tell her.
233
00:
16:55,669 -- 00:16:57,069l'm only afraid that. . .
234
00:
16:57,378 -- 00:16:59,418. . .your expectations are too high.
235
00:
16:59,753 -- 00:17:01,873l don't have any. This is research.
236
00:
17:02,502 -- 00:17:05,972You're thinking Heathcliff.
You're thinking Hamlet.
237
00:
17:06,377 -- 00:17:08,607This guy is probably Captain Ahab.
238
00:
17:09,252 -- 00:17:11,292Are you saying that l can't go?
239
00:
17:14,710 -- 00:17:16,670lt's called a risk, Charlie, right?
240
00:
17:17,002 -- 00:17:19,362Something you've been
telling me for two years.
241
00:
17:19,710 -- 00:17:21,190''Take a risk. ''
242
00:
17:21,502 -- 00:17:22,902Remember when you asked
me to call. ..
243
00:
17:23,210 -- 00:17:25,850. . .all the stationery stores
in the Outer Banks area?
244
00:
17:26,210 -- 00:17:29,200-l've got other names for you.
-l got it.
245
00:
17:29,585 -- 00:17:31,545What? You got what?
246
00:
17:31,876 -- 00:17:33,386l called one in Morehead City.
247
00:
17:33,710 -- 00:17:35,990They remembered
the little sailboat logo.
248
00:
17:36,335 -- 00:17:39,695They said it was designed
by the customers.
249
00:
17:41,668 -- 00:17:42,628lt's them.
250
00:
17:43,209 -- 00:17:44,279Don't tell Charlie.
251
00:
17:44,584 -- 00:17:46,734He'll try and make you
do this over the phone.
252
00:
17:47,084 -- 00:17:48,314You got him, Theresa.
253
00:
17:49,001 -- 00:17:50,911Now go knock on his door.
254
00:
19:18,956 -- 00:19:19,786Ma'am?
255
00:
19:22,956 -- 00:19:24,356Can l help you?
256
00:
19:26,539 -- 00:19:30,009Sorry, l just admire these
older homes.
257
00:
19:30,414 -- 00:19:31,844You're in real estate?
258
00:
19:33,747 -- 00:19:34,547No.
259
00:
19:37,080 -- 00:19:39,590Could l take
a photograph of the house. . .
260
00:
19:39,955 -- 00:19:40,835. . .for a publication?
261
00:
19:41,122 -- 00:19:42,442Jehovah's Witness?
262
00:
19:44,455 -- 00:19:46,765Photograph.
Well, l never thought of that.
263
00:
19:47,997 -- 00:19:49,557Can't say yes or no.
264
00:
19:49,955 -- 00:19:51,105And why's that?
265
00:
19:51,413 -- 00:19:52,683That's my son's place.
266
00:
19:54,205 -- 00:19:55,795l live back down. . .
267
00:
19:56,121 -- 00:19:57,111. . .thataway.
268
00:
19:57,496 -- 00:19:59,536So you're going to have to ask him.
269
00:
19:59,871 -- 00:20:02,941He'll be kicking around the harbor.
Garret Blake.
270
00:
20:04,079 -- 00:20:05,559Never wears a hat.
271
00:
20:06,371 -- 00:20:08,331Great. Thank you.
272
00:
20:09,496 -- 00:20:10,726ls it Playboy ?
273
00:
20:12,621 -- 00:20:14,211l always admired your covers.
274
00:
20:14,662 -- 00:20:16,412Never bought the magazine, though.
275
00:
20:20,370 -- 00:20:22,200Well, there's always tomorrow.
276
00:
20:53,494 -- 00:20:54,374Great day, isn't it?
277
00:
20:54,661 -- 00:20:56,781lt's a beauty.
Wish l was out on the water.
278
00:
20:57,119 -- 00:20:58,439Yeah, l bet.
279
00:
21:02,161 -- 00:21:03,671Great boat.
Are you restoring it?
280
00:
21:03,994 -- 00:21:05,584Yeah, doing the best l can.
281
00:
21:07,869 -- 00:21:09,779Do you restore boats for a living?
282
00:
21:10,119 -- 00:21:12,319No, l'm just a weekend warrior.
283
00:
21:12,744 -- 00:21:15,024You got a boat that
needs some work done?
284
00:
21:15,368 -- 00:21:16,168Actually--
285
00:
21:16,452 -- 00:21:19,812l got a man here in town.
He's got a shop.
286
00:
21:21,202 -- 00:21:22,792He's working on the schooner there.
287
00:
21:23,077 -- 00:21:25,827The 40-footer.
Sweet lines on that boat.
288
00:
21:26,201 -- 00:21:28,031You can't beat the old woodies.
289
00:
21:28,326 -- 00:21:29,126Great, thank you.
290
00:
21:29,410 -- 00:21:31,560-You bet. You have a nice day.
-You too.
291
00:
21:58,867 -- 00:22:02,147l love the older, the wooden boats.
292
00:
22:02,742 -- 00:22:06,132lt must be a 40-footer?
A schooner, right?
293
00:
22:06,533 -- 00:22:08,013lt's an Alden Schooner.
294
00:
22:09,075 -- 00:22:11,3551 922, out of Maine.
295
00:
22:14,616 -- 00:22:15,446ls she yours?
296
00:
22:17,366 -- 00:22:18,326Nope.
297
00:
22:18,700 -- 00:22:20,820Just putting her back in shape.
298
00:
22:22,533 -- 00:22:23,363Sweet lines.
299
00:
22:27,866 -- 00:22:29,376You want to step aboard?
300
00:
22:32,741 -- 00:22:35,171There's some wet spots.
301
00:
22:47,199 -- 00:22:48,189She's a beauty.
302
00:
22:50,365 -- 00:22:51,685Was she in bad shape?
303
00:
22:52,448 -- 00:22:53,488Neglected.
304
00:
22:54,073 -- 00:22:54,873Unappreciated.
305
00:
22:56,448 -- 00:22:57,438l know how she feels.
306
00:
22:59,198 -- 00:22:59,998Doubt it.
307
00:
23:03,073 -- 00:23:03,873You a tourist?
308
00:
23:04,406 -- 00:23:07,236
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Message In A Bottle" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/message_in_a_bottle_13670>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In