Miami Vice Page #2

Synopsis: A case involving drug lords and murder in South Florida takes a personal turn for undercover detectives Sonny Crockett (Colin Farrell) and Ricardo Tubbs (Jamie Foxx). Unorthodox Crockett gets involved romantically with the Chinese-Cuban wife of a trafficker of arms and drugs, while Tubbs deals with an assault on those he loves.
Production: Universal Pictures
  1 win & 9 nominations.
 
IMDB:
6.0
Metacritic:
65
Rotten Tomatoes:
47%
R
Year:
2006
134 min
$63,400,000
Website
850 Views


TUBBS:

Damn, girl...

INT. SURVEILLANCE APARTMENT (ONE FLOOR BELOW THE TARGET)

PENTHOUSE - CROCKETT + TUBBS - NIGHT

enter. Two surveillance technicians, RICK and FRANK, are

glued to a monitor showing a bedroom in which nothing

happens. LT. CASTILLO is there, out of a past somewhere

between CIA and the Jesuits...

Referring to the monitor on which there are NO PEOPLE in an

EMPTY BEDROOM.

They are watching air move.

TUBBS:

This is exciting...

RICK:

That's 'cause nothing is happening.

CROCKETT:

No sh*t...?

FRANK:

(it goes past him)

Yeah. This is their

surveillance...how they video their

marks? See, we jacked their fiber

optics, like we piggybacked their

signal. Get it?

TUBBS:

Cooool...

They exit to...

INT. PENTHOUSE CONDO - CROCKETT + TUBBS

are met at the door by security, who recognizes them, and are

welcomed by their host, UGO. This is the Baccardi Cup After-

Party. The same players from the marina...

OVER CROCKETT + TUBBS

enter an 8,000-square-foot penthouse...offshore racer types,

players, So Bee models...

UGO:

Runnin' the Biscayne 200?

Crockett wanders off...

TUBBS:

If a coupla new exhaust manifolds

show up...

CROCKETT:

approaches a bar and female bartender...

CROCKETT:

Gin and Tonic. Plymouth or

Boodles.

BARTENDER:

(Scandinavian accent)

Lemon or lime?

CROCKETT:

Lemon doesn't go in Gin and Tonics,

darlin'. Where ya' from?

BARTENDER:

(leaning in)

Gottingen. That's in Sweden.

CROCKETT:

You in Miami workin' on your

complexion...?

She's beautifully bronzed.

BARTENDER:

(laughs)

No. I was in Namibia...

CROCKETT:

Doing...?

BARTENDER:

With the United Nations High

Commission on Refugees. Famine

relief.

Gina's listening on her personal comms.

CROCKETT:

Really? I did refugee relocation

in Somalia. But they transferred

me out after I was wounded...

Gina rolls her eyes as she crosses by Tubbs.

GINA:

Only African he ever "relocated"

was a $2,000-an-hour Nigerian model

for Gucci, and he got wounded when

she took an NBA draft choice to the

Super Bowl instead of him...

TUBBS:

He did volunteer one time...

TRUDY:

(entering)

For a massage parlor bust?

(beat)

Why am I here...?

TRUDY JOPLIN is a tall African-American. She whispers into a

small mic. If you looked closely, she's ripped...as if steel

cables moved under her smooth skin. She slides past Tubbs

and Gina...

TUBBS:

(low)

...to backup Switek. But only if

it gets lethal.

TRUDY:

That's impossible.

TUBBS:

Why?

TRUDY:

Because you cannot kill him.

SWITEK:

all white bling, is arguing with his blade-thin, glassy-eyed,

adrenaline junkie partner, ZITO. Approaching is "Miss

Ukraine." High cheekbones suggest one of Genghis Khan's

horsemen found her maternal ancestor as attractive as Switek

finds her...

Tubbs clocks three beefy Russians in a corner, one is

unusually fit.

TUBBS:

And there's Dmitri...

CROCKETT:

The honey trap. And there's the

honey.

TUBBS:

Hello, Miss Ukraine...

MISS UKRAINE brings Switek his glass of champagne... She

whispers something in his ear...and is led towards a back

bedroom. Gina ambles over.

TRUDY:

(to Crockett)

Eleven to seven he blows it.

CROCKETT:

(whispers)

Twenty on my man...

TRUDY:

You're giving away your money,

fool...

Tubbs opens his Moto as if he's about to make a call...Trudy

looks over his shoulder. What we see is the feed from the

monitor in the surveillance room downstairs.

CLOSER:
TUBBS'S MOTO

Two blonde people starting to get naked. Switek and Miss

Ukraine. A second call comes in. Tubbs ignores it.

TUBBS:

(to Zito)

You bet your partner?

ZITO:

Sure. Switek versus primal impulse

from the amygdala. Higher thinking

versus the lizard brain. Tectonic

plates of libido confront the

cognitive.

GINA:

Oh, bullshit. She cops his joint.

He pushes the button.

TRUDY:

What's so f***ing difficult?

THEIR FACES. They watch. And...Crockett's cell phone rings.

He separates from the group...

CROCKETT:

Yeah...?

STEVENS (O.S.)

Sonny...?

CROCKETT:

Yeah.

STEVENS (O.S.)

Where's Riccardo?

CROCKETT:

On the phone.

STEVENS (O.S.)

I'm sorry. I'm sorry, Sonny...

EXT. BALCONY - CROCKETT - NIGHT

enters. He's come outside to hear better.

In the background Gina shakes her head about Switek. He blew

it. Trudy looks at Crockett and sees Crockett's focused,

hearing...

CROCKETT:

Who is this?

INTERCUT:

WITH:

INT. BENTLEY - ALONZO STEVENS - NIGHT

He's cruising at 85. He's floating in a magnolia leather

interior. But it's bloodstained from his nose and mouth.

He's been beaten. His white shirt is torn. He doesn't

care...

STEVENS:

(voice cracks)

It's f***ed up. I'm sorry...

Rate this script:5.0 / 1 vote

Michael Mann

Michael Kenneth Mann (born February 5, 1943) is an American film director, screenwriter, and producer. more…

All Michael Mann scripts | Michael Mann Scripts

0 fans

Submitted by acronimous on June 14, 2016

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Miami Vice" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/miami_vice_205>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Miami Vice

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is "exposition" in screenwriting?
    A The introduction of background information
    B The ending of the story
    C The climax of the story
    D The dialogue between characters