Miami Vice Page #8
Yero's security reacts to the tone and raises weapons. A few
start up out of their chair as...
ZITO + SWITEK
appear at the door, SMGs from shoulder straps. Zito flips a
D14 hand grenade which Crockett snatches out of the air,
pulls the pin and slams on the table. Everyone FREEZES.
Only Crockett's hand pressure restrains the clip.
CROCKETT (cont'd)
(goes right up in Yero's
face)
You want to "know" sh*t? Who the
f*** are you? You got a side deal
with U.S. Customs to open up the
coast in a few spots...in exchange
you flip them some gringo runners?
Like us...?
TUBBS:
You wearing a wire?
Tubbs rips open Yero's shirt.
CROCKETT:
Or DEA? The Feeb?
Yero's shirt...open to the waist. No wire. Yero's furious.
Yero's people have weapons pointed their way. They outnumber
Switek and Zito. Slack's taken up on triggers. It's on the
edge. And the edge is overloaded. Tubbs reads that, warns
Yero...
TUBBS:
People gonna walk into this place
and say, "Ola, hijo! That some
crazy wallpaper. Whew...it wild!
Is that a Jackson Pollack?"
CROCKETT:
"No, viejo. That was José Yero,
splattered all over his
motherfucking wall."
TUBBS:
So we can close each other's eyes
right now. Real easy. Real fast.
(pause)
But, then, nobody makes any
money...
Yero gestures his security to calm down....one notch.
Crockett and Tubbs still hold the grenades.
Then Crockett opens his shirt. No wires. So does Tubbs.
Pause.
JOSÉ YERO
(flat)
Equipment?
TUBBS:
Slow and low, Adam A-500s...
(Yero looks quizzical)
...carbon composite, stealthy, 1400
nautical-mile range, thousand ki
payload...all the way to Caravels
and 727's from a source country to
a transshipment point. Small
freighters. We've done
containers...
CROCKETT:
And specialize in very fast go-fast
boats for coastal runs.
TUBBS:
What kind of weight?
JOSÉ YERO
We don't talk weight. We talk
logistics.
Isabella sits, watching this. She drinks her coffee.
JOSÉ YERO (cont'd)
You get longs and lats for the
pickup. Open ocean. You run it
in. On shore, our people receive
the loads.
CROCKETT:
(interrupts)
The people on shore who handle a
load we run are our people, not your
people. No tweakers, dopers, first-
timers we don't know. They didn't
do time with us, they ain't doing
crime with us.
TUBBS:
What you get from us is a date. A
place. "In the parking lot of a
Jack-in-the-Box in north Miami." At
such-and-such time, an eighteen-
wheeler will be there. Keys in the
ignition. Ready to roll. You pick
it up. And you drive it...
(waves his left hand)
...away.
CROCKETT:
Money thing is done in advance in
places where there are no guns.
Because when money and guns get
together, there is violence...
JOSÉ YERO
You afraid of violence?
CROCKETT:
I am not John Wayne. There is no
"S" on his chest. We get down if
the play calls for it. But we are
into business and making money.
TUBBS:
And violence is extra. And
expensive. So how much weight you
looking to move?
JOSÉ YERO
Nothing. 'Cause how you do
delivery on the beach, I don't
like. Maybe this does not work.
CROCKETT:
Then it don't work.
TUBBS:
What happened to the last
transporter you had?
JOSÉ YERO
What do you care?
TUBBS:
(to Crockett)
Do we need this...?
CROCKETT:
(rises)
Red light, green light, José?
JOSÉ YERO
(doesn't answer, leans
back)
I'm also called "Cochi Loco." That
means "Crazy pig." 'Cause I
enforce security and get people to
tell me what I need to know. That
part of what I do, you never want
to find out about.
(pause)
Other people will negotiate the
money and go or not go. Not me...
TUBBS:
Then what were we talking to you
for?
JOSÉ YERO
I had to lay eyes on you.
CROCKETT:
And...?
Isabella watches Crockett...
JOSÉ YERO
(to Tubbs)
You seem okay.
(to Tubbs re:
Crockett)But him? I don't like... how he
looks...
Everything goes from tense to lethal. Has Yero made them?
TUBBS:
What do I care what you think about
how he looks? You wanna f*** my
partner or do business?
JOSÉ YERO
Wait by the phone.
(pause)
You get a call. Or maybe you
don't. Until then, piss off back
to where you come from...
Crockett flips the hand grenade and catches it with his left
hand...and he drops it in front of José Yero. It spins on
the table. He had reinserted the pin. And they back out.
CUT TO:
INT. MIAMI SAFE HOUSE - TUBBS IN THE SHOWER - NIGHT
Contemplative. Offscreen a door opens. Entering is Gina
Calabrese. She's naked. She washes his back. She dumps too
much shampoo on his head. He tries to clear it from his
eyes. Laughs. They start to make love under the water, in
the steam, through the misted glass, offscreen we hear an
engine rumble...
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"Miami Vice" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/miami_vice_205>.
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