Midnight Express Page #6

Synopsis: Billy Hayes (Brad Davis) is a young American caught by Turkish police while attempting to smuggle hash out of Istanbul. He's tried and sent to prison for four years, where he endures all manner of privation and abuse. As he finishes up his time, he's shocked to learn that the Turkish High Court has added a further 30 years to his sentence. He is now thoroughly demoralized, and his life in prison grows increasingly unbearable until he concludes that escape is his only option.
Production: Sony Pictures Home Entertainment
  Won 2 Oscars. Another 14 wins & 14 nominations.
 
IMDB:
7.6
Metacritic:
59
Rotten Tomatoes:
96%
R
Year:
1978
121 min
1,905 Views


BILLY:

No, I'm not afraid.

DETECTIVE:

Good. There's nothing to be afraid

of. If you co-operate with us, you

will be on the plane for New York

tomorrow... yes?

BILLY:

(softly, hoping)

Yes...?

DETECTIVE:

Good. Now, where did you get the

hashish?

BILLY:

A cabdriver. He picked me up in

the Pudding Shoppe in the bazaar.

DETECTIVE:

Would you recognize him again?

BILLY:

Yes. I think so.

DETECTIVE:

Good. Would you go back to the

Pudding Shoppe now and point him

out to my men if you see him?

BILLY'S EYES MOVE TO:

TEX who makes a cool affirmative nod of the eyes to Billy.

BILLY (OFF)

Yes.

STREETS, ISTANBUL, AFTERNOON. TEX drives his American CAR;

BILLY in the passenger seat; TWO TURKISH PLAINCLOTHESMEN

in the rear seats . Various BACKGROUND SHOTS of the city.

TEX:

(casual tone)

You decided to fly at a bad time

Billy Palestinian Guerrillas all

over the place blowing up planes

and all.

BILLY:

(shakes his head)

Stupid.

TEX:

Four planes in four days...but I

guess you kids don't read the

newspapers...and what with our

people kicking up a sh*t storm

'bout the flow of heroin from Turkey

you got...

BILLY:

But didn't have heroin.

TURK:

(grins)

Well I'm not up on all that. A

drug's a drug seems to me Billy

and...

BILLY:

(sweating)

But it was my first time. I'm not

really a smuggler, was just two

kilos.

TEX:

Well, you see Billy, it don't really

matter right now if it's 2 kilos

or 200 kilos. The Turks love to

catch any foreigner smuggling - it

shows the world they're fighting

the drug trade.

BILLY:

But just...

TEX:

Just what?

BILLY:

I just needed some extra money. I

was broke, the guy offered me the

hash and...

It sounds bad. Tex looks at him without expression.

Pause.Billy tries to sense a sympathy in this ambiguous

man, a liking towards himself. But feels nothing yet, except

someone who can speak English.

BILLY:

...are you with the Consulate?

TEX:

(not looking at him)

Something like that. Cigarette?

ANOTHER ANGLE - BILLY nervously takes the pack and matches.

TEX:

How much you pay this joker...

this cab driver?

BILLY:

Two hundred dollars. It was my

last two hundred.

TEX:

How much did you figure to make?

BILLY fumbles to light up his cigarette. He is nervous,

grateful to volunteer any information...anything.

BILLY:

Three, four thousand...I don't

know. The guy offered me the hash--

(shakes his head)

...it just seemed like easy money.

TEX:

Beats working.

BILLY:

I was just going to sell it to

friends. I'm not a pusher, honest.

TEX grins, sceptical of his naivete, changing the subject.

TEX:

Got a family back there?

BILLY:

(inhales deeply)

Yeah. Parents, brother, sister.

Babylon, Long Island.

TEX:

What's your father do?

BILLY:

He sells insurance for Metropolitan

Life.

TEX:

(a pause, not looking

at Billy)

Be tough on 'em.

BILLY nods, takes a deep drag on his cigarette.

ANOTHER ANGLE:

TEX:

Girlfriend?

BILLY:

...She was on the plane.

Tex glances at him, questioningly.

BILLY:

She didn't know anything about...I

wouldn't have wanted her to.

TEX:

Lucky girl.

Billy leans back in seat, blowing out the cigarette smoke.

BILLY:

Jeez, she used to say I was the

lucky one.

TEX:

Let's hope so, Billy. Let's sure

hope so.

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Oliver Stone

William Oliver Stone (born September 15, 1946) is an American film director, screenwriter, and producer. Stone came to public prominence between the mid-1980s and the early 1990s for writing and directing a series of films about the Vietnam War, in which he had participated as an infantry soldier. Many of Stone's films primarily focus on controversial American political issues during the late 20th century, and as such that they were considered contentious at the times of their releases. more…

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Submitted by acronimous on March 22, 2017

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