Midnight Run Page #2

Synopsis: Bounty hunter Jack Walsh (Robert De Niro) is sent to find and return bail jumper and former Mafia accountant, Jonathan "The Duke" Mardukas (Charles Grodin). The FBI has had no success in locating The Duke, so when Jack finds him in next to no time, they are a little embarrassed. In order to collect his $100,000 fee, Jack must take The Duke from New York to Los Angeles. However, the Mafia and the FBI have other ideas, as does Marvin Dorfler (John Ashton), a rival bounty hunter. On their long cross-country trip to LA, the two get to know each other and they build up a strange friendship.
Genre: Action, Comedy, Crime
Director(s): Martin Brest
Production: MCA Universal Home Video
  Nominated for 2 Golden Globes. Another 2 wins & 2 nominations.
 
IMDB:
7.6
Metacritic:
78
Rotten Tomatoes:
96%
R
Year:
1988
126 min
2,962 Views


And be good to yourself|this time, okay?

Tell Jimmy I said hello.

Hello?|- Hello? Mrs. Nelson?

Alonzo Mosely,|Federal Bureau of Investigation.

How are you this afternoon?|- I'm fine.

Let me get to the point, if I may.

An agent in our Los Angeles office|discovered a detail...

that was somehow overlooked.

When Jonathan Mardukas was arrested,|you were the first person he called.

Is that correct, Mrs. Nelson?

Are you there, Mrs. Nelson?|- Yes.

This is a matter|of great concern to us.

If it's not too much trouble...

could you come down tomorrow morning|to 26 Federal Plaza?

I suppose so.

About 9:
00 a.m.?|- Yes.

Just ask for Agent Alonzo Mosely.

Thanks for your cooperation.|Have a nice day.

Hello?|- Dana? It's Helen.

The FBl just called.|They want to speak to me about Jonathan.

Oh, my God! Helen.|- Helen, what's going on?

Jonathan, the FBl called. They know|we spoke the night you were arrested.

Hang up the phone, Helen,|right now.

Ah, sweet music.

Did you check this one?

What is it, Jon?|- I don't know.

Alonzo Mosely, FBl!|You're under arrest!

Get this f***in' dog out of here!|Get this dog out of here, ma'am.

Not you. You stay there. Get the dog.|- Do it.

Heidi, come on, girl.|That's a good girl.

Don't move or I'll shoot you|through the glass.

Get over here.|Put your hands up against the wall.

Spread your feet.

Relax, there won't be a problem.

Put your left hand|behind your head.

That's it.

You're taking me to the airport,|aren't you?

You don't look like|an FBl agent to me.

Yeah? Well, you don't look|like a duke to me.

If you're an FBl agent, why not|just take me to the FBl office?

If you don't be quiet, this is going|to be the worst trip of your life.

You work for Jimmy Serrano, don't you?|- I don't work for that piece of sh*t.

Your bail bondsmen hired me to bring|you to L.A., and that's what I'm doin'.

I got money.|- I'm sure you do.

I'll give you whatever you want.|- Start by shutting up.

I know you two minutes,|and already I don't like you.

That's too bad.|I really like you.

I can't cuff you on a commercial flight,|and I've gotta check my gun in luggage.

But you f*** with me once,|and I'm gonna break your neck.

I can't fly.|- What?

You heard me. I can't fly.|- You'll have to do better than that.

It's the truth. I can't fly.|I suffer from aviophobia.

What does that mean?|- It means I can't fly.

I also suffer from acrophobia|and claustrophobia.

If you don't cooperate, you're|gonna suffer from "fistophobia".

Mascone's Bail Bonds.|- Jerry, put Eddie on the phone.

What's the progress?

I got him.|- You got who?

The Duke. He's standin' right here.|- You got him? Already?

Sure do. Wanna say hello? Say hello|to your bailbondsman, Eddie Mascone

Hello.

Jonathan Mardukas in the flesh.|- Jack, I love ya!

How did this happen?|Where'd you find him?

I found him in New York.|We're at the airport.

Holy Christ! This is wonderful!|This is wonderful news!

I'll be in your office by midnight|tonight, and I'm tellin' you.

I don't wanna hear any bullshit.|I want the money tonight.

So empty out one of|your Swiss bank accounts.

You don't have to worry about nothin'.|This is the best money I ever spent.

See you in a few hours.|- I'll see ya later. 'Night.

What's that all about?|- Jerry Walsh got the Duke!

Walsh got the Duke?|- He got him! He got the Duke!

No kiddin'? This calls for|a celebration. I'll get some donuts.

How do you think Walsh|found him so fast?

Tony, this is Jerry.|- Jerry who?

Jerry Geisler. What are you doing?|- Eatin' dinner. What do you want?

I hate to bother you,|but I thought you'd like to know...

that Walsh found the Duke in New York.

They're flyin' in tonight.|They should arrive around midnight.

Don't forget me, babe.|- Yeah, kid, yeah.

Thanks. Good night.

Looks like your old friend|found the accountant.

They'll be flying into L.A.|around midnight.

Have them met at the airport.

You understand?|- Done.

Can I take your coat?|- No, that's fine. Thanks.

May I take your coat?|- No.

First class is nice.|I could make a habit out of this.

Good evening, gentlemen.|- Good evening to you.

Would you like a drink|before we take off?

Yes, we would like|one of your finest champagnes.

Certainly.

Let's see.|Look at this.

Only in America.|What a country. Huh?

Unbelievable.|I think I'm gonna have the steak.

How about you?|- I'm not hungry.

Why don't you get lobster? Then I can|get some surf and turf action goin'.

I got a problem.

I can't fly.|You're not takin' me seriously.

I'm takin' you very seriously.|- I can't be on this plane.

You think I haven't heard|your story before?

You think you're traveling with|a novice? Know what I'm talkin' about?

That's it. Settle in.|If you wanna get up and talk...

mingle with the rest of the passengers,|be my guest.

You ain't goin' nowhere. There's|a couple of nice-lookin' people here.

Better class of people.|Your class.

Probably all embezzlers, too.

Come fly with me|Come fly away

Just try and relax.

Look, I...

Just calm down.|Just relax and calm down.

Why are you gettin' so excited?|- It's not...

No! I can't!

No! No! No! I can't.

Just relax. Just relax.

What did I tell ya?|Don't pull that sh*t on me.

No! I'm tellin' you.|I can't do it.

Get over there.|- These things go down!

It's too big! It can't go up!

All right, everyone, just calm down.|What's the problem?

It's nothing, sir. Alonzo Mosely, FBl.|This man is in my custody.

I'm takin' him back to Los Angeles.|There won't be any more problems.

I don't wanna fly.|I can't fly.

You know you can't take a prisoner on|an airplane if he doesn't want to fly.

I do. I'm sorry.|I thought he was bluffing.

I suggest you find|some other mode of transportation.

What the f*** are you smilin' about?|- I love to travel by train.

Oh, yeah? What do you think|this is, a class trip?

Are you always this angry?|- Right now I'm in a great f***in' mood.

When I'm cooped up on that for a while,|you won't be smilin'.

You'll be runnin'|for that f***in' jail cell.

Still gonna make your schedule?

I'll make it,|with 14 hours to spare.

Oh, nice. It's a double.|There'll be a lot of room.

Glad you like it.|- Good. Very nice.

Thanks, 'cause it's starting|to cut into my wrists. Thank you.

It gets the skin after a while.

Get in there.|- What do you want? What?

Oh, come on. Come on.

No, you don't...|Why would you do that?

You enjoy yourself. This is my room,|and that's your room. Good night.

Hey, can I help you guys?|- Special Agent Mosely, FBl.

Are all you guys named Mosely?|- What the hell are you talking about?

You're here to pick up a prisoner.|- How did you know that?

He was afraid to fly,|so he got off the plane.

He left with an Agent Mosely.

Sir, that must mean Walsh|has your identification.

Is this moron number one?|Put moron number two on the phone.

Yeah, Jimmy.|He's right here. Hold on.

He's pissed.

You told me this guy|would be on the plane.

That's the information we got.|- "That's the information we got".

Rate this script:5.0 / 1 vote

George Gallo

George Gallo, Jr. (born 1956) is an American screenwriter, film director, producer, painter and musician.He is best known for writing Midnight Run and 29th Street, and is an accomplished painter in the style of the Pennsylvania Impressionists. In 1990, he won the coveted Arts for the Parks award, and has had three one-man exhibitions in New York City. In 2010, he wrote and directed the film Middle Men starring Luke Wilson.He currently lives in Los Angeles. more…

All George Gallo scripts | George Gallo Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Midnight Run" Scripts.com. STANDS4 LLC, 2024. Web. 19 Nov. 2024. <https://www.scripts.com/script/midnight_run_13744>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Midnight Run

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    In screenwriting, what does the term "spec script" mean?
    A A script written specifically for television
    B A script written on speculation without a contract
    C A script based on a specific genre
    D A script that includes special effects