Midnight Run Page #6

Synopsis: Bounty hunter Jack Walsh (Robert De Niro) is sent to find and return bail jumper and former Mafia accountant, Jonathan "The Duke" Mardukas (Charles Grodin). The FBI has had no success in locating The Duke, so when Jack finds him in next to no time, they are a little embarrassed. In order to collect his $100,000 fee, Jack must take The Duke from New York to Los Angeles. However, the Mafia and the FBI have other ideas, as does Marvin Dorfler (John Ashton), a rival bounty hunter. On their long cross-country trip to LA, the two get to know each other and they build up a strange friendship.
Genre: Action, Comedy, Crime
Director(s): Martin Brest
Production: MCA Universal Home Video
  Nominated for 2 Golden Globes. Another 2 wins & 2 nominations.
 
IMDB:
7.6
Metacritic:
78
Rotten Tomatoes:
96%
R
Year:
1988
126 min
2,962 Views


I had a way out of this, you know.

Oh, yeah?

What's the thing Serrano's|most afraid of?

Goin' cross-country with you.

Gettin' knocked off|by his own people.

What I know|his financial transactions...

would not only put him away, but every|mob guy he ever did business with.

That's why he wants to kill me.

I was gonna put all his records|on computer disks.

I figured if things got too rough,|I could always trade them for my life.

What happened?

What happened was I got arrested|before I had a chance to do it.

Why didn't you just leave him alone?

You don't look like the kind of guy|who would be involved in that situation.

Why didn't you leave|that heroin dealer alone?

I was a mob accountant.

I thought I worked|in a legitimate firm.

When I found out I was managing|accounts who were friends for Serrano...

I couldn't just sit back|and do nothing.

But you still took|what didn't belong to you.

How can you be on a mobster's side?|- I'm not on a mobster's side?

You're on his if you're not on mine|- I'm not on anybody's side.

I got nothin' to do with it.|- You've got everything to do with it.

You're takin' me to jail|where you know I'll be killed.

That's not my problem.|- It's not your problem?

It's not your problem?

Did you read about me in the papers?|- Yeah, I did.

Were you on my side then?|- Yeah, I was.

Then why aren't you now?|- Because now you're in my way.

I'm in your way?

You want the money for turning me|in because that's all you're about.

You're just about the f***in' money.

Hey, Jon, you think|whatever you wanna think.

Doesn't matter to me cause I'm gettin'|my $100.000 any which way you want it.

Let's go.

Hey, Tony. Hop-Along... Che si dice.|Got your camera. Take a picture.

Should I get one of these|at the airport?

Put that away.|I'm not gonna tell you again.

Tony, there they are.

How you doing, Jack?|Jimmy sends his regards.

Don't worry. We're not here for you.|We're here for him.

What are you staring at?|Are you gonna propose?

Drop 'em!|I said, drop 'em, a**holes!

Who the f*** are you guys?|- Who the f*** are you?

You're dead.|You know who you're f***in' with?

No. Why don't you tell me?|Make sure you speak into the microphone.

Very clever.|Give me the keys.

Come on, give me the keys!

The keys.

Looks like a package deal.

Goddamn it! Come on, both of you!

Who were those guys?|- You did it this time.

What are you talking about?|- Those are hired killers.

Hired to kill who?|- Hired to kill this guy.

Me. Can you believe it?

Hired by who?|- Jimmy Serrano, that's who.

F***. Why do they|wanna kill this guy?

Don't you read the papers?

I read the f***ing papers.

They got away. Gray Dodge.|Get after 'em.

How did you know where we were?|Shut up.

Did Eddie put you on this?|- Of course.

That son of a b*tch.|I have a contract with him.

A contract?|- I signed it Monday.

He called me.|Said you were f***ing this up.

I'm not f***ing anything up.|- You should've been in L.A. 2 days ago.

Don't tell me how to do my job.

I'm thinking not to turn him in|just to watch Eddie go down the toilet.

That's a good thought.|- What? Who's talkin' to you?

Yeah, who's talking to you?|He's not yours to take. He's mine.

Hear that?

Who the f*** is this?

Jesus Christ!

Do something!

You guys are the dumbest|bounty hunters I've ever seen!

You couldn't even deliver|a bottle of milk!

Will you shut the f*** up?

Where did he go?|- You think we lost him?

I don't see anything.|- I'm sure we're completely safe.

You all right?|- I'm fine. I'm enjoying it.

Marvin, give me a gun.

No f***in' way.

Give me a gun!|- Give him a gun!

Don't f*** me.

Yeah, yeah.

Sh*t.

They're not after me.

Just kidding.

You threw those away.

Always check the evidence.|Those were car keys.

There goes a hundred grand.

Eddie was gonna pay you a hundred?

What was he gonna pay you?

Twenty-five.

Son of a b*tch!

Holy sh*t!|You got 'em.

What the hell are you doin'?

See you in L.A.

Jon, where the f*** are you?

Give me your hand.|I'm slipping. I can't hold on.

Where are you goin'?

Good.

Promise to let me go?|Do you promise to let me go?

F*** you.|- Promise to let me go!

You're making it very difficult|for me to do the right thing.

I promise I'll let you go.

Oh, Jesus.

You all right?|- Yeah.

Thanks for saving my life.

Thanks for letting me go.

I'll let you go the second|you're in L.A. County Jail.

Come on.

That's right, down here!

Are you gonna stand with your thumb|up your ass or get me outta here?

This just came in.

Is this gonna upset me?

I think it's safe to say that.

Are you familiar with a potato dish,|lyonnaise potato?

It's a kind of fried potato.

But it's got an onion in it.|It's quite delicious.

It really goes beautifully|with steak, chops...

hamburger, cheeseburger,|any of your meat dishes.

It's just that|I have enough money to buy...

as much lyonnaise potatoes|as you ever...

Shut the f*** up.

I think you oughta think about it|a little bit, because it's nothing...

Wait a minute, wait a minute.

Oh, thank you, thank you.

Cover that.

Think you could give us a ride|to the next town?

Sure, jump in the back.|- Thanks a lot.

For every sh*t,|there's six nice people.

What's that?|- It's "hello".

I can say hello|in a lot of different languages.

Not yours, but a lot of them.

Welcome, sir.

I'm not lookin' forward to this.|- You think I am?

I don't understand your problem.|The guy's an accountant.

It's been bad luck.|Plus Walsh is good.

If he's that good,|maybe I should hire him to hit you.

I hope there's no chance of any of this|coming back to Jimmy.

No chance. Rented the chopper|out of Kansas City.

He's five times removed from you.|You're clear of this.

Clear as sh*t, you f***in' moron!|The guy's still out there.

Let me tell you something.|I'm not interested...

in seeing either of you alive again|until you get the accountant, got it?

The end of the ride.|- This is it?

Is there a real town around here?

Channing's.

Yeah.

How far is that?|- Thirty miles.

Thirty miles. Jesus Christ.

What the hell kind of town is this?

Is there someone that can give us|a ride to Channing?

Is anyone going in that direction?|- No have a ride.

Excuse me. Is there a bathroom|in there I could use?

Is there a telephone here?|Telephone.

No telephone.

No telephone? Nothing.

Yeah, glad you're having a good time.

Fear of flying, you son of a b*tch!

Get back here, you son of a b*tch!

Get over here.

Stop!

Fear of flying, my ass!|You son of a b*tch, get out!

You're a goddamn pilot,|you son of a b*tch?

I didn't feel it was appropriate|to share that with you.

I'm gonna f***in' appropriate your head!|How do you turn this off?

Turn it off!

Hang in there.|I'm gonna let it down easy.

Oh, sh*t!

You're a goddamn pilot?

You're a pilot?|I'll show you pilot!

You'll love the coffee shop I'm opening|after I dump you and get my $100 grand.

All right, get back!

Get back! Everybody, back!

Give me the keys to the truck.|- You can't steal their truck.

Rate this script:5.0 / 1 vote

George Gallo

George Gallo, Jr. (born 1956) is an American screenwriter, film director, producer, painter and musician.He is best known for writing Midnight Run and 29th Street, and is an accomplished painter in the style of the Pennsylvania Impressionists. In 1990, he won the coveted Arts for the Parks award, and has had three one-man exhibitions in New York City. In 2010, he wrote and directed the film Middle Men starring Luke Wilson.He currently lives in Los Angeles. more…

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Submitted on August 05, 2018

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