Midnight Run Page #9

Synopsis: Bounty hunter Jack Walsh (Robert De Niro) is sent to find and return bail jumper and former Mafia accountant, Jonathan "The Duke" Mardukas (Charles Grodin). The FBI has had no success in locating The Duke, so when Jack finds him in next to no time, they are a little embarrassed. In order to collect his $100,000 fee, Jack must take The Duke from New York to Los Angeles. However, the Mafia and the FBI have other ideas, as does Marvin Dorfler (John Ashton), a rival bounty hunter. On their long cross-country trip to LA, the two get to know each other and they build up a strange friendship.
Genre: Action, Comedy, Crime
Director(s): Martin Brest
Production: MCA Universal Home Video
  Nominated for 2 Golden Globes. Another 2 wins & 2 nominations.
 
IMDB:
7.6
Metacritic:
78
Rotten Tomatoes:
96%
R
Year:
1988
126 min
2,802 Views


He's on his way.

He's heading north|on Las Vegas Boulevard.

Two miles from the airport.|We're on him.

Why are you smiling?

I feel like a cop again.

I'm finally in the presence|of greatness, huh?

The Duke.

The guy that steals money|from the scum of the earth...

and gives it to the unfortunates|of the world.

I wanted to meet you face-to-face.

Did you actually think you were gonna|steal my money and get away with it?

I stopped by here|to tell you two things.

Number one is that|you're gonna die tonight.

Number two, I'm gonna go home...

have a nice hot meal.

I'm gonna find your wife,|and I'm gonna kill her, too.

Joey, wait here for my call.|The rest of you start headin' in.

Here he comes.

Jack, long time, no see.|- Long time, no see.

You're still spendin'|all your money on clothes.

You know.

While you're in town...

if you wanna see as how, want|a free meal, let me know, it's on me.

That's the type of guy I am.|- You're a real sport.

Just give him the disks.

How's your mother?|- She's all right.

Daughter's gettin' big?|Growing up?

I was thinkin' maybe if we would've|done business way back when...

you wouldn't look like a guy|with a f***in' cup in your hand.

I'm trying to make a living.

Jack, you got those disks...

or did you lose them|like you lost your job?

Give him the disks, Walsh.

I see you, but I don't see the Duke.

We'll worry about him in a minute.|- We'll worry about him now.

Let me tell you something, Jimmy,|this isn't a reunion.

If I don't see the Duke|in about five seconds, I'm walkin'.

You know,|you're still way too serious.

Really. Listen, why don't you|hand over the tapes?

We'll go get the guy together.|- I'll see you at the arraignment.

Hey Jack.

Where is he going?

You win. All right?|- I what?

You won. You want me to yell it|over this airport?

Where is he?

He's on his way.|- I said no goons.

Never mind him. You'll get what|you want. Didn't I just tell you that?

This is gonna give me a heart attack.|I know I'm gonna have a heart attack.

Since we have this moment,|there's something I've meant to ask you.

Doesn't it bother you that|another copper is f***in' your wife?

Do you know they made|this guy a captain?

Can you imagine that? Go figure.|Made him a captain.

May I help you, sir?|- Give me a one-way ticket to L.A.

One-way ticket to Los Angeles.

Will that be smoking or non-smoking?

Take a wild guess.

Smoking.

How will you be paying for this, sir?

Sh*t. Look.|- What is it?

What the hell is he doing here?

A male Caucasian carrying a green|duffel bag, approaching the subjects.

Get him out of there as quickly|and quietly as possible.

Shoot him if you have to,|but get him out of here.

You okay?

Stand behind me.

It's all right.

All right, come on.

How's everybody doin'?|- Will you get outta here?

Back off!.

Who the f*** are you?|- Writing a book? Who the f*** are you?

Who is this guy?|- Jesus.

Marvin, you're missin'|the bigger picture here. Get out.

Wire's dead.

I didn't come all this way|for nothing.

Serrano's leaving. I don't know.|- Did he take the disks?

Serrano's got the disks.|- Let him go.

Did he or didn't he take the disks?|- I couldn't tell.

Serrano's got the disks.|He's got the disks.

Marvin, look out!

Look out!|- I'm not falling for that sh*t again!

Marvin, look out!

You stupid f***, look out!

Serrano's got the disks!|- Move in.

Take it easy! Come on!

Ow! Goddamn it!|Who the f*** are you guys?

Jimmy, there's something I've been|wanting to say to you for ten years.

What's that?|- You're under arrest.

We'll catch up to each other|one of these days.

Maybe we will.

We still got our deal?|- We got our deal.

Wait a minute! What deal? Why the f***|does he get special treatment?

See you in L.A.|- Watch your cigarettes with this guy.

What's goin' on?

Sorry. I got an hour and a half|to get you back to L.A. Thanks, Alonzo.

Mascone Bail Bonds.

Hello, Eddie, where's Jerry?

Never mind Jerry. Where are you?|Feds picked him up 20 minutes ago.

Yeah? What for?|- What's the difference?

I never trusted that guy.|Where the hell are you?

Where am I? I'm at the airport.

Guess who I'm with.|I'm with the Duke.

You got him!|You got him, Jack! I love you!

Yeah. You wanna say hello?|- Yeah. Put him on.

Yeah, say hello.|- Hello.

Hello, you son of a b*tch!|We got you...

you son of a b*tch!

Now say good-bye, ya lying piece|of sh*t, because I'm lettin' him go.

Jack?

Would've been a nice coffee shop.

Oh, Jesus.

Holy Chri... I don't get it.

I did what I wanted to do.|I got you to L.A. before midnight.

I don't know what to say.

Don't say anything. Knowin' you, you'll|make me wanna put those back on you.

Thanks.|- No, thank you.

Thank you.

Something to remember|our adventure by.

This better be good.

This is good.

This is very good.

When I was making my getaway,|I thought the FBl was closing in on me.

Take it.|I took some traveling money.

Take it.

It's not a payoff. It's a gift.|You already let me go.

You son of a b*tch.

You son of a b*tch.|- I told you I had money.

I know you had money,|but I didn't know you had money.

How much is here?|- Neighborhood of $300.000.

That's a very respectable neighborhood.

I don't know what to say.

Take care.

Take care.|- See ya in the next life.

See ya in the next life.

Do you know what time it is?|- Twenty-five to 12:00.

Twenty-five to 12:00.

I would've made it.

Would you have change for a thousand?

Are you a comedian?|Get outta here, ya bum!

Looks like I'm walkin'.

Rate this script:5.0 / 1 vote

George Gallo

George Gallo, Jr. (born 1956) is an American screenwriter, film director, producer, painter and musician.He is best known for writing Midnight Run and 29th Street, and is an accomplished painter in the style of the Pennsylvania Impressionists. In 1990, he won the coveted Arts for the Parks award, and has had three one-man exhibitions in New York City. In 2010, he wrote and directed the film Middle Men starring Luke Wilson.He currently lives in Los Angeles. more…

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Submitted on August 05, 2018

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