Mikey and Nicky Page #4

Synopsis: Nick is desperate, holed up in a cheap hotel, suffering from an ulcer and convinced that a local mobster wants him killed. He calls Mikey, his friend since childhood, but when Mikey arrives, Nick won't let him in: his moods swing. So begins a long night as Mike tries to take care of Nick, calm him down and get him out of town. Their sojourn - on foot and in a city bus - takes them to a bar, a club, toward a movie theater, to the cemetery where Nick's mom is buried, and to Nick's girlfriend's apartment. Tempers fray and the friendship is tested. Meanwhile, a hit man who's getting information from someone is indeed looking for Nick.
Genre: Crime, Drama
Director(s): Elaine May
Production: Criterion Collection
 
IMDB:
7.4
Rotten Tomatoes:
86%
R
Year:
1976
119 min
2,576 Views


and really have at it.

- Let's just open the door first.

- Go ahead. Open the door.

No, hold on there!

Hold on!

I got you.

I'm exhausted, really, Nick.

This is foolish.

- Shh.

- Nick.

- Please. It's just foolish.

- Foolish.

- Frankly, I think it's ridiculous.

- You didn't like my mother.

I loved your mother.

I thought she was a wonderful woman.

Why is it ridiculous

to visit her grave?

- Because it's 1:00 in the morning.

- That makes it nicer.

That doesn't make it anything, Nick.

A grave is a grave.

There's not a religion in the world

that says a person's soul

is buried with them in their grave.

- It's not your mother in there.

- You don't believe any of that stuff?

No.

You don't believe

there's anything after you die.

Uh, me, personally, no.

I believe you die, and that's it.

And that doesn't scare you.

To think that one day you'll die,

you'll be over.

Won't be anything. You won't know

anything. There'll be nothing.

Look, Nick, you wanna visit your mother?

Let's visit your mother

because the conversation is stupid.

It isn't stupid, it's interesting

if you're gonna die.

Well, I'm not gonna die,

so I think it's stupid.

- Yeah, well, you are someday.

- Look, Nick.

- You're gonna die someday.

- I'm not gonna stand here

till 1:
00 in the morning and discuss

what's gonna happen to me when I die.

I mean, that mishegoss I leave

to the Catholics.

Aren't you gonna die someday?

Aren't you gonna die someday?

- Aren't you gonna die someday?

- Nick, I'm not gonna...

All I want to know is,

are you gonna die someday?

Nick, you wanna visit your mother's

grave? Let's do that and get out.

Give me your lighter. I wanna see

the names on those headstones.

Here.

Watch it.

There's a grave.

- Oh. Excuse me.

- Grave.

Let me see this.

- Where are you?

- Here.

Excuse me.

"Born March 5th, 1863.

Died January 28, 1930."

That's not it.

Are we close, do you think?

Nick?

- Look at this, will you?

- Nick, are we close?

I don't know.

Gotta see some more names.

Is that how you find it? You memorized

the names on the headstones?

She's buried next to

a whole family of Irishmen.

It's a Catholic cemetery, Nick.

It's full of Irishmen.

Hey, look. You don't want

to come with me?

Let's just forget about it.

I'll go alone.

Oh, sure, I climbed the wall and

I don't know where the hell I am...

excuse me...

you're gonna go alone!

Who do you keep saying

"excuse me" to?

Oh, did I make a mistake.

Excuse me.

You didn't make a mistake.

This is a good thing to do.

- Hey, Ma!

- I'm gonna hit you!

What for? You're afraid

I'm gonna wake somebody up?

Do you know the difference

between not believing in something

and having a little respect for it?

- Hey, Ma! Where are you?

- I'm going.

Hey, Ma, where are you?

- All right. I'm going. I'm goin', Nick.

- Hey, Ma! I'm here!

- I'm goin'.

- Hey, Ma!

Ma, if anything happens to me,

Mikey did it.

Hey! Take that back!

Oh, are you still here?

I thought you left.

You son of a b*tch!

Take it back!

Okay, Ma, I take it back.

You'll find out for yourself anyway.

- Listen, Nick.

- Hi.

All right, listen.

Let's not fool around anymore.

- I'm not fooling around.

- Listen to me.

This is a very big park,

and I'm sure you'll agree with me

- if we look through every headstone...

- Here.

Right here.

Hey, Mike, you know what?

Now that I'm here,

I don't know what to do.

Don't do that.

My ma doesn't mind me laughing.

Do you, Ma?

- Stop it, Nick.

- Just talking to my mother.

You don't have to talk

out loud to her.

Uh. Well

I don't know what to do.

This is tough, man. This is hard.

It's very hard to talk to a dead person.

I have nothing in common.

Hi, Ma.

Nick, you're making me

forget the Kaddish.

Ma... I'm sorry, Mikey.

Ma...

I don't want to die, Ma.

I'm talking to my mother here.

- Hey, Mikey.

- I'm trying to remember the Kaddish.

Wouldn't it be great...

I was just gonna say,

wouldn't it be great if she was alive?

Don't you wish

your mother was alive?

Of course I wish

my mother was alive.

I think that's the reason

we're such good friends.

Because we remember each other

from when we were kids.

Things that happened when we were

kids that no one knows about but us.

It's in our heads.

That's how we know they really happened.

What are you talking about? I know

what really happened when I was a kid.

Yeah, but no one else does.

I mean, everyone we knew

when we were kids is dead.

So what?

I still remember what happened.

And I tell Annie about a lot of things

that happened when I was a kid.

And she enjoys listening to that.

- Well, you don't know what I mean.

- Oh, of course not, 'cause I'm stupid.

No, I wish...

I wish my mother was alive.

I wish your mother was alive.

And I wish your father was alive,

and I wish my father was alive.

And I wish your brother,

Izzy, was alive.

- Did you know my brother, Izzy?

- Sure.

God, don't you remember?

I mean, he lost all his hair.

And then

we called him "baldy. "

And the next day he died.

Then we went to the grave

and we apologized.

He was ten years old,

God rest his soul.

My poor brother.

Oh, this is terrible.

Come on. Let's go.

I think it's this way.

Oh, excuse me.

That's a grave.

- Watch the headstones.

- Okay. Excuse me.

- Thank God you're here.

- Whoo.

You son of a b*tch.

Oh, you son of a b*tch.

...now five.

You got three and four.

What's the difference?

Yeah. Yeah.

Yeah, explain it to me.

I been an hour.

They're just not gonna show up.

They're not gonna show.

What, did you go... did you go

inside the theater? Warren.

I said, didn't you go

inside the theater?

No, I don't see what you mean, no.

What do you think they're planning...

to shoot you at a movie house?

If they were planning something,

that wouldn't be in a theater.

Warren. Warren!

Now, I want you to

do me a favor.

Don't do the job.

Look, I don't want to have

a misunderstanding with you.

I know I need a sale,

and I'm...

All right. I'm gonna check it out

right now. Is that all right?

Yeah.

That moron's got one idea in his head:

They're screwing me. That's all.

You know they're all paranoiac,

these guys.

Yeah, maybe.

But if they're not in the theater,

he may be right.

May I help you find a seat, sir?

No, that's okay.

I can find one.

Hit you.

How far you gonna drive me?

We gotta drive to a city

where there's an airport

and take a plane out.

- "We"?

- We.

- You're goin' with me?

- Yeah.

Yeah, you son of a b*tch.

I'm comin' with you.

Won't I get you in bad with Resnick,

disappearing like that?

Don't you think you ought to make

some excuse to him for leaving?

- These guys don't like to look bad.

- F*** 'em.

It's my wife I'm thinkin'.

And my kid.

You wanna go to the girl?

Boob and Tenth?

Oh! Oh! Baby!

Go to the safe deposit box,

take out $4,000.

Right. Mikey

Harry's up.

He's not sick, and he's up.

This is like the third time he's up.

I'm glad to see you again.

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Elaine May

Elaine Iva May (née Berlin; born April 21, 1932) is an American screenwriter, film director, actress, and comedienne. She made her initial impact in the 1950s from her improvisational comedy routines with Mike Nichols, performing as Nichols and May. After her duo with Nichols ended, May subsequently developed a career as a director and screenwriter. Her screenwriting has been twice nominated for the Academy Award, for Heaven Can Wait (1978) and the Nichols-directed Primary Colors (1998). May is celebrated for the string of films she directed in the 1970s: her 1971 black comedy A New Leaf, in which she also starred; her 1972 dark romantic comedy The Heartbreak Kid; and her 1976 gritty drama Mikey and Nicky, starring John Cassavetes and Peter Falk. In 1996, she reunited with Nichols to write the screenplay for The Birdcage, directed by Nichols. After studying acting with theater coach Maria Ouspenskaya in Los Angeles, she moved to Chicago in 1955 and became a founding member of the Compass Players, an improvisational theater group. May began working alongside Nichols, who was also in the group, and together they began writing and performing their own comedy sketches, which were enormously popular. In 1957 they both quit the group to form their own stage act, Nichols and May, in New York. Jack Rollins, who produced most of Woody Allen's films, said their act was "so startling, so new, as fresh as could be. I was stunned by how really good they were."They performed nightly to mostly sold-out shows, in addition to making TV appearances and radio broadcasts. In their comedy act, they created satirical clichés and character types which made fun of the new intellectual, cultural, and social order that was just emerging at the time. In doing so, she was instrumental in removing the stereotype of women being unable to succeed at live comedy. Together, they became an inspiration to many younger comedians, including Lily Tomlin and Steve Martin. After four years, at the height of their fame, they decided to discontinue their act. May became a screenwriter and playwright, along with acting and directing. Their relatively brief time together as comedy stars led New York talk show host Dick Cavett to call their act "one of the comic meteors in the sky." Gerald Nachman noted that "Nichols and May are perhaps the most ardently missed of all the satirical comedians of their era." more…

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Submitted on August 05, 2018

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