Mimic Page #5

Synopsis: When a cockroach-spread plague threatens to decimate the child population of New York City, evolutionary biologist Susan Tyler (Mira Sorvino) and her research associates rig up a species of "Judas" bugs and introduce them into the environment, where they will mimic the diseased roaches and infiltrate their grubby habitats. So far so good ... until the bugs keep on evolving and learn to mimic their next prey -- humans.
Genre: Horror, Sci-Fi
Production: LionsGate Entertainment
  3 wins & 7 nominations.
 
IMDB:
5.9
Metacritic:
55
Rotten Tomatoes:
61%
R
Year:
1997
105 min
573 Views


JOSH:

Hey. I'm a short guy. Waddaya want?

Two cops -- WOYCHEK and RICE -- approach, in no real hurry.

PETER:

Peter Tyler, DOH. You gentlemen were

the first on the scene?

WOYCHEK:

(gestures to Rice)

We were both on patrol, saw this paint

mess. Then I looked through that cellar

window. We both did...

PETER:

You gone in?

WOYCHEK:

No. We waited.

PETER:

Good.

Peter peeks through a narrow cellar window on the floor.

Through the oily, smeared window, a ghostly array of PALE

FACE AND HANDS appears, startling him.

PETER:

(to Josh)

Get the EMT's in there, now.

CUT TO:

LATER:

PARAMEDIC AMBULANCES rush in. Sirens at full blast.

Stepping out of the building across, Manny walks next to

Chuy, who holds his hand. The old man carries a box full of

shoes.

Chuy looks back at the cop circus, amused.

MANNY:

C'mon Chuy, we're gonna be late.

(discreetly crossing himself)

Cops are bad news. Don't look at them.

He gently pulls his grandson's hand and moves briskly away.

JOSH:

uses an iron bar, and breaks a padlocked cellar door. A heavy

stench emanates from inside. The cops cover their noses.

INT. CELLAR

Peter and Josh enter a dingy, dungeon-like cellar,

illuminated only by bug zappers and emergency lights. Every

door and window has been nailed shut or sports a heavy-duty

padlock. Peter and Josh walk through the dismal scene.

In sharp contrast with the dirt-smeared walls, we see shiny

metallic SEWING MACHINES and swatches of cloth appliqued with

a FUNNY BUNNY cartoon character.

Josh examines the label stitched into the collar. It reads:

PROUDLY MADE IN USA.

PETER:

Jesus.

His light hits a group of quivering, skeletal CHINESE

IMMIGRANTS, standing in a tight group against a wall.

WOYCHEK:

(from the outside)

They look real sick, don't they?

CUT TO:

INT. STAIRWELL, MUSEUM - DUSK

Carrying boxes full of terrarium material, Susan and Siri

ride an antiquated cage-steel elevator. No floor buttons,

just an old-fashioned hand-activated lever.

SUSAN:

...as long as they're ready for the

opening I don't care, just tell them

that.

SIRI:

I'm on it. Don't worry.

(Beat)

Look, Susan...I don't mean to pry,

but... I kinda overheard you and

Peter.

SUSAN:

(Smiles ironically)

Watch your step, Siri. Your grant

could be on the line here.

SIRI:

I just...well, I had this cousin in

Delhi. She was having problems, too.

She, ah...

SUSAN:

What?

SIRI:

She used a baster.

Susan looks at her.

SIRI:

Not a big one. I mean, it was like a

turkey baster.

SUSAN:

Oh, Jesus.

She tries to stop the elevator at the fourth floor, but

it rises just a little too far.

SUSAN:

Come on, darlin'...

Susan has to jimmy the lever till the elevator falls

level to the floor.

SIRI:

(continues)

She kept it under her bed. Thing is,

it kinda worked. I mean, she had to

hide it from her husband, but...

A pair of young boys, RICKY and DAVIS, sit on the floor

outside Susan's lab door. A crumpled paper bag and a shoe

box sit beside them.

SUSAN:

What's this?

SIRI:

Oh, right... They been here since noon.

I told them you're real busy.

Susan smiles at the boys, who stand when they see her.

SUSAN:

Hello.

RICKY:

You the bug lady, right?

Siri chuckles.

SUSAN:

(smiles)

I suppose so.

Ricky raises and shakes the paper bag.

RICKY:

We're here to deal.

INT. MOUNTING ROOM - DUSK

SUNLIGHT slants in to illuminate an incredible array of live

and mounted dead INSECTS, trapped in turn-of-the-century

glass fronted cabinets. Davis puts his nose up against one,

fascinated.

SUSAN:

Metaxonycha Godmani, Trigonopelastes

Delta. Field Butterflies. Have you been

upstate?

She examines the boys' findings, mostly rag-tag specimens

of battered butterflies.

DAVIS:

Avenue B.

SUSAN:

(sadly)

I guess they got lost in this city.

RICKY:

So, you wanna buy em?

DAVIS:

There's extra wings in the bag.

Siri lingers in the background.

SUSAN:

You guys have done a nice job. How bout

five dollars?

RICKY:

(dismayed)

That's it?

DAVIS:

(to Ricky)

Show her the weirdbug.

He indicates the shoebox-

RICKY:

Cost a dollar just to look.

DAVIS:

It's a great bug. We kinda broke it a

little...

Siri impatiently points at the wall clock-

SUSAN:

Fellas, I'll tell you what...ten dollars

for everything. Plus a killing jar, some

tweezers and mounts so the next bunch you

catch will be in better shape.

DAVIS:

Deal!

RICKY:

You crazy! That's the best!!

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Matthew Robbins

Matthew Robbins is an American screenwriter, film producer and film director. He has worked with Steven Spielberg, George Lucas, Guillermo del Toro and Walter Murch, and has had cameo appearances in THX 1138 and Close Encounters of the Third Kind. more…

All Matthew Robbins scripts | Matthew Robbins Scripts

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    "Mimic" Scripts.com. STANDS4 LLC, 2024. Web. 28 Dec. 2024. <https://www.scripts.com/script/mimic_506>.

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