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Minority Report Page #27
RUFUS:
We got it all here. We got guys
come in, want to experience sex as
a woman. We got women come in,
want to get laid by their favorite
soap star. We got rape fantasies
from both sides. We got sports
fantasies. And then we got what I
call the "Look Ma, I can fly"
fantasies which encompass
everything from bungee jumping to
soaring like an eagle over the
Grand Canyon.
The nervous customer turns as we hear a MAN CRY OUT. He
looks in and sees a man flailing about on a cushion.
RUFUS:
Near Death's real popular right
now, which includes everything from
getting hit by a car, to falling
off a high building to plane
crashes. It's a big rush, you come
out the other side without a heart
attack.
CUSTOMER:
I wanna kill my boss.
RUFUS:
(unfazed)
Uh-huh. Okay. You got some images
I can work with?
CUSTOMER:
(holds out a disk)
Right here.
RUFUS:
Good. What I can do is set you up
down in the --
ANDERTON:
Rufus...
Rufus sees Anderton come in now with Agatha on his arm. He
turns back to the guy, says in a loud voice...
RUFUS:
Uh, yeah, being concert master of
the Philadelphia Symphony Orchestra
is one of our most popular
choices...
CUSTOMER:
No, I wanna kill my boss!
RUFUS:
Get the hell outta here. You sick
bastard.
He pushes the man away, sending him tripping for the door.
RUFUS:
Detective. Nice of you to come
down here.
(lowers his voice)
Seeing as every cop in the world is
looking for you right now. Jesus,
what's up with your eye?
ANDERTON:
I need your help.
RUFUS:
Well, hey, you didn't have to come
all the way down here. For you,
Chief, I make housecalls...
ANDERTON:
I need help with her.
RUFUS:
(just notices her)
Well, hello there, honey-pie.
Barely able to yet stand, Agatha is also too stunned by the
bizarre surroundings to even respond as Rufus takes her hand
and kisses it.
RUFUS:
I'm impressed, Anderton. You're on
the lam, but you still got the time
and energy to slice off a little
jerky for yourself.
ANDERTON:
Rufus. She's a precog.
RUFUS:
(looks at Agatha)
She's a precog?
ANDERTON:
That's right.
Rufus starts to laugh. Agatha looks at Anderton. Rufus
keeps on laughing... until he looks a little closer and
realizes --
RUFUS:
Jesus Christ...
And now Rufus looks at Agatha, a thought dawning and then
drops to his knees. He genuflects, looking up at her.
RUFUS:
Are you reading my mind right now?
ANDERTON:
Rufus, for Christ's sake, get up.
RUFUS:
I'm sorry for whatever I'm gonna
do! And I swear, I didn't do any
of the stuff I did!
Anderton hauls him to his feet.
ANDERTON:
She's got information inside of
her. I need you to get it out.
RUFUS:
No. No way. I wouldn't even know
where to begin!
(to Agatha)
Those thoughts about my cousin
Elena -- they were just thoughts.
ANDERTON:
C'mon, Rufus, you've been busted
twice for felony hacking.
RUFUS:
So?
ANDERTON:
So now I need you to hack into her.
Rufus studies her a moment, then...
RUFUS:
I tell you what. I do this, I get
to keep whatever images I get from
her head.
ANDERTON:
They don't belong to anybody.
RUFUS:
(turns to go)
Then take her to Radio Shack.
Anderton grabs Rufus and throws him against the wall. Gets
right in Rufus' face... the one blown eye looking at him...
ANDERTON:
Do I look like I'm leaving?
INT. PRECRIME READY ROOM - DAY
As the precops get ready, ride the chairs up to the
hovership.
INT. HOVERSHIP - DAY
As Evanna gets ready to lift off, looks over as Witwer gets
in and sits IN ANDERTON'S SEAT. She gives him an icy look as
he starts to take out a piece of gum...
EVANNA:
No chewing gum on my ship.
INT. RUFUS RILEY'S BASEMENT - DAY
Agatha, hooked into some kind of LIGHT READER, sits in a
chair in the center of the room, surrounded by contraptions
of all kinds. Rufus paces around, checking connections.
RUFUS:
Okay, we're all set. I can't
promise you the images are gonna be
any good, though.
Suddenly, there's A FLOOD OF MURDER-IMAGES (similar in type
to the ones used upstairs in the cyber-parlor) beamed from
the projector to the center of the room.
RUFUS:
Good God...
Dozens of murders happening all around them. Agatha begins
twitching. The images shake, distort, go fuzzy, then clear
again. It's a rapid-fire display of all the murder and
mayhem that Agatha has been privy to, including the last
image of the STEEL BEAM CRUSHING YOUNG NATHAN.
RUFUS:
(watching)
You know what, Chief? On second
thought I don't think I wanna keep
any of these --
But now we see ANDERTON BLOW LEO CROW through a window.
ANDERTON:
Stop --
RUFUS:
Tell me how.
Rufus tries in vain to work the equipment. THE IMAGES RUN ON
and now we see THE FACE WEARING SUNGLASSES. The number 9
turning into the number 6.
PROJECTED CROW:
You're not going to kill me...
PROJECTED ANDERTON
Good-bye, Crow.
ANDERTON:
Rufus -- can you record this?!
Rufus moves to the computer as now we see Crow at the window,
the face with the sunglasses behind him as he wrestles with
the gun that ANDERTON holds.
The real Anderton walks up to his projection, amazed to see
his likeness frozen there, doing something he can't imagine.
He watches as the image jumps and once more Crow is blown out
the window. Then we see nothing.
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"Minority Report" Scripts.com. STANDS4 LLC, 2024. Web. 1 Sep. 2024. <https://www.scripts.com/script/minority_report_1467>.
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