Mission: Impossible II Page #19
- PG-13
- Year:
- 2000
- 123 min
- 1,021 Views
INT - ATRIUM FLOOR
Ethan swings himself up to the ledge above the guard's window,
putting himself out of the puzzled guard's sight.
LUTHER'S VOICE
Gotta get that cable out.
Ethan unhooks the cord and flips to the atrium floor. An alarm
goes off.
LUTHER'S VOICE (cont'd)
There it goes..
Still confused and concerned, the guard doesn't immediately react
to the alarm or the ringing phone. He finally answers the phone.
GUARD #2'S VOICE
(on phone)
AY! what's the matter with you? Can't you
hear the alarm's gone off in cosmetics?
The first guard gives up what's confused him.
GUARD:
(sarcastic)
Right. Then I guess I'll have to trot off
to see who's pinching eyeliner, won't I.
(exits, grumbling)
I'll even check the stairwell on the way.
UP ANGLE - CABLE
being swiftly retracted toward the atrium's opening as it closes.
BILLY:
Retracting cable.
LUTHER'S VOICE
(low)
Three..two..one..
UP ANGLE - ATRIUM
The cable just makes it thru the atrium as the louvers close.
BILLY'S VOICE
Cable's clear.
reaches down and presses a silent beeper.
WITH LUTHER (INT. VAN)
sees a little red diamond-shaped light pop on his screen
LUTHER:
Transponder activated..Reading package and
Cable is clean.
(exhaling, relieved)
He's on his way.
Staring at the buildings control panels.
ETHAN (INT. ATRIUM)
hugs the floor just out of sight of the befuddled security guard.
AMBROSE'S VOICE
He'll make the attempt at the only possible time
for both of us, 11 P.M. - when the guards rotate
and the buildings air-filtration generators go
active, covering the sound of his break-in..
WITH LUTHER:
LUTHER:
Ethan, the generators are about to go active.
We'll be out of contact for eleven minutes.
CLOSE - GENERATORS
dark and silent.
GENERATORS:
turn over and roar to life.
cuts into the glass floor, pops it out, and drops thru the
opening. None of it's heard under the generators..
Ethan drops onto the lab floor and heads across the lab and up
the ramp to the hot zone.
AMBROSE'S VOICE
The frequency of the generators operate to
communication from his team for the next
eleven minutes..
INT - BIOCYTE LOBBY (NIGHT)
Stamp, flanked by several of his team in Biocyte security guard
uniform, crosses the lobby toward a pair of actual Biocyte
security guards who appear more puzzled than alarmed at this
unexpected influx.
ONE OF THE GUARDS
What's this, then? Reinforcements?
STAMP:
Not exactly, mate.
WITH LUTHER (INT. CONSTRUCTION VAN - NIGHT)
His attention in drawn to a spot on the grid where Nyah's
transponder blip, a circular yellow one in contrast to Ethan's,
is moving. Troubled:
LUTHER:
Billy. I think we got a problem. Nyah's
on the wing. Up early. Billy, do you
copy?
INT - CHOPPER
BILLY:
Exactly where is she?
LUTHER:
..in the building...
BILLY'S VOICE
Say again. Sounds like you're saying
'she's in the building.'
LUTHER:
I am. She is.
AMBROSE'S VOICE
Ethan does it the hard way to avoid
confrontation. Neutralizing security
guards is simply too distasteful to him..
INT - BIOCYTE LOBBY
The two guards who had greeted Stamp and his arriving team lie
inert on the lobby floor.
AMBROSE'S VOICE
I've never found that a problem...
WITH BILLY (INT. HELICOPTER - NIGHT)
Billy's so surprised he momentarily gets loose with the copter
and it banks off. As it and he recover:
BILLY:
Right. Well, then. She's not likely to
be alone. is she?
LUTHER'S VOICE
The question Is 'how many of 'em?' I
can't get thru to Ethan. Not 'til the
generators go off.
BILLY:
When's that?
LUTHER'S VOICE
Not for another eight and a half minutes.
WITH LUTHER:
staring at the red and yellow blips in vertical alignment, the
Yellow one, Nyah, considerably below the red one, Ethan.
INT - HOT ZONE ENTRANCE (NIGHT)
The door reads. DANGER: LIVE VIRUS: INCUBATION ZONE. EXPOSURE IS
FATAL. Ethan pulls on a protective mask from his pack and puts a
miniaturized recorder up to the voice print activator:
MCCLOY'S VOICE
John C. McCloy..
Ethan's buzzed into the hot zone. He steps into the air locks.
INT - SHEEP FARM IMF SAFEHOUSE
A small bomb is placed by the dark gloves of someone unseen.
EXT - CONSTRUCTION VAN - NIGHT
a shadow falls across the dirt in front of the bumper.
A SMALL OBJECT:
with a digital clock face, its red LED illuminating descending
numbers, is carefully placed inside the bumper. The magnet on it
doesn't quite catch. It's then placed more carefully.
INT - CONSTRUCTION VAN
Luther doesn't pick up on the faint metallic sound just outside.
He's concentrating on the flashes on the screen showing the
transponder rising in the building. Increasingly desperate:
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