Mistress America Page #15
TRACY:
If I’m not in my body, where am I?
PSYCHIC:
Five feet to the left and unhappy.
EXT. HUDSON RIVER. DAY
Tracy hurls her briefcase into the water.
INT. OFFICE. DAY
Tracy sits in front of the Advisor.
TRACY:
If a person wanted to start theirown club, how would a person goabout it?
ADVISOR:
Well, I think it’s pretty much donefor this semester, but you couldput in an application for fundingfor next semester...
INT. TONY’S DORM ROOM. DAY
A knock on the door. Tony answers it.
TRACY:
Hey, can I come in?
TONY:
OK.
Tracy sits on the floor.
TRACY:
You going home for Thanksgiving?
TONY:
No, going to Baltimore withNicolette.
107.
TRACY:
Oh...nice.
TONY:
Her dad fries a turkey apparently.
You?
TRACY:
Nah.
She hands Tony a couple of pieces of paper.
TRACY:
It’s an application. Two.
TONY:
I don’t want to join Mobius. I’ve
had enough rejection.
TRACY:
It’s not for Mobius. I quit thebriefcase club. You were right,
they’re self-appointed douche bags.
I’m starting my own zine and I’mnot saying you’re in, but I amsaying I’d be very interested ingetting your and Nicolette’sapplication.
Tony stands, he thinks about this for a moment.
TONY:
I’ll fix us some screwdrivers.
TRACY:
OK.
CUT TO:
Tracy goes by the restaurant. For Let.
Tracy goes to Soul Cycle, a different instructor.
Thanksgiving Day parade.
Tracy watches the floats alone.
INT. BROOKE’S APARTMENT BUILDING. HALLWAY. AFTERNOON
Tracy knocks on a door. Kareem, in a tie, answers.
KAREEM:
Hello.
108.
TRACY:
Hi - I’m sorry to bother you onThanksgiving, but I met you once -
I went through your window? It was
in the middle of the night...
KAREEM:
Yeah...
TRACY:
I was with Brooke.
KAREEM:
You’re her sister, right?
TRACY:
Well, I was going to be. Do youhave a number for her? The old one
isn’t working...
KAREEM:
I don’t-
TRACY:
Anyway - I was going to ask you: doyou know where she went?
Kareem indicates for Tracy to follow him. She passes througha cozy apartment. The table is set for the holiday. A
couple of kids run through.
KAREEM:
Her front door is still bolted
shut.
They reach the window. Kareem opens it.
KAREEM:
She’s upstairs.
EXT. FIRE ESCAPE. DAY
Tracy climbs the fire escape. She gets to the top window andlooks through the glass.
The place is mostly empty save for stacked boxes andsuitcases.
Brooke walks into the room and places some books into a box.
She wears her red pants. Tracy knocks. Brooke looks up andcomes to the window.
She and Tracy stare at each other through the glass.
109.
TRACY:
(through the glass)
Hi.
BROOKE:
Hi.
TRACY:
Can I come in?
CUT TO:
Tracy sits on some boxes watching Brooke move aroundpacking.TRACY:
You’re leaving?
BROOKE:
In a couple of hours. I’m going totry my luck out west.
TRACY:
You’re going today? On
Thanksgiving?
BROOKE:
New York isn’t the New York I used
to know. There’s too much
construction. Maybe LA is my lady.
TRACY:
I wanted to say-
BROOKE:
I know you’re sorry.
TRACY:
I’m not really that sorry.
BROOKE:
You’re not?
TRACY:
No.
BROOKE:
Oh then f*** this.
Brooke opens the window again.
TRACY:
No, no wait...
(pause)
I looked for you.
110.
BROOKE:
I’ve been around.
TRACY:
Are you OK? Like, financially?
BROOKE:
Yeah. Mamie-Claire gave me what
would have been my share of our T-
shirt profits. It was just enough
to pay off my debts and get out of
town.
TRACY:
What will you do in LA?
BROOKE:
I don’t know. I think I’m sick.
And I don’t know if my ailment has
a name - it’s just me sitting and
staring at the internet or the
television for long periods of time
interspersed by trying to not do
that and then lying about what I’ve
been doing. Then I’ll get so
excited about something that the
excitement overwhelms me and I
can’t sleep or do anything - and
then I just am in love with
everything but can’t figure out how
to make myself work in the world.
TRACY:
I think I have that too.
BROOKE:
I wish we lived in feudal times
when your position in the world
couldn’t change. If you were a
king or a peasant you had to just
be happy with who you were.
(pause)
But...wait!
Brooke looks inside an open box. She finds a piece of paperand hands it to Tracy.
CLOSE:
SAT results. 2200.TRACY:
You can tutor SAT’s now.
111.
BROOKE:
Well, I thought I might actually goto college. I’m not an amputee.
TRACY:
(confused)
Right.
BROOKE:
I filled out a couple ofapplications. I wrote my collegeessay all about you.
TRACY:
(apprehensive)
Really?
BROOKE:
Oh snap! No. It’s about my mom.
But I had you there.
TRACY:
Yeah.
Brooke goes into the other room to retrieve more books.
BROOKE (O.S.)
I let Mamie-Claire and Dylan keepthe cats. It’s like, I gave them achance for a better life, betterthan I could have provided forthem.
TRACY:
The cats went from stolen to givenbecause you changed your mind.
BROOKE (O.S.)
Don’t put that in a story. Not
because I care but because it’s not
a very good observation.
Tracy sees the Mobius Literary Journal (the one with herstory) inside an open box. She’s about to say something, butthinks better of it. Brooke reenters and tosses books into
the box.
TRACY:
You know what’s funny... I’m not
even done with my first semester ofcollege.
112.
BROOKE:
This won’t even be your big
“college story.”
TRACY:
I think it’ll always be pretty big.
Brooke hesitates, emotional for a second. She musses Tracy’shair like a kid.
BROOKE:
Well, thanks for stopping by, but Ihave more packing to do beforeKareem and I break down the front
door.
TRACY:
It’ll be hard for me not to look at
New York and think of you somewherein it.
Brooke shrugs.
BROOKE:
Yeah.
Tracy moves toward the window. She looks back at her friend.
TRACY:
Hey Brooke...
Brooke turns around.
TRACY:
It’s not going to be as great aswhat my mom and your dad wereplanning, but... Do you want tohave Thanksgiving with me?
EXT/INT. VESELKA. DAY
We watch Brooke and Tracy through the window eating pierogisfor Thanksgiving.
TRACY (V.O.)
Meadow had made rich fat women less
fat and rich stupid kids lessstupid and lame rich men less lame.
And she wanted so badly to be onthe other side - to be fat and
stupid and lame and rich.
(MORE)
113.
TRACY (V.O.) (CONT'D)
But what she couldn't see most of
all, more than she couldn't see
that she was never going to get the
restaurant, was that those people
were nothing compared to her. They
were matches to her bonfire. She
was the last cowboy - all romance
and failure. The world was
changing and her kind didn’t have
anywhere to go. Being a beacon of
hope for lesser people is a lonely
business.
And as Brooke and Tracy talk and reminisce and laugh, we CUTTO BLACK.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Mistress America" Scripts.com. STANDS4 LLC, 2024. Web. 23 Nov. 2024. <https://www.scripts.com/script/mistress_america_623>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In