Modigliani Page #3
- Only if Olga comes.
- You really like my wife?
Everybody really likes your wife.
Tonight is a night
for dancing.
When a samurai
gets his sword...
He must draw blood.
Who lives here?
You'll see.
- Renoir.
- Come meet God.
This man looks mad.
Are you mad?
They scare you.
Deformity.
through the fingernails.
They don't bother me.
Liar.
He's a liar, Pablo?
May l ask you, how much
a place like this cost?
Two paintings.
Small.
I have two cars in the stables.
A scratch for each.
And this Rodin.
I gave one little pencil drawing
of a flowerpot.
No flower.
Just a pot.
You into sell?
Modigliani is on the verge.
On the verge.
Let's say no.
"Le prcipice."
The cliff.
Where all artists converge
and jump to their fate.
Nudes mostly, occasional
portraits, drink...
- Yes?
- Yes.
- How did you know?
- Pablo told me.
I've never liked
painting nudes myself.
Most of the women in my time
were too fat.
And ugly.
Very ugly.
I like them tall and slim.
So, it's late.
We should go.
Amedeo Modigliani...
Are you mad?
I knew that.
You'll enter the competition?
Will you?
You see what painting
can bring?
Comfort, wealth, security.
Only a fool starts to starve.
Paris is trying them.
So paint, make money, get old,
f*** as many women as you can...
but drink with moderation.
The gospel according to Picasso.
You can't fight me now.
So let me ask you,
are you mocking me?
l try.
Sometimes l don't succeed.
Sometimes...
You see, Modi, there is a difference
between you and me...
success.
lt is.
I am Picasso,
the famous Picasso.
This is my car.
l am the driver.
These are my dreams.
l bought them from God.
You like my hat?
I am Modigliani,
Sit down, Matador.
You're scaring the peasants.
Her neck is not so long.
She has her father's neck. Short.
- Yes...
- l like...
Excuse me.
- Not so long.
- Okay, l know.
Go back. Out of my way.
Thank you.
- Don't touch my painting.
- You're ruining it because...
I'm the painter.
You're ruining the painting.
lt's very wide.
Of course you're the painter.
You paint it.
You like it?
it's for you.
I'm not paying for this.
To Livorno.
You promised you
wouldn't let me die here.
Maurice, you're safe.
Get away from him!
All of you, get out!
Get out!
Get out!
Want him to become what you've
become? You think it's romantic?
lt's how it should be?
Get out!
Have some water.
How do you feel?
I don't know.
They said l shouldn't leave you.
So l won't.
Never again.
- The rain speaks.
- Really? What does it say?
It says, "Don't cry",
my love.
Modi is here.
- How do you feel?
- Alive.
He gave us the money
to come here.
If he'd only sold my work
he could come here more often.
Well, i'm trying.
That was the most beautiful meal.
Thank you. Great stuff.
So, tell us, what else
is happening is Paris?
Nothing new.
The same as before.
Just watching everyone get ready
for the competition.
- Well, Modi...
- No.
I'm going to rest.
I'm tired.
- Remember; no drink.
- No drink.
- l love you.
- l love you.
Good night.
See you later.
- May l see your work?
- What for? You never sell anything.
Beautiful.
A poetry.
Modi, prepare yourself. We're gonna
need all of this in Paris...
for your one-man show.
You heard me right.
Bertha Veil loved the nudes
so much...
She wants to hang
everything you have.
Did you hear me?
Bertha Veil is giving you your
very own one-man show.
Bravo, Modigliani!
They're exquisite.
Jeanne, great Jeanne.
Mrs. Veil,
you're the organizer?
You know l am.
You live just across the street.
from your gallery window.
I will do not.
Come back with this tomorrow.
If you don't remove
the paintings...
My men will do it for you.
And we'll close down the show.
This is outrageous.
Are they pictures of your mother,
your sister?
Do as he says.
Do as he says.
Why, Modi?
I'm impressed.
By the way, l hope
you won't be offended...
the painting you gave me
as a gift...
inspired by something...
a felt hat.
Yes, a felt hat.
l didn't have a canvas.
it was 4 in the morning.
Make your point, Spanish.
l used your painting.
Do you forgive me?
Let's go.
I think l like
the new Modigliani.
Yes, l think l do.
Let's look around.
I'm tired.
I'm not.
That's because
you're not pregnant.
- So.
- Go, go.
- See you later. Bye!
- Can you stop the bus, please.
Tell me, Modigliani.
How does a blind man paint?
You don't know.
What nobody sees!
Go!
What?
He gave your baby
to the welfare.
What?
Your baby. Your beautiful little
girl is now in strange hands.
And all because you can't
live a normal life...
Like the rest of the world
around you.
Get out and show your face!
Show your face!
You see me?
You see the Jew?
Go away or i'll call the police.
You'd better call the police.
- Where is my baby?
- You get away from me.
Where is my baby?
Somewhere where
you'll never find her.
Go on.
Do it.
Do it.
No one's here.
Tomorrow you can tell the whole
world a Jew threatened your life.
A Jew.
Do it!
Do it!
Do it!
I'm gonna ask you one more time.
Where is my baby?
You...
You have neither resource
nor conditions to raise her.
Watch me.
I forgive you.
Modi?
Hello? Have you finished yet?
Yes and l want you to take
the painting to the competition.
What about you?
Remember it starts today.
Don't let the painting
out of your sight.
- Where are you?
- City Hall.
What for?
Marriage license.
Silence, uh?
Modigliani,
marriage license.
Yes, sit down.
- You're getting married?
- Yes.
Me too.
Congratulations.
Excuse me.
You have children?
I have one and one on the way.
Lt's important children.
Very important.
Go away!
I'm crazy, you know?
I will do something.
Go away!
Excuse me,
i'm going to the corner.
No, no. You do not touch
this painting.
it's my painting.
What's going on here?
Lt's the police.
They get the painting.
If something happens
to this painting...
You'll spend the rest of my life
as a eunuch.
A eunuch!
Understood?
Good.
Bye-bye, eunuch.
Eunuch.
Be careful.
What about the others?
- They're hanged.
- All of them?
All of them.
So, now we'll know.
Monsieur?
- What time is it?
- Closing time.
You must leave now.
Madame, l must have my
marriage license today.
- Monday, nine o'clock.
- Don't understand. l need it today.
l need it today.
Monsieur, we all have families.
We need to go home too.
l have a baby coming
any day.
And l have a beautiful daughter.
Please.
Please.
You are a painter, aren't you?
Yes.
- Me too.
- l can see that.
Very well...
- sign here.
- Thank you, ma'am.
What's wrong with it?
The color.
Flash with my painting.
Cheers.
You will pay for the drink.
I have five thousand Francs.
Today l buy everybody a drink.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Modigliani" Scripts.com. STANDS4 LLC, 2024. Web. 23 Nov. 2024. <https://www.scripts.com/script/modigliani_13919>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In