Mona Lisa
- R
- Year:
- 1986
- 104 min
- 548 Views
Mona Lisa
Mona Lisa
men have named you
You're so like the lady
with the mystic smile
Is it only
'cause you're lonely
They have blamed you
For that
Mona Lisa strangeness
In your smile
Mona Lisa
Or is this your way
to hide a broken heart
Many dreams have been
brought to your doorstep
They just lie there
And they die there
Are you warm
Are you real
Mona Lisa
Or just a cold and lonely
Lovely work of art
[ Knocks ]
[ Knocks ]
Yeah?
Do you want m um?
- Mum!
- Who is it, love?
-J eannie, get inside. Get inside.
-J ust let me talk to her.
- you can't do this to me.
- You've been away too f***ing long!
- Mom, no!
-Just a minute! It's all I'm asking for!
- She don't know you, George,
and she don't wanna know you.
- She's my daughter!
you can't do this to me!
I only came to see her!
- No!
- you can't do this to me!
- I'm sorry, love. I'm sorry.
- Get out!
- Get out!
- Mum!
you cow!
I only came to say hello.
- Hello!
- [Dog Barks ]
[People Chattering, Laughing]
F*** off.
Go on. F*** off.
Oi, you gonna
clean all that up?
Hey, hey! Take it easy, boys.
Okay? Hey!
J ust let him be, all right?
The man's upset. Okay?
That's the right word,
George, eh? Upset?
So where did they
all come from?
- They live here.
- Since when?
- Since you went inside.
-Jesus.
- Did you get my last book?
- Yeah, yeah.
Shouldn't have been
the driver, though.
- Who should it have been?
- I could pin him in the first chapter.
- Who should it have been?
- The Chinese fellow who fed the goldfish.
- you didn't write it, George.
- No, no, I didn't, but EFL had--
Christ!
- you kept it.
- Aye, I kept it for you.
- you keep it tuned?
- [ Whistles ]
[Engine Starts ]
["Mona Lisa"]
Why does she hate me,
Thomas?
- She doesn't.
- Yes, she does.
you can never tell with women, George.
They're different.
They wear scarves
and like to powder their noses,
and when they go to heaven,
they get wings.
- Like angels?
- Aye, like angels.
- But angels are men, Thomas.
- Men?
- Yeah.
- No one told me that.
[Tires Screeching]
It's true.
Angels are men.
[Dog Barking]
[ Chirping ]
you got a big white rabbit
with long, floppy ears?
No, but we have one
with short ears.
- What's his name?
- His name is Arthur. He's over here.
Oh, right.
He'll do. Yeah.
- What is this, George?
- It's a rabbit.
You're not gonna start
all that business again, are you?
- Huh?
- Yeah.
Why not?
- Look, George, you can't go in there.
- Why not?
It's different.
What, Mortwell,
is he different too?
Very different.
- Ah, we'll see.
- Come on, George.
You're not going in there.
[ Scoffs ]
I've done seven years for him, Thomas.
Listen, George, you don't know
what they're up to now.
- I don't give a f***. Give us the rabbit.
- No. What you want it for?
I'm gonna give it to him.
It's up to you.
We're closed.
- Tell him, Terry.
- Yeah, we're closed, sir.
Hello, Terry.
He'll have a lettuce,
and I'll have a Bloody Mary.
- George.
- That's right. This is Arthur.
- What are you doing here?
- Looking for Mortwell, Terry.
Bit of work, you know.
What do you do now?
- Whatever comes up.
- Yeah, but this is a knockin' shop.
- Leave your hat, George.
- So where is he?
- Mortwell? He's not around.
- Yeah.
- Well, he must be somewhere.
- Better ask Dudley, George.
Through there?
Cheers.
[ Computer Beeping]
Expecting me?
- [ Beeping Continues ]
- Knew I was out?
I suspected it,
George.
So where is he?
Where's who?
Mortwell.
He's away, George.
- South of France.
- He owes me, Dudley.
- He said he'd look after me.
- He said a lot of things, George.
Next time you see him,
give him that.
Hey, George, George.
Come on.
- Look, we need a driver.
- I'm a driver.
- Do you know what a bleeper is?
- A what?
I can't understand it.
How's that little thing supposed
to go bleep wherever I am?
Well, it bounces off
the post office tower, George.
Miracle of modern technology.
Yeah, but it hasn't got
an aerial or nothing.
It doesn't need one.
I'll show you, right?
- [ Beeping ]
- What's that? Is that going?
No. That's just a test.
It's makin' a noise.
Don't knock about with it.
For Christ's sake.
[ Muttering ]
Bet you buggered it.
What do you think?
What do you do,
melt it down and eat it?
No. They're
ornamental, George.
- Ornamental spaghetti?
- Right.
- I reckon it'll go about.
- Where'd you get it?
Contacts, George.
Can't find plastic spaghetti
just anywhere.
Ah.
I don't suppose too many people
make it, do they?
Well, the Japanese have
cornered the market.
you fancy
a fiberglass fruit fly?
Or a polystyrene
tutti-frutti?
Fancy a cup of tea?
What's it made of?
Leaves.
[Train Passing]
[Pager Beeping]
[Women Speaking French ]
[Piano ]
[Man On P.A. ]
Paging Mr. Carrington.
Paging Mr. Carrington.
Where's the bar?
Take a seat, sir,
and I 'll take your order.
Paging Mr. Carrington.
Thank you, sir.
Doing business?
- Darling, sorry I'm late.
- What's with the "darling"?
For f***'s sake!
What do you think this is,
the Honeymoon Hotel?
Look, do you have
business in this hotel,
or can I really help you?
- Where's your car?
- Over there.
- Pretend you know me, would you?
- I don't know you, do I?
- you f***ing--
- I beg your pardon.
Not the back!
The front!
- So where did they get you from?
I have to work in these places.
The bar boy turns a blind eye,
but the manager doesn't.
- you gonna tell me
where you want to go?
- The Lambert.
- [Tires Screech ]
- Jesus!
Sorry.
Didn't they tell ya that?
You're to be my date,
not my minicab driver.
- [Horn Honks ]
- What does your date do?
He looks after me, you dingbat.
There's men who want to see me.
- What if he don't?
- He pretends.
How do you pretend?
- Christ! Who sent you?
- Does it matter?
- You're the tom, darling.
-Just shut up and drive, would you?
Oh, can I have
a large Bloody Mary?
I'm sitting here,
all right?
Hey, did you hear me?
Are you serving here or just
wearing in a new pair of shoes?
Oi!
Want a drink? They don't seem
to serve you here.
I've done it wrong again,
haven't I?
Okay, I got it wrong.
That's-- Oof!
What do you expect?
I'm not used to working
in piss holes like this.
[Stereo:
Orchestra ]- That was quick.
- you were asleep.
- Was I?
- How was he?
- I beg your pardon.
- How was the Arab?
- None of your business.
Huh. All right.
Where to?
King's Cross.
[ Women Laughing]
[ Hookers Chattering ]
Hello.
Like a chocolate sandwich?
[Woman Laughing]
- Goddamn market, isn't it?
- Shut up.
Drive on, please.
[Woman ]
Hey, don't go, mate!
- And now?
- you leave me here.
Good night then.
you have to get yourself
some clothes.
Why would I have to get myself
some clothes?
If you're to drive me.
Here. Use this.
- I'm not having you paying me.
- Why not?
- you don't even like me.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Mona Lisa" Scripts.com. STANDS4 LLC, 2024. Web. 20 Dec. 2024. <https://www.scripts.com/script/mona_lisa_13952>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In