Mona Lisa Smile

Synopsis: Katherine Ann Watson has accepted a position teaching art history at the prestigious Wellesley College. Watson is a very modern woman, particularly for the 1950s, and has a passion not only for art but for her students. For the most part, the students all seem to be biding their time, waiting to find the right man to marry. The students are all very bright and Watson feels they are not reaching their potential. Altough a strong bond is formed between teacher and student, Watson's views are incompatible with the dominant culture of the college.
Genre: Drama
Director(s): Mike Newell
Production: Sony Pictures Releasing
  Nominated for 1 Golden Globe. Another 5 nominations.
 
IMDB:
6.5
Metacritic:
45
Rotten Tomatoes:
34%
PG-13
Year:
2003
117 min
$63,695,760
Website
2,889 Views


All her life she had wanted

to teach at Wellesley College.

So when a position opened

in the Art History department...

...she pursued it single-mindedly

until she was hired.

It was whispered

that Katherine Watson...

...a first-year teacher

from Oakland State...

...made up in brains

what she lack ed in pedigree.

Which was why this bohemian

from California...

...was on her way to the most

conservative college in the nation.

- Excuse me, please.

- Oh, sorry.

Excuse me.

Excuse me. The bus?

- Keep walking, ma'am.

- Thank you.

But Katherine Watson didn't come

to Wellesley to fit in.

She came to Wellesley because

she wanted to mak e a difference.

- Violet.

- My favourite Italian professor.

- Nice summer?

- Terrific, thanks.

- Who's that over there?

- Where?

Oh, Katherine Watson. New teacher.

Art History. I'm dying to meet her.

Who knocks at the Door of Learning?

- I am every woman.

- What do you seek?

To awaken my spirit

through hard work...

...and dedicate my life

to knowledge.

Then you are welcome.

All women who seek to follow you

can enter here.

I now declare

the academic year begun.

A shame you didn't come yesterday.

It's so quiet before the girls arrive.

Just a few rules.

No holes in the walls.

No pets, no loud noises, no radio

or hi-fi after 8 on weekdays...

...10 on weekends...

...no hot plates and no male visitors.

Anything wrong?

I don't think I can go a year

without a hot plate.

Don't you just love chintz?

And look.

They match.

Sweet, right? Your room's here.

My room is just across the way...

...and Amanda Armstrong's

down the other end.

- You grew up here?

- My whole life.

You'll meet my parents

when they come to visit.

- They visit?

- Regularly.

- What do you teach?

- Speech, elocution and poise.

Dinners are communal,

so I'll handle that.

But breakfast and lunch,

you're on your own. So...

...we each get our own shelf.

I'll make your label this evening.

I don't need to tell you, everything on

our individual shelves is sacrosanct.

I just knew when we met...

...we'd be instant friends.

Be careful. They can smell fear.

- Good morning.

- Good morning.

Thank you.

This is History of Art 100.

We'll be following

Dr. Staunton's syllabus.

- Any questions so far?

- Your name?

- Why don't you go first?

- Connie Baker.

- Katherine Watson. Nice to meet you.

- Dr. Watson, I presume.

- Not yet. And you are?

- Giselle Levy.

Giselle. If someone could get the-

- Susan Delacorte.

- Thank you, Susan Delacorte.

From the beginning, man has always

had the impulse to create art.

- Can anyone tell me what this is?

- Wounded Bison, Altamira, Spain...

...about 15,000 B.C.

Joan Brandwyn.

Very good, Joan.

Despite the age of these, they are

technically sophisticated because-

The shading and the thickness of the

lines moving over the bison's hump.

- Is that right?

- Yes, that's exactly right.

Next slide.

This is probably less familiar.

It was discovered by archaeologists-

In 1879, Lascaux, France.

Dates back to 10,000 B.C.

Singled out because of flowing lines

depicting the movement of the animal.

- Impressive. Name?

- Herd of Horses.

- I meant yours.

- We call her Flicka.

Elizabeth Warren.

They call me Betty.

Very good.

Betty is also correct.

Just because something is ancient

doesn't mean that it is primitive.

For example. Next slide, please.

Mycerinus and His Queen. 2470 B.C.

It's a funerary statue

of the pharaoh and queen...

...originally intended to preserve

the pharaoh's ka. Soul.

Have any of you taken

Art History before?

No.

Let's go on. Slide.

Seated Scribe. Egypt. 2400 B.C.

Peasant Couple Plowing.

Sixteenth century B.C. Egypt.

Snak e Goddess.

Minoan. 1600 B.C.

Fresco. Minoan. 1600 B.C.

Funeral Mask. Mycenaean. 1200.

Could someone please get-?

Thank you.

By a show of hands only...

...how many of you have read

the entire text?

- And the suggested supplements.

- Long way from Oakland State?

Well, you girls do prepare.

If you've nothing else for us,

we could go to independent study.

Ac-

I was in California once. How do you

get work done with all that sunshine?

- We tan in class.

- Really?

No.

You know, not everybody

wanted you.

I'm not naming any names.

These jobs usually go quickly.

Ex-students, friends of, you know...

...the right people.

The person they wanted took a job at

Brown, and no one else was available.

So here you are.

You can go in now. Good luck.

Your first class left a lot

to be desired, Miss Watson.

And I'm curious about the subject

of your dissertation.

You suggest, " Picasso will do

for the 20th century...

...what Michelangelo did

for the Renaissance," unquote.

In terms of influencing movements.

So these canvases that

they're turning out these days...

...with paint dripped

and splotched on them...

...they're as worthy of our attention

as Michelangelo's Sistine Chapel?

I'm not comparing them.

Have you ever seen

the Sistine Chapel, Miss Watson?

Actually stood there?

I've never been to Europe.

I can assure all of you this is the place

I want to be more than anything.

Better discipline next class,

Miss Watson.

- Hello.

- It's me.

- Hey!

- Collect from Katherine Watson.

- Will you accept?

- Yeah, sure, of course I will.

Hey, is everything okay?

Yeah.

Tough, huh?

Well, how are the classes?

Snobs, right?

- I hate to say I told you so.

- You don't have to.

I can't really talk right now.

I'll write you tonight.

So you got a fella?

He's- He's there. I'm here.

Long distance. Torture. I know.

Come. Come in and sit down.

When Lenny left for the South Pacific,

it nearly broke my heart.

We wrote every day until...

He was a great man.

- I'm sorry.

- It was a hundred years ago.

I'm babbling.

I love Lucy.

Even if she is a communist.

The only thing red about Lucy

is her hair.

And even that's fake. Desi said it.

Winchell wrote it.

Amanda Armstrong.

I see you survived.

Katherine Watson. Just barely.

Oh, good. You've met.

Katherine's taken the third bedroom.

How about a little dinner

before What's My Line?

How about a little drink?

Her companion died in May.

Companion?

You know, companion.

Josephine Burns.

Taught biology here for 30 years.

You'll love it here, Katherine.

You'll see.

I already do. I- Honestly,

it's beautiful. It's perfect, really.

Well, don't fool yourself. They have

claws underneath their white gloves.

Who?

The alumnae, their offspring,

the faculty. You name it.

Watch out for yourself.

Too much independence

frightens them.

- Will you please stop?

- Oh, a word of advice.

Don't let those girls

know that they got to you.

- They didn't.

- Good for you.

You almost convinced me.

- What is that?

- You tell me.

Carcass by Soutine. 1925.

- It's not on the syllabus.

- No, it's not.

Is it any good?

Come on, ladies.

There's no wrong answer.

There's also no textbook

telling you what to think.

It's not that easy, is it?

All right. No. It's not good.

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Lawrence Konner

Lawrence Konner is an American screenwriter and television writer of shows such as Boardwalk Empire and The Sopranos. more…

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Submitted on August 05, 2018

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