Mortal Thoughts Page #3

Synopsis: The hairdresser, wife and mother Cynthia Kellogg is in police department being interrogated by the experienced detective John Woods and his partner, Detective Linda Nealon. Through flashbacks, she reveals how her best friend and colleague Joyce Urbanski married the scum and nasty James Urbanski; how hard Joyce's life with James was; and why Joyce became a criminal. The smart detective finds some contradictions in her statement and presses Cynthia, trying to disclose the truth of two murders.
Genre: Mystery, Thriller
Director(s): Alan Rudolph
Production: Sony Pictures Home Entertainment
  1 win & 1 nomination.
 
IMDB:
5.7
Rotten Tomatoes:
57%
R
Year:
1991
102 min
195 Views


But it wasn't planned.

Joyce couldn't get out|without him...

and he had dropped the kid off|at his mother's.

He said he wanted to have a good time.

Was he having a good time?

Them kids was fast as lightning

Get off!

- Where is Mr. "Morehead"?|- Who?

- Mr. Morehead.|- Who's that?

Arthur. Got more head than hair.

He didn't wanna go.

He doesn't approve|of the Urbanski family.

- He's with the kids.|- F*** him.

You could've done so much better.|Like Joyce here.

- Mr. Wonderful|- Get off. I'm driving!

That's what I am

Stop being such a sh*t.

Jesus! You ought to start|treating me nice, who knows?

I may throw a shot into|your best friend.

Jimmy, come on.

I'm porking old Cynthia.

- F***ing great! I dropped the coke.|- Good.

I swear, if you don't stop,|I'm gonna crack up this van.

- I dare you.|- Don't.

I double-dare you.|I f***ing quadruple-dare you.

Get over it.

Shut up, Cynthia.|This is how we party.

I don't like it.

What the f*** are you doing?

Jesus!

My f***ing heart is in my throat.

Baby. Oh, baby.

What the f***?

- I wanna get out of the car.|- A f***ing boner on that one.

Goddamn!

Cynthia, wait.

If you two wanna kill each other,|leave me out of it.

This is how we party.

When you come out with us,|you gotta plan on excitement.

Come here.

Let her go.

Tell me you like me,|I'll let go.

- Tell me you like me and I'll let go.|- I like you!

Give me $20. I feel lucky.

You're so lucky,|what do you need $20 for?

Don't make me angry.|You don't like me when I'm angry.

Just give me the f***ing money.

- Where's the Tuinals?|- Here!

Take the money, take the drugs.|Burn yourseIf out.

Wait, wait. Cynthia?|Do me a favour.

Don't let her f*** around|with no other guys, all right?

Fighting

The kid was fast as lightning

Before he leaves, Joyce gives James a|little money, some drugs and whatnot.

That's a little odd, isn't it?

You said that was one of Joyce's|complaints about James, the drugs.

I think in this particular situation,|she just didn't wanna fight with him.

Exactly.

And at some point,|it's gonna hit him.

At some point, he's gonna|just fall out incapacitated.

He won't be able to fight.|He won't resist.

lt never struck me that way.

That never crosses your mind?

When's the next time you see them?

They were arguing...

and I was over playing roulette.

- I told you. I'm broke.|- All I find on you, I can keep?

You can't even stay straight|for one night.

Give it to me.

- Don't start with me!|- What are you doing?

Do you think you can calm down?

What the f*** are you doing?

Come on. Let's not...

Let's not do this.

Why do you guys have to do this?

- Here's the keys. Drive yourseIf home.|- Get the f*** out of here!

You can't let him drive like this.|Where are you going?

I f***ing hate this sh*t.

Jimmy, give me those keys.

Get out of here. Get out of here.

Give me the keys, Jimmy.

I'm all f***ed up.

Yeah, I can see that.

- Give me the keys, all right?|- Don't jostle me around.

You jostle me around too much,|I'm gonna get sick.

Come on, Jimmy. Leave off.|Listen, why don't you just lay down?

Tell Joyce I wanna talk to her.

Tell her to come out here, all right?|Just tell her to come out.

So there it is. He's falling over|drunk and drugged up...

and you help him to the van?

I wanted to get him where he'd|lay down and not hurt himself.

You take him to the truck|where he's out of sight.

Where he won't draw any attention.

And he falls out?

Yeah. And then I went|on back to the feast.

That's the last time|you see him alive?

We have to go.

I'm winning.

We have to go now.|Come on.

I was playing nine and won.

lnstead of changing numbers,|I let it ride. lt was unbelievable!

The guy said I was on a roll.|I'm never lucky.

- Unbelievable!|- Give me the keys.

Oh, that's right.|I have them in my pocket.

So is James still sleeping?

I better just calm myseIf down,|or I could get into trouble.

So Joyce, I was gonna play seven....

I must've won about $40.

Well, I started with 20|and left with 40, so it was only 20.

But who cares? lt felt like 40.|Did you win?

Earth to Joyce.

What's the matter?

I think I killed him.

- What are you talking about?|- Come here.

lt was an accident, man.|He was choking me.

James, are you up?

He grabbed me by the throat,|so I cut him on the....

lt was the jugular.

Could you see any area of the body|that was wounded?

Where were the wounds?

I don't know.|I couldn't see the wound.

There was just blood.

But did you check?

Was there a pulse?|Was he breathing?

I couldn't see.

You didn't think he was hurt?|Let's get him to a doctor?

That's exactly what I said to her.|But she wouldn't listen to me.

I was begging her to go.

You were begging her?

We'll tell the cops he disappeared.

Are you out of your mind?|We have to report this,

or you'll be in bigger trouble.

He tried to kill me.|Understand?

He tried to kill me!|What if the cops don't believe me?

They'd burn my ass, and I'd go to jail|for the rest of my life.

Sweetheart, you need a little help?

Come on!

Thanks a lot, guys.

Here we come, baby!

Have a beer! B*tch!

We have to put him someplace.

- You hear me?|- I hear you.

We'll go by, like, maybe by that|old train yard, that swampy place.

We gotta get our story straight too.

We had an argument, and he took off.|No, we didn't argue.

He was winning, and he just took off.|Remember to say that.

We'll take his wallet|and his jewellery.

We'll hide it|and say some people robbed him.

So you're discussing the cover?

We weren't discussing.|She was giving instructions.

But what were you thinking?

Who was thinking?

Everything was moving so fast.

No attempt to get away from her?|You didn't run for help?

Jump while the van's doing 90?

You've already said you made|no attempt to see if he was alive.

He wasn't f***ing moving.

- Take his leg.|- I can't.

Jesus Christ!|I can't do this by myself.

Now push!

John, you know we're gonna|have to book her.

I'm not comfortable with that.|I wanna keep going.

We can always pick her up.

This is your show.

You had the murder weapon|in your hand?

You picked it up and threw it away?

By instinct.

So you're thinking straight|at this time?

Not really.

You know enough to get rid of|the murder weapon.

I didn't wanna leave anything|they could trace.

But you left the body.

- I said I wasn't thinking straight.|- What did you do next?

We should say something|before it's too late.

It is too late.|There's nothing we can do.

- We can call the police.|- We can't.

Yes, we can, Joyce.

And say what? They won't believe it.

Listen to me,|because we're in deep sh*t now.

You think I don't know that?|That's what I'm saying.

What the hell are we gonna do now?

We'll say we didn't see each other.

- What?|- We didn't see each other tonight.

So we don't mix our stories up|with the cops.

And tell Arthur|that me and Jimmy had a fight...

you decided you didn't wanna go...|Make something up!

Gotta take care of the van.|Clean it up in the morning.

Rate this script:0.0 / 0 votes

William Reilly

All William Reilly scripts | William Reilly Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Mortal Thoughts" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/mortal_thoughts_14071>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Mortal Thoughts

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the "climax" of a screenplay?
    A The opening scene
    B The highest point of tension in the story
    C The introduction of characters
    D The final scene