Mortal Thoughts Page #5

Synopsis: The hairdresser, wife and mother Cynthia Kellogg is in police department being interrogated by the experienced detective John Woods and his partner, Detective Linda Nealon. Through flashbacks, she reveals how her best friend and colleague Joyce Urbanski married the scum and nasty James Urbanski; how hard Joyce's life with James was; and why Joyce became a criminal. The smart detective finds some contradictions in her statement and presses Cynthia, trying to disclose the truth of two murders.
Genre: Mystery, Thriller
Director(s): Alan Rudolph
Production: Sony Pictures Home Entertainment
  1 win & 1 nomination.
 
IMDB:
5.7
Rotten Tomatoes:
57%
R
Year:
1991
102 min
193 Views


- We should go in the van.|- What're you saying?

There's just a couple of us.|She's got boxes to take care of.

I thought of my bad back|in that small car.

Wigs at a time like this?

I can't take all this pressure!|Don't you understand?

Just calm down! Let's do this|according to plan. Excuse me.

You do what you have to do.

We'll all fit in the car|or take a cab.

When we get back,|maybe we'lI have good news.

Come on, let's go inside and eat.

Come here. Stop!

Cynthia, where are you going?

So Joyce keeps her end of the bargain.|You didn't go to the carnival.

What did you do with the van?

I parked it where|I could keep an eye on it.

So now you go along with|getting rid of the evidence?

I thought, "I'm out of it now,

If I can get me through this,|nobody'll even know I was there".

What's going on?

Did they hear anything?

Something fishy's going on,|and I don't wanna be involved.

- What are you talking about?|- You know what!

I'm not lying for anybody.

- About what?|- About the van, okay?

Joyce told me|what to say about it.

That somebody broke into it|and cleaned it out.

I don't know what's going on,|but I'm not lying for anybody.

- Why?|- Why what?

"Why what?" Just say|somebody broke into the truck.

We both understand|what we're talking about.

I think so.

- What are you doing, Joseph?|- We'lI see what I'm doing.

- Where's the wigs?|- They weren't ready.

How come this f***ing van is so clean?|It's usually a pigsty in here.

What are you talking about?

You got something to hide,|the way you drove out of here?

Joey, you're so crazy.

We'lI see how crazy I am.

We'lI see how crazy|the police think I am.

What do I tell Joyce?

She can burn in hell!|That's what you can tell her.

That's nice talk|for your brother's wife.

What are you saying?

Did you see Joyce again that day?

I didn't see her till|the next day at Polaski's.

That's a funeral parlour|where James was laid out.

Oh, my God!

I don't understand|how this could happen.

I can't look at him.

He's all alone up there.

Oh, God!

- There's nothing we can do.|- He's the first to go.

She makes me sick.

Always the actress.

I'm the wife, the one|they're supposed to come to.

Just keep your dignity.|Let them be the phonies they are.

Thanks.

What are you doing sitting back here?

They got here first|and took all the front seats.

He looks beautiful still.

Yeah, except that beard.

No, the beard is good.|lt hides the scar.

Doesn't even look like him.

We gotta talk.|Excuse me, Mom. Go ahead.

Lock the door.

- The cops kept the van.|- Oh, sh*t!

F***ing Joey|and his suspicious mind!

- Did you clean it good?|- I spent two hours cleaning it.

- You can't see blood?|- It's spotless.

Because cops got eyes,|and dogs that smell everything.

And science, Mr. F***ing Wizard!

You gotta calm down.|You're spitting all over the place.

I told the cops,|"Somebody broke into the van...

stole the sh*t and washed it out|to cover fingerprints".

Then they won't think we cleaned it|to cover up something fishy.

Anybody in there?

Anybody in there?

Come back later, it's crowded!|Everybody has to go at the same time?

And f***ing Cookie too!|Did you talk to her?

She didn't come to the wake.

When her brother killed himself,|I was a friend.

I didn't leave her side.

It's not the same.|Jimmy sold him that bad acid.

Sh*t! Now you sound like her.|Bad acid, my ass!

Get the story straight. Her brother|was disturbed from way back.

If she opens her mouth,|we're gonna get caught!

No one's getting caught.

You have to be optimistic.

Grieving, but optimistic.

Why? Do I look guilty?

You don't look guilty.|You look mournful.

- You look how you should.|- Mournful.

But nobody knows what's inside|your mind, so don't tell them.

You gotta keep reminding me,|because I'm a sucky liar.

You're a terrific liar.

You've just lost|confidence in yourself.

I've lost confidence in myseIf now.

Come on.|We gotta get to the shop.

Take his wallet and his jewellery.

I told you to get rid of that sh*t!

- I know! Come on.|- Oh, Jesus!

She was dumping all this stuff|about Cookie on me.

- I had done enough already.|- So you refused to help her?

Joyce can be very persuasive.|And she didn't take no for an answer.

What the hell's in this?

His wallet, his jewellery|and his gun.

Enough, already.|I can't have any guns.

It's not registered.|How will I explain it?

I gotta get it out of here.

You could see what|was happening to her.

She was taking pills left and right.

She was really cracking up.

I think I hear him.

Like, sometimes...

I think I hear his voice|calling me.

"Joycie".

It's really weird,|the way the mind works.

You're gonna be fine.

After the funeral, you should just|take a trip, get away for a while.

Put this all behind you.

In the meantime, you can't keep|putting me in the middle here.

I gotta keep it quiet with Artie.|So if we don't talk...

it's all for the best.

What?

It's all for the best|if we don't talk.

Do you know I am so exhausted,|and I can't even sleep?

Let's get out of here.

They have concerns,|you have the answers.

They have objections.|You use it as buying signals.

You make the deal.|You close the deal.

You can't give them|enough time to think.

You woo them...

you sell them...

and sign them.

Caveat emptor. End of story.

Yeah, only me.

A person usually says,|"I'm home", or something.

Well, I'm home.

What the hell's going on?

Nothing. Why?

Why? What happened at the wake?|Did you talk to her?

- Yeah, I talked to her.|- And?

And I told her|not to call anymore...

and to not involve me,|and that I'm out of it.

- Sid is here.|- Oh, great.

I'll go say hello.

Hi, babies!

Come here, sweetie.|Hi, Sidney. How are you?

The question is how are you?

Artie told me what happened.

He did?

I told him about James.|About what happened.

What'd I tell you?|That somebody stole something...

and left him for dead|and he died.

F***ing animals!|If you'll excuse my French.

They should line them up against|the wall, slice them open...

and spread their guts out|on the parkway.

It's an ugly picture,|I know, but....

A young couple?|Did they rent or own?

They rented.

Ooh, bang!

Come on, honey.

Let's go on upstairs.

Time to get ready for bed.

What's in the bag?

Nothing.|It's just my Tampax.

I'm gonna get the kids|ready for bed. Come on.

- Good night, Sidney.|- Good night.

F***ing animals!|You got that right.

I know.

- " Ca-veet" emptor.|- Caveat emptor.

Yeah, right.

So she's taken|to Women's Detention.

Her fa ther told me|that she wanted to see me.

And he told me about the accident|she had with her wrists.

What did you do to yourself?

I don't know, man.

Somebody's talking.

- So what?|- Somebody's talking.

They ask questions, like somebody|knows something or said something.

I haven't talked to them.

Not even Cookie?

You know Cookie.|She's off dying her hair green...

and hanging out in Newark,|scared of her own shadow.

If she says something, they're gonna|put you in a cell next to mine.

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William Reilly

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Submitted on August 05, 2018

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