Mortification - Live Planetarium Page #2

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God day.

Are gentle and Dimitri. - I did not know you were so beautiful.

Beautiful. - Not too much. Rouged, not trowelled!

Speed up a little. A little more smoke.

That's not necessary. We have already gone through everything.

-Is camera ready? Excuse me, glasses ...

It becomes reflexes. I feel better with them on.

Then we get by anyway.

-Of course of shooting. -Systrarna Barlow. First take.

You can close your eyes. It's fine. Just concentrate.

-What is going on? Too much light.

If anything should get caught on the tape, we must have light.

Can not we put out a just? They have to get used to ...

I know, but only until they find their feet.

-Emiliano, blanking a headlamp. -When will the light level is too low.

We need to control performance, just like during a seance.

Who is directing, then? -I. I have seen how Servier do.

How are you supposed to talk to the team? -In French. I learn quickly.

It is a profession. It looks easy, but it is hard work behind it.

I'm not afraid of hard work.

I notice that you're scared. -I am not afraid.

Go back now. Do it for my sake.

Take your seats!

I know what you will say.

Forgive me, Andr, but what did you expect? That something would turn up? A ghost?

When you say it like that, it seems ridiculous.

I do not think we understand each other. We can recreate what you saw

-or what the girl looks while we film her. So what's the problem?

I do not know what I'm after, but we lack ambition.

They are fascinating. Do not you think?

My opinion? The little girl is hard filmed. She is introverted and grumpy.

The elderly have something, however. Attendance, emotion, personality.

It's her I'm looking at.

The camera is unfair. It is the youngest who has brilliance.

-How do you know that? -Take a seance, to view.

If I may fantasize high for a while ... Imagine that we take Laura-

-and gives her the lead role in a film, as a medium, of course.

She helps a young widower to make contact with her deceased husband.

Suzanne note well? This is great!

We take her as she is just, with all the knowledge she already carries.

We go out in the press that there is a real medium. It attracts people.

What it may take to write the script? -5-6 weeks.

Excellent!

There we have our project.

-Hi. -Laura!

You are punctual. I'm not used to. Here are your marks.

They take me. You will see anyway.

-Provfilmning, Laura Barlow. -Strunta in the replicas.

-What's your name? My name is Laura Barlow.

Where are you from? Where do you from?

From Rochester, New York.

-Rochester? Is it a city? -Yes, north of the city of New York.

It is a cheese, not a city.

Well then, read some of the text.

"The shared life had formed solid friendships between men."

-Liqueur? No, thanks, I do not drink.

No thanks.

You're probably wondering if I'm weird.

I will immediately answer. I'm not weird.

I'm not an occultist. I do not do black mssor

I am so rational it may be, even boring.

Look at me, Korben.

I'm here because you too have begun to ponder.

You try to keep lugnet-

But in your smoldering of the issues, concerns and desires.

You have to explore - lots! Not content with intryck

-without attack these events scientifically, until you know.

I have to meet with the girls, especially the youngest.

We met briefly in Warsaw, but we have never made any attempt.

That was why you asked me to come?

But I must warn you:

It is very costly.

Money is no problem.

They are the only photo evidence available. -Tjugo years old. They are manipulated.

There is always, but some are better than others. What is it you want?

We may well look at the proposals. -Now?

Yes. - Open.

A draft only. It will be better then.

Sorry you do not advance. Let's see.

We have put in black and white negativbilder-

-To get the white and blurred figures.

-Impressive! -Very elegant.

It is a cleverly done.

-very successful. -But?

I have other ambitions. -What then?

-To shoot real phenomenon. But we must move forward.

We do this best by capturing a vision on film.

Minimum sign of spiritual presence and the film becomes a given success.

Imagine! It would be the first time.

Real photos of supernatural phenomena. It has not seen before.

"You promised to try."

"They are waiting for us. Come on. Just an hour."

- "Pointing to the window." It is a stage direction.

You underestimate the audience's level of maturity.

-Brilliant! I had probably imagined black.

She will not be at the funeral. She should be sheer, like a ghost.

Do not listen to him, he is really bad mood.

-He's right. -Good morning everybody!

Good morning, mile. All is well? - A little less, Georges.

Fernand! Thank you that you could get.

-Here we are Laura. -Pleasantly.

She has not played before, so we have to help her.

That's enough. All of their locations. Clement takes his place.

Hurry up, everybody. - Laura, knocking hard on the door.

- -Okay. I sit here.

Eva will play that role. Regrets. - Is everyone ready?

Right! I'll explain the background.

You are therefore Clment, a young painter. You mourn your recently deceased wife.

Your agent is saddened by your ending inspiration-

And forces you to meet Maggie, a world-famous medium from the US.

Sean were becoming overwhelming. You will regain gnistan

-Then you come in contact with your deceased wife. Are you in?

You will be overthrown love, but Maggie think it's the wife, you lskar

-that you can never love anyone but her,

-and you deceive her.

Later, you will be confused. You do not know if it's Maggie, you're in love i

-or if you through her got into another tragic love story.

-Can I ask something? -No. Keep in uncertainty.

That's really good. - Let's go. We are already behind.

"Fatal revelation", shooting one.

You're welcome.

Clment! Where are you? I do not see you, it's so dark.

A little quieter, Laura.

Clement?

Where are you? I can not see you.

It's so dark.

I do not want to go out.

Are you sitting with her again? You promised you, promised to try.

-They are waiting. Come on. -No. I can not keep my promise.

It takes only one hour. It is close. -You do not understand.

I want to see you in daylight. I want to hear you speak to the living.

To go further would be to abandon her. But she sees what is happening between us.

She gives us her blessing. It happens between us?

Do not force me to put into words my feelings.

-You talk too much. -Turn around!

I'm not even half! I conceal nothing for myself.

And for her? -My affection.

-Snurra more. That I want to see you all the time.

And talk to her. -No.

Continue to spin.

The fear when you will, the fear when you go.

-I beg you. -My confusion ...

There is nothing worse than to deceive a deceased person.

I will arise, Clment. This studio is a mausoleum.

- -I'm going to kiss you, Maggie.

You can still stop me.

You kiss me to hold her.

When I kiss you, we are three. It's an orgy.

Break!

-Syns when I sit at the table? Yeah, it was great.

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