Mother! Page #10
HIM:
Writing. Last night. Those
people, their pain. Their love
behind the pain. And then, you.
Us. And now, that...
(he points at her belly)
Life.
(nods to himself)
It’s come to me. I know what to
say, I have to find the words.
That’s all.
She smiles. Happy to see him inspired.
MOTHER:
Amazing. I don’t want to interrupt,
I’ll just get started on theapocalypse.
She turns to leave. HIM looks up.
HIM:
Hey. I love you.
She smiles. Turns to look at the mess and sighs. Later in
the
MASTER BATHROOM:
Mother stands before the toilet. She holds the yellow
tincture in her hand. She dumps it all into the bowl and
flushes it.
73.
She exits the frame for the first time because now it is
FIVE MONTHS LATER
Mother, five months pregnant and showing, steps into theguest bedroom, which has been converted into a
NURSERY:
She moves through the room, putting away diaper cloths andother baby paraphernalia.
Her eyes are drawn to the floor where the rotten wood hasbeen replaced with a patch of new unstained boards. After a
beat, she covers it with the carpet.
She sneaks a peak into the drawing room, where HIM writes ata makeshift desk, deep in concentration. The walls around
him are covered with calligraphy sketches and ideas. The
doorknob is on his desk. She retreats through the
GUEST BATHROOM:
Which has been painted and converted into a baby’s bathroom.
Then she enters the
KITCHEN:
She opens the fridge to make a sandwich when she feels thebaby kick. She yelps with surprise.
She pulls up her shirt. The baby elbows the inside of her
FIVE MONTH belly. Her eyes go wide.
MOTHER:
(to herself)
It moved...
(to HIM)
It moved!
She rushes to the
STAIRWELL:
To tell HIM but the drawing room is empty. Then, she spots
him standing in the
74.
OPEN DOORWAY:
Staring into the wilderness outside.
MOTHER:
What is it?
He turns and sees her. A look she’s never seen before is on
his face. Her happiness turns into concern.
Slowly he looks down at his hands. She follows his eyes. In
his hand is a page with words: the poem.
MOTHER:
(she knows)
Is that it?
FOYER:
He barely believes it himself.
HIM:
I finished it.
MOTHER:
May I?
He hands the poem to Mother. A single sheet of paper.
She sits on the
STAIRS:
She gives him one last look and reads. Slowly, as the words
enter her we see images from
OUTSIDE:
HIM alone. He stands in a desolated field with the remnants
of his burnt home.
He reaches for someone. Mother emerges and takes his hand.
They are younger and newly in love.
She is smitten with him. And he with her.
As they clasp hands, the charred ground and the burnt house
begin to rejuvenate with new life.
75.
Back to Mother on the
STAIRS:
She starts to cry.
MOTHER:
It’s beautiful.
He holds her.
HIM:
Really? Why are you crying?
MOTHER:
It’s just a lot.
HIM:
You think it’s good?
MOTHER:
It’s perfect.
HIM:
Then? What’s going on?
She can barely ask:
MOTHER:
Am I going to lose you?
HIM:
(very serious)
Never-And
then the phone RINGS. The phone.
He goes to answer it. She’s left alone with the poem.
HIM:
Hello? Hi.
She wipes her tears and follows him into the
KITCHEN:
He is excited and on the phone.
HIM (ON PHONE)
Yes. Really? Really?
76.
MOTHER:
Who is that?
HIM (INTO PHONE)
Wait one moment, give me asecond...
(to Mother)
They loved it!
MOTHER:
Who did?
HIM (INTO PHONE)
Yeah I’ll be here. Standing by...
Are you there? Hello?
He lowers the phone, thinking a lot.
MOTHER:
Who was that?
HIM:
My publisher.
MOTHER:
She’s read it?
HIM:
Yes, of course. Why?
Mother is hurt.
The phone RINGS again. He takes the poem and answers the
phone.
HIM:
Yes? Hi again. Press? Well youknow how I feel about it... I’ll be
here, waiting.
(a beat)
The house is great...
Mother, alone again, wanders off. She walks into the
NURSERY:
And stares at the room.
She notices the traces of a blood stain on the carpet. She
feels it. Dry. Lifts the carpet. There’s nothing there but
the patched wood floor.
She exits the frame once again because when she returns it is
77.
Mother is extremely pregnant in the
MASTER BATHROOM:
Taking a shower. The hot water massages her baby bump. It
feels good.
Later, she throws on a robe and uses the hairbrush from her
hospital bag. At dusk, in the
KITCHEN:
Dressed in an evening gown, she takes a CAKE out of the ovenand sets it on the cooling rack. She pokes the cake with a
toothpick. It’s done.
Outside the window, from the corner of her eye, somethingrushes by.
She looks. Nothing there. She stares for a moment, just to
be sure.
The sun dips behind the distant trees. Night approaches.
She heads to the
DINING ROOM:
The table has been set for a beautiful meal. She fills the
glasses. HIM rounds down the stairs wearing a sports jacket.
HIM:
Amazing.
MOTHER:
Well, we’re celebrating. One day,
every copy sold.
HIM:
You’re so beautiful.
She glows in his compliment.
MOTHER:
Make yourself comfortable. I’ll go
get everything.
HIM:
Looks delicious. Let me help you.
78.
MOTHER:
No. Sit.
HIM:
No, I’m helping.
MOTHER:
Ok, will you bring the bread in?
HIM:
All right.
Mother goes into the
PANTRY:
As the door closes, the room goes dark and she sensessomething again.
She flips on the back porch light and JUMPS:
The ZEALOT stands right by the window. Ragged and disheveled
he waves at her. He holds a BOUND COPY of the poem HIM
wrote.
ZEALOT:
No, please, can I see him?
She yelps and runs into the
DINING ROOM:
HIM isn’t there. She sees him out on the porch. A small
populace forms around him. From the
FOYER:
She listens as questions rain down on HIM from the crowd.
ZEALOT:
Excuse me, I have a question.
MOTHER:
What are you doing?
HIM turns, a big look of amazement on his face.
MOTHER:
Who are they?
79.
HIM:
(thrilled)
I don’t know.
He doesn’t but he’s excited to find out. This confuses her
more.
HIM:
(to crowd)
Please, wait.
MOTHER:
What do they want?
He comes up to her.
HIM:
I don’t know. They’ve come here to
see me.
Her face barely reacts.
HIM:
Just keep everything warm. I’ll be
right in.
She has little response.
He turns back to them and nods. The crowd rustles.
HIM:
(gesturing to Zealot)
You had a question, what is it?
The Zealot steps forward eagerly.
ZEALOT:
As I was saying, we’ve all traveleda great distance and I feel thatthese words, I feel like they werewritten for me.
HIM:
Of course they were.
Mother slowly walks back into the
NURSERY:
She paces the room, not sure what to do. Blood soaks up into
the carpet. She lifts it up. The blood stain is back.
Disturbed, she returns to the
80.
FOYER:
The crowd SOUNDS are much louder. She glimpses out the
window. There are scores of people out there.
The Zealot now seems to be in a position of authorityprotecting HIM, who is the center of attention.
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"Mother!" Scripts.com. STANDS4 LLC, 2025. Web. 7 Jan. 2025. <https://www.scripts.com/script/mother!_1432>.
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