Moulin Rouge Page #7

Synopsis: The year is 1899, and Christian, a young English writer, has come to Paris to follow the Bohemian revolution taking hold of the city's drug and prostitute infested underworld. And nowhere is the thrill of the underworld more alive than at the Moulin Rouge, a night club where the rich and poor men alike come to be entertained by the dancers, but things take a wicked turn for Christian as he starts a deadly love affair with the star courtesan of the club, Satine. But her affections are also coveted by the club's patron: the Duke. A dangerous love triangle ensues as Satine and Christian attempt to fight all odds to stay together but a force that not even love can conquer is taking its toll on Satine...
Director(s): Baz Luhrmann
Production: 20th Century Fox
  Won 2 Oscars. Another 84 wins & 129 nominations.
 
IMDB:
7.6
Metacritic:
66
Rotten Tomatoes:
76%
PG-13
Year:
2001
127 min
$55,093,223
Website
10,417 Views


ZIDLER:

The show must go on

The show must go on

I'll top the bill

I'll earn the kill

I have to find the will to carry

On with the

On with the

On with the show

ZIDLER:

On with the show!

The show

Must go on

What's wrong?

I'm staying with the Duke.

After I left you, the Duke came to see me

and he offered me everything.

Everything that I've ever dreamed of.

He has one condition.

I must never see you again.

I'm sorry.

What are you talking about?

You knew who I was.

What are you saying?

What about last night?

I don't expect you to understand.

The difference between you and I is

that you can leave anytime you choose.

But this is my home.

The Moulin Rouge is my home.

No.

There must be something else.

This can't be real.

There's something the matter.

Tell me what it is. Tell me what's wrong.

Tell me the truth. Tell me the truth!

The truth?

The truth is...

...I am the Hindi courtesan.

And I choose the maharajah.

That's how the story really ends.

Jealousy has driven him mad!

CHRISTIAN:

Satine!

Satine!

Things aren't always as they seem.

Things are exactly the way they seem.

Christian, you may see me only as

a drunken, vice-ridden gnome...

...whose friends are just pimps

and girls from the brothels.

But I know about art and love...

...if only because I long for it

with every fiber of my being.

She loves you. I know it.

I know she loves you.

Go away, Toulouse. Leave me alone.

Go away.

Go away!

I wanted to shut out

what Toulouse had said...

...but he had filled me with doubt.

And there was only one way to be sure.

I had to know.

So I returned to the Moulin Rouge...

...one last time.

She is mine!

TOULOUSE [SINGING]:

I only speak the truth

I only speak the truth

[SINGING IN HINDI]

[SATlNE SINGlNG]

[SINGING]

Kiss

Hand

Diamonds

Best friend

Kiss

Grand

Diamonds

Best friend

Men

Cold

Girls

Old

And we all lose our charms

In the end

Diamonds are a

CHORUS:

Diamonds are a

Girl's

Best

Friend

She is mine.

[CHEERING]

I know she still loves him.

There's got to be a reason.

How about one of them

is a duke and the other--?

Then you agree something is wrong.

But what? What?

I raise high

my ceremonial wedding sword...

...and welcome my loyal subjects

to join with us...

...in celebration....

[COUGHlNG]

What a magnificent performance.

MARIE:
A little bit more for me.

Come on, lovey. There, that's a girl.

The boy is here.

ZIDLER:
I told Satine that if Christian

were to come near her, he'd be killed!

He very soon will be.

He will be killed.

That's it. That's why she's

pushing him away. To save him.

That's it.

Christian! Ah!

[YELLING]

Oh, God, this is high up.

I've come to pay my bill.

You shouldn't be here, Christian.

Just leave.

Killed. Killed. Killed.

I must warn him!

You made me believe you loved me.

Why shouldn't I pay you?

Please go away.

MARIE:
She's got to get on her stage!

ZIDLER:
Jealousy has driven

the sitar player into hiding.

You did your job so very, very well.

MAN:

Persian army, go!

The boy's taken Satine. Quick.

CHRISTIAN:
Why can't I pay you

like everyone else does?

Don't, Christian. There's no point.

Just leave.

They're going to kill the poor boy!

But I have found them.

Stop him.

[SCREAMS]

If you don't love me and it wasn't real,

why can't I pay you?

ZIDLER:

Let the palace doors be opened!

TOULOUSE:

Christian!

Open the doors!

Let me pay! Let me pay!

Open the doors.

Tell me it wasn't real.

Tell me you don't love me!

Open the doors!

Christian!

Tell me you don't love me!

[LAUGHS]

I am not fooled!

Though he has shaved off his beard

and adopts a disguise...

...my eyes do not lie!

For it is he!

The same penniless sitar player!

AUDlENCE:
Ah.

Driven mad by jealousy!

Oh, God, no.

This woman is yours now.

I've paid my whore!

I owe you nothing.

And you are nothing to me.

Thank you for curing me of

my ridiculous obsession with love.

I can't remember my line.

This sitar player...

...doesn't love you.

See? He flees the kingdom!

Pumpkin, it's for the best.

You know it is.

The show must go on.

And now, my bride...

...it is time for you to raise

your voice to the heavens...

...and say your wedding vows.

I've got it!

Christian!

[TOULOUSE SCREAMING]

The greatest thing you'll

ever learn...

...is just to love...

...and be loved...

...in return!

[SINGING]

Never knew

I could

Feel like this

It's like I've never seen

The sky before

Want to vanish

Inside your kiss

Every day I'm loving you

More and more

Listen to my heart

Can you hear it sing?

Come back to me

And forgive

Everything

Seasons may change

Winter to spring

I love you.

Till the end

Of

Time

[SINGING]

Come what may

Come what may

I will love you

Until my dying

Day

Day

Come what may

Come what may

I will love you

I will love you

Until my dying--

Until my dying--

TOULOUSE:

Christian, he's got a gun!

[TOULOUSE SCREAMING]

They're trying to kill you!

Shut up!

Look, he's got a gun!

Guards, seize them!

[YELLING IN FRENCH]

No problem. Go back to work!

[SINGING]

No matter what you say

CHORUS:

The show is ending our way

Come on and stand your ground

For freedom

Beauty

Truth and love

One day I'll fly away

My gift is my song

Fly away

My gift is my song

I will love you

I will love you

Yes, I will love you

Yes, I will love you

I will love you

I will love you

Till my dying

Till my dying

My way!

My way! My way!

Day

Day

Stand by for curtain call.

Dancers, positions, please.

Satine.

[SATlNE COUGHING]

Satine? What's the matter?

What is it?

Tell me. What's the matter?

Tell me. Satine? What's the matter?

[SATlNE WHEEZING]

Oh, my God.

Somebody get some help!

Hold the curtain. Fetch the doctor.

I'm sorry, Christian.

I'm dying.

CHRISTIAN:
Shh. Shh.

It's all right.

SATINE:
I'm so sorry.

CHRISTIAN:
No, you'll be all right.

You'll be all right. l know you'll be all right.

I'm cold. I'm cold.

Hold me.

I love you.

You've got to go on, Christian.

I can't go on without you.

You've got so much to give.

Tell our story, Christian.

Promise me.

That way...

...I'll always be with you.

[SOBBING]

[SOBBING LOUDLY]

[SINGING]

There was

A boy

A very strange

Enchanted

Boy

CHRISTIAN:
Days turned into weeks.

Weeks turned into months.

And then,

one not-so-very-special day...

...l went to my typewriter,

I sat down...

...and I wrote our story.

A story about a time...

...a story about a place...

...a story about the people.

But above all things...

...a story about love.

A love that will live forever.

The...

...end.

[SINGING]

The greatest thing

You'll ever learn

Is just to love

And be loved

In return

Rate this script:0.0 / 0 votes

Baz Luhrmann

Baz Luhrmann is an Australian writer, director and producer with projects spanning film, television, opera, theater, music and recording industries. As a storyteller, he 's known as a pioneer of pop culture, fusing high and low culture with a unique sonic and cinematic language. more…

All Baz Luhrmann scripts | Baz Luhrmann Scripts

1 fan

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Moulin Rouge" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/moulin_rouge_14111>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Moulin Rouge

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does the term "beat" refer to in screenwriting?
    A The end of a scene
    B A musical cue
    C A type of camera shot
    D A brief pause in dialogue