Moulin Rouge Page #7
ZIDLER:
The show must go on
The show must go on
I'll top the bill
I'll earn the kill
I have to find the will to carry
On with the
On with the
On with the show
ZIDLER:
On with the show!
The show
Must go on
What's wrong?
I'm staying with the Duke.
After I left you, the Duke came to see me
and he offered me everything.
Everything that I've ever dreamed of.
He has one condition.
I must never see you again.
I'm sorry.
What are you talking about?
You knew who I was.
What are you saying?
What about last night?
I don't expect you to understand.
The difference between you and I is
that you can leave anytime you choose.
But this is my home.
No.
There must be something else.
This can't be real.
There's something the matter.
Tell me what it is. Tell me what's wrong.
Tell me the truth. Tell me the truth!
The truth?
The truth is...
...I am the Hindi courtesan.
And I choose the maharajah.
That's how the story really ends.
Jealousy has driven him mad!
CHRISTIAN:
Satine!
Satine!
Things aren't always as they seem.
Things are exactly the way they seem.
Christian, you may see me only as
a drunken, vice-ridden gnome...
...whose friends are just pimps
and girls from the brothels.
But I know about art and love...
...if only because I long for it
She loves you. I know it.
I know she loves you.
Go away, Toulouse. Leave me alone.
Go away.
Go away!
I wanted to shut out
what Toulouse had said...
...but he had filled me with doubt.
And there was only one way to be sure.
I had to know.
So I returned to the Moulin Rouge...
...one last time.
She is mine!
TOULOUSE [SINGING]:
I only speak the truth
I only speak the truth
[SINGING IN HINDI]
[SATlNE SINGlNG]
[SINGING]
Kiss
Hand
Diamonds
Best friend
Kiss
Grand
Diamonds
Best friend
Men
Cold
Girls
Old
And we all lose our charms
In the end
Diamonds are a
CHORUS:
Diamonds are a
Girl's
Best
Friend
She is mine.
[CHEERING]
There's got to be a reason.
How about one of them
is a duke and the other--?
Then you agree something is wrong.
But what? What?
I raise high
my ceremonial wedding sword...
...and welcome my loyal subjects
to join with us...
...in celebration....
[COUGHlNG]
What a magnificent performance.
MARIE:
A little bit more for me.Come on, lovey. There, that's a girl.
The boy is here.
ZIDLER:
I told Satine that if Christianwere to come near her, he'd be killed!
He very soon will be.
He will be killed.
That's it. That's why she's
pushing him away. To save him.
That's it.
Christian! Ah!
[YELLING]
Oh, God, this is high up.
I've come to pay my bill.
You shouldn't be here, Christian.
Just leave.
Killed. Killed. Killed.
I must warn him!
You made me believe you loved me.
Why shouldn't I pay you?
Please go away.
MARIE:
She's got to get on her stage!ZIDLER:
Jealousy has drivenYou did your job so very, very well.
MAN:
Persian army, go!
The boy's taken Satine. Quick.
CHRISTIAN:
Why can't I pay youlike everyone else does?
Don't, Christian. There's no point.
Just leave.
They're going to kill the poor boy!
But I have found them.
Stop him.
[SCREAMS]
If you don't love me and it wasn't real,
why can't I pay you?
ZIDLER:
Let the palace doors be opened!
TOULOUSE:
Christian!
Open the doors!
Let me pay! Let me pay!
Open the doors.
Tell me it wasn't real.
Tell me you don't love me!
Open the doors!
Christian!
Tell me you don't love me!
[LAUGHS]
I am not fooled!
Though he has shaved off his beard
and adopts a disguise...
...my eyes do not lie!
For it is he!
The same penniless sitar player!
AUDlENCE:
Ah.Driven mad by jealousy!
Oh, God, no.
I've paid my whore!
I owe you nothing.
And you are nothing to me.
Thank you for curing me of
my ridiculous obsession with love.
I can't remember my line.
This sitar player...
...doesn't love you.
See? He flees the kingdom!
Pumpkin, it's for the best.
You know it is.
The show must go on.
And now, my bride...
...it is time for you to raise
your voice to the heavens...
...and say your wedding vows.
I've got it!
Christian!
[TOULOUSE SCREAMING]
ever learn...
...is just to love...
...and be loved...
...in return!
[SINGING]
Never knew
I could
Feel like this
It's like I've never seen
The sky before
Want to vanish
Inside your kiss
Every day I'm loving you
More and more
Listen to my heart
Can you hear it sing?
Come back to me
And forgive
Everything
Seasons may change
Winter to spring
I love you.
Till the end
Of
Time
[SINGING]
Come what may
Come what may
I will love you
Until my dying
Day
Day
Come what may
Come what may
I will love you
I will love you
Until my dying--
Until my dying--
TOULOUSE:
Christian, he's got a gun!
[TOULOUSE SCREAMING]
They're trying to kill you!
Shut up!
Look, he's got a gun!
Guards, seize them!
[YELLING IN FRENCH]
No problem. Go back to work!
[SINGING]
No matter what you say
CHORUS:
The show is ending our way
Come on and stand your ground
For freedom
Beauty
Truth and love
One day I'll fly away
My gift is my song
Fly away
My gift is my song
I will love you
I will love you
Yes, I will love you
Yes, I will love you
I will love you
I will love you
Till my dying
Till my dying
My way!
My way! My way!
Day
Day
Stand by for curtain call.
Dancers, positions, please.
Satine.
[SATlNE COUGHING]
Satine? What's the matter?
What is it?
Tell me. What's the matter?
Tell me. Satine? What's the matter?
[SATlNE WHEEZING]
Oh, my God.
Somebody get some help!
Hold the curtain. Fetch the doctor.
I'm sorry, Christian.
I'm dying.
CHRISTIAN:
Shh. Shh.It's all right.
SATINE:
I'm so sorry.CHRISTIAN:
No, you'll be all right.You'll be all right. l know you'll be all right.
I'm cold. I'm cold.
Hold me.
I love you.
You've got to go on, Christian.
I can't go on without you.
You've got so much to give.
Tell our story, Christian.
Promise me.
That way...
...I'll always be with you.
[SOBBING]
[SOBBING LOUDLY]
[SINGING]
There was
A boy
A very strange
Enchanted
Boy
CHRISTIAN:
Days turned into weeks.Weeks turned into months.
And then,
one not-so-very-special day...
...l went to my typewriter,
I sat down...
...and I wrote our story.
But above all things...
A love that will live forever.
The...
...end.
[SINGING]
The greatest thing
You'll ever learn
Is just to love
And be loved
In return
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Moulin Rouge" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/moulin_rouge_14111>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In